Showing posts with label amazonfail. Show all posts
Showing posts with label amazonfail. Show all posts

From Perverts to Fab Five: The Media's Changing Depiction of Gay Men and Lesbians Review

From Perverts to Fab Five: The Media's Changing Depiction of Gay Men and Lesbians
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I was looking forward to reading this book and perhaps using it in my class on LGBT characters and themes in the media. Alas, I won't be doing that. The book is, unfortunately, a mile wide and about an inch deep. In the chapters on material that I have taught a number of times, including "Queer as Folk," "Queer Eye for the Straight Guy," and "Brokeback Mountain," there are obvious and baffling mistakes that seem to show that the author really doesn't know that material very well and certainly didn't have anyone check references or scenes for accuracy.
For instance, in the chapter on "Queer as Folk," in the second paragraph he claims that Brian discusses his first time having sex, quoting, "We're all scared the first time," and then proceeds to have sex with Justin. In fact, as anyone who has actually watched the episode would know, this speech and the sex scene happen about a half hour apart in two distinct scenes, with the entire hospital interlude where Brian sees his baby son for the first time coming between them. And that's just the second paragraph! There are numerous mistakes in detail and also in intent throughout the chapter, which makes me not trust the information in other chapters that I'm not so up on. And it's the same in the chapter on "Queer Eye" -- one of the key quotes in the very first episode, one that was featured in all the ads and also served to delineate Carson's character as the master of the cheeky one-liner, was the line, "You put an apartment where the crack den used to be!" The author puts it into the mouth of Butch, the laconic straight guy, where it makes no sense at all (it's HIS "crack den" after all and he liked it!). And so on. The author also mischaracterizes Ennis' reaction to being parted from Jack in the chapter on "Brokeback Mountain," claiming that Ennis is more concerned with his missing shirt than with leaving Jack. In fact, after Jack leaves, Ennis begins to sob and vomits in the alley, such is his upset at being parted from his lover. And so it goes with that.
I guess I expect better from Routledge, which I've always held to a very high standard of scholarship. I also wonder at the author, who is listed as a professor and dean at American University. Well, I may not be a full professor or dean, or have a contract to write on queer television and film characters, but I'd never make so many sweeping mistakes on the vital material. I've only read the book through once so far, but my red pen has gotten quite a workout. I'd send my students back to the source material for another, closer look.

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From "Perverts" to "Fab Five" tracks the dramatic change in how the American media have depicted gay people over the last half-century. Each chapter illuminates a particular media product that served as a milestone on the media's journey from demonizing homosexuals some fifty years ago to celebrating gay people--or at least some categories of gay people--today. The media, Streitmatter argues, have not merely reflected the American public's shift to a more enlightened view of gay people, but they have been instrumental in propelling that change. The book spans the breadth of communication venues. Individual chapters focus on major news stories, entertainment television programs, and mainstream motion pictures that captured the public imagination while, at the same time, sending powerful messages about gay men and lesbians. Ideal for any reader interested in the changing depiction of gay men and lesbians in the media over time, or as required reading in media courses.

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Angels in America, Part One: Millennium Approaches Review

Angels in America, Part One: Millennium Approaches
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Plays are difficult things to read. It is rare to find a play that is widely read outside of classroom assignments. We have become so accustomed to the narrative form that it can be discombobulating to read stage directions, set descriptions, and stark lines of characters with little sense of the nuance of delivery, the emotion behind the words. Of course, we also have to thank Mr. William Shakespeare for scaring most people away from reading plays in play form. Great that the Bard is, many people look back on their school assignments of reading with a certain amount of angst. Play form is difficult enough, but surely Shakespeare could be translated into English!
`Angels in America, Pt. 1: Millennium Approaches' is, linguistically speaking, a much more accessible play. But it still suffers (as perhaps all plays must) from the lack of description beyond the words. In this regard, plays are very much more like poetry - they tend to latch on to single elements rather than taking the fuller form of narrative, and leave the rest to the imagination of the reader.
Tony Kushner's play is imaginative. Like great playwrights of old, he takes contemporary situations and figures and embellishes them, keeping faith with the overall meanings in society and the overall characters he's using, but is careful to make it known that this is a work of fiction.
We begin the play, staged (we are told) in the barest of scenery with a minimum of scene shifting and no black-outs - imagine, if you will, almost a stream of consciousness as the play progress - there is a funeral. A Jewish funeral. Not an unusual scene in New York, but the Rabbi doesn't know the woman, and so gives generic funereal orations.
Scene shifts to the office of Roy Cohn (alas, an all too real figure, but this is, Kushner emphasises, a fictional account). Here we encounter the high-powered, high-strung Cohn in his glorious best (or worst) while Joe (a conservative Mormon lawyer) is being chatted up for a job, which would put him in Cohn's debt.
Scene shifts - we see Joe's wife Harper planning a trip with a travel agent, Mr. Lies.
And so forth - in the course of this tale, we meet several people who are in various stages of AIDS. This is the meaning of the play. We encounter out gays and closeted gays, poor gays and rich gays, and the occasional straight suffering person, too. Often we have scene shifts and double scenes with two sets of action going on simultaneously. The moral issues of life with AIDS (which, as it happens, often reflect the moral issues of life more generally) are played out in political, social and religious terms.
Take, for instance, Louis, who attends the funeral (conducted by the Rabbi), who is contemplating leaving his lover Prior, who has started to show symptoms. The interplay between Louis and the Rabbi shows differing ideas not only between religions but also within religions toward difficulties.
Later, Cohn launches into an extended tale to his doctor of how he couldn't possibly be a homosexual:
`This is what a label refers to. Now to someone who does not understand this, homosexual is what I am because I have sex with men. But really this is wrong. Homosexuals are not men who sleep with other men. Homosexuals are men who in fifteen years of trying cannot get a pissant antidiscrimination bill through City Council. Homosexuals are men who now nobody and who nobody knows. Who have zero clout. Does this sound like me?'
Ultimately, denial is deep with Cohn.
Doctor: You have AIDS, Roy.
Cohn: No, Henry, no. AIDS is what homosexuals have. I have liver cancer.
Ultimately, issues of drug access, relationship building and deterioration, and the overall morality of life is played out among the characters. Perhaps the image of Ethel Rosenberg, who appears to Cohn in one of his weakened delusional states, says it best:
History is about to crack wide open. Millennium approaches.
The play concludes as an Angel makes a traumatic entry at the end (the cracking open that Rosenberg mentions, perhaps?) appearing to Prior, after we have witnessed Prior's now ex-lover Louis making a connection with our conservative Mormon lawyer Joe.
There is a message. We the audience are not told what it is.

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Before Night Falls: A Memoir Review

Before Night Falls: A Memoir
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"Before Night Falls," the autobiography of Cuban writer Reinaldo Arenas, is an astonishing book. Arenas notes that he dictated part of the book into a tape recorder, and it was later transcribed by a friend. This format probably accounts for the book's intimate tone; I could imagine Arenas sitting in front of me and telling the whole story over coffee. The book has been translated into a forthright English by Dolores M. Koch.
"Before Night Falls" begins with Arenas' childhood in rural Cuba. It details his life as a writer, his many sexual exploits as a gay man, and his sufferings under the regime of Fidel Castro. It is amazing to read how Arenas had to struggle to exist as a writer in a police state; he tells how he was forced to hide manuscripts and how friends smuggled his writings out of Cuba for publication in foreign countries.
The book contains many shocking and painful episodes, such as his accounts of his own imprisonment and exile. But his life story also contains moments of humor and hope. Particularly interesting are Arenas' accounts of his friendships with other gay Cuban writers, such as Virgilio Pinera and Jose Lezama Lima. Overall, the tone of the book reflects Arenas' many moods: sensuous, angry, joyful, outraged, wry, melancholy, and--above all--defiant. His writing is rich in colorful personalities and fascinating anecdotes.
An interesting companion volume to Arenas' autobiography would be the book "Eminent Maricones: Arenas, Lorca, Puig, and Me," by gay Colombian-born writer Jaime Manrique. Manrique knew Arenas personally, and "Eminent Maricones" contains an account of Arenas' last days as he worked to complete "Before Night Falls" while dying of AIDS-related complications. Having read that book made me appreciate Arenas' achievement even more.
At one point Arenas recalls advice given to him by Jose Lezama Lima: "Remember that our only salvation lies in words: write!" Reading this book, I get the sense that Arenas achieved his own personal "salvation" through his literature, and in particular, through this autobiography. "Before Night Falls" is an amazing human testament that moved me deeply. If you are interested in Latin American literature, gay studies, the art of autobiography, or human rights issues, I strongly recommend this book to you.

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Am I Blue?: Coming Out from the Silence Review

Am I Blue: Coming Out from the Silence
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What an awesome book! "Am I Blue?" is a collection of sixteen stories dealing with what it's like to grow up as a gay or lesbian teenager. The story that came closest to me personally was M.E. Kerr's "We might as well all be strangers" because it talks about a Jewish girl who comes out to both her mother and her grandmother. Surprisingly, her grandmother is much more accepting of the girl's sexuality since she had visited Nazi Germany under Hitler and knew what it was like to feel excluded. And in a twist of irony, the girl's mother says that her grandmother would be upset if she found out - perhaps just an indication that we don't know our parents quite as well as we think that we do! As it is my family, tolerance has appeared to have skipped a generation from grandparents to grandchildren, making the generation inbetween "strangers" in the family. To quote the book... "strangers take a long time to become acquainted, especially when they come from the same family."
Another story that I liked was "Am I Blue?" by Bruce Coville since it has let me see the world in shades of blue rather than black and white. Editor Marion Dane Bauer's contribution, "Dancing Backwards", is not only well-writen, but also has a good moral: don't look to others for direction - trust yourself. Finally, "Three Mondays in July" by James Cross Giblin was just the most fascinating story in the entire book. It helped me put a good perspective on what it would have been like to grow up gay in 1951.
Overall, as I said, the book was excellent. And the best part is that you don't have to be gay to read the book or to appreciate the stories - I'd bet that straight readers would get just as much out of the book as the intended gay audience! If you're thinking about reading it - don't hesistate! It will please even the most cynical readers :)

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