Average Reviews:
(More customer reviews)Yes: Brook is a genius.
Yes: This work is of great value to any theatre artist.
BUT!!! This book is rather dense, and those who are unfamiliar with major movements and theories in the last century of theater may find themselves a bit lost when Brook begins to talk about Artaud and the "Holy Theater" or Brecht and "Rough Theater."
Brook's ideas, through his sometimes dense writing, are meant to inspire and invigorate. This is not a manual or even a reference to create good theatre, as a major argument of Brook's is that good theater is far to complex and ever-changing to be explained by any book/manual/dogma/etc.
Read this book and know that it will not help you to create good theatre- if anything, it will raise the bar for "good" theatre so much higher that one's task becomes infinitely more difficult. This is the agony and the ecstasy of reading Peter Brook.
Click Here to see more reviews about: The Empty Space: A Book About the Theatre: Deadly, Holy, Rough, Immediate
In "The Empty Space", groundbreaking director Peter Brook draws on a life in love with the stage to explore the issues facing any theatrical performance. Here he describes important developments in theatre from the last century, as well as smaller scale events, from productions by Stanislavsky to the rise of Method Acting, from Brecht's revolutionary alienation technique to the free form Happenings of the 1960s, and from the different styles of such great Shakespearean actors as John Gielgud and Paul Scofield to a joyous impromptu performance in the burnt-out shell of the Hamburg Opera just after the war. Passionate, unconventional and fascinating, his book shows how theatre defies rules, builds and shatters illusions and creates lasting memories for its audiences.--This text refers to an alternate Paperback edition.
