Showing posts with label delusional. Show all posts
Showing posts with label delusional. Show all posts

The Original Argument: The Federalists' Case for the Constitution, Adapted for the 21st Century Review

The Original Argument: The Federalists' Case for the Constitution, Adapted for the 21st Century
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No matter what you think of his politics, you have to admire Glenn Beck's willingness to explore territory that other pundits (on the right and left) have shrugged off or ignored. The Federalist Papers fall into that category. Often regarded as archaic and irrelevant, the `Original Argument' for a Constitution and federal government has often been overlooked by modern theorists. Glenn Beck does a fine job of resurrecting them, and breathing life into them once again.
So, why are they so important, and what is the original argument any way? As Beck states in the introduction, "What the Federalist Papers offer to us today is a guide to understanding the Founders' core constitutional principles, the theories behind their words, the why, the where and how of the foundation of America." Beck clearly esteems the Founding Fathers, and finds the Federalist Papers to be of their core work.
What I find most interesting is the even-handedness Beck levies. The Federalists are known to have been pro-federal government, which in today's climate is allied with Democrats and modern liberals and against Republicans and conservatives. For instance, much of Hamilton's rhetoric is used today in defense of widespread government intervention, especially with regard to fiscal and monetary policy.
But rather than denouncing the Federalists as monarchists or totalitarians, as some on the political right might be inclined to do, Beck is willing to honestly examine their work and analyze it in its context. What the reader finds is that, though some Federalist concepts certainly were statist in their effect, the core ideas are arguably the core ideas of the political right--minimum government and maximum freedom. To be sure, the concept of `Federalism' isn't just about the federal government--a balance of power achieved by individualized states is also implicit in the concept.
Though this book's focus is narrow and won't stand on its own like Wood's Radicalism of the American Revolution or Morse's Juggernaut: Why the System Crushes the Only People Who Can Save It, Beck's treatment of the Federalists is one of the best out there, and can be appreciated by anyone interested in the history of American politics, on the right or the left.

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Glenn Beck revisited Thomas Paine's famous pre-Revolutionary War call to action in his #1 New York Times bestseller Glenn Beck's Common Sense. Now he brings his historical acumen and political savvy to this fresh, new interpretation of The Federalist Papers, the 18th-century collection of political essays that defined and shaped our Constitution and laid bare the "original argument" between states' rights and big federal government--a debate as relevant and urgent today as it was at the birth of our nation.


Adapting a selection of these essential essays--pseudonymously authored by the now well-documented triumvirate of Alexander Hamilton, James Madison, and John Jay--for a contemporary audience, Glenn Beck has had them reworked into "modern" English so as to be thoroughly accessible to anyone seeking a better understanding of the Founding Fathers' intent and meaning when laying the groundwork of our government. Beck provides his own illuminating commentary and annotations and, for a number of the essays, has brought together the viewpoints of both liberal and conservative historians and scholars, making this a fair and insightful perspective on the historical works that remain the primary source for interpreting Constitutional law and the rights of American citizens.


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Hollywood in Blackface: Black Images in Film from Night of the Living Dead to Thor Review

Hollywood in Blackface: Black Images in Film from Night of the Living Dead to Thor
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It has been said that "Telling the Truth in a time of Lies is a Revolutionary act".
The Author exposes a paradigm that everyone is aware of but dare not say for fear of being labeled "Racist". Television, Movies, Commercials push an image of negros as intelligent scientists, Doctors, Lawyers, Computer and Electronics experts in stable loving families. The reality is that the average I.Q. of negros is 85, that 50% of them never graduate High school, that their most common job is barber, that 70% of children are born into an illegitimate household and that almost 92% of interracial crime (including 50% of murders) is caused by this small demographic.
Regular people are aware of this, for they see reality shows such as "COPS" or "The First 48". They see the "Thug" lifestyle, the Rap Videos filled with White hate, They see through family members experiences the tragic cost of negro crime. For example, in 2005 according to Dept of Justice, 37,000 Whites were raped by negros, while Whites raped ZERO negros (See Chart 48, DOJ Crime Stats, 2005). This is an astonishing number, equal to the number of fatal car crashes in the USA, equal to the dead from the entire Vietnam war and IT HAPPENS EVERY YEAR. Youtube supplies security video of robberies or murders of convenience store clerks, offices, stores, shopping centers, the majority committed by negros.
This leads to a separation of reality between the average experience of the American people in interaction with negros and that portrayed by TV. Worse is the casting of negros in White parts in movies such as "Thor" and "I am Legend" (A remake of Omega Man) for the sake of "making negros feel "relevant"". Missing is movies cast the other way, such as a movie about Martian Luther King, jr. with the part played by Tom Cruise. That Hollywood would push such a defacement of reality and history is bizarre enough, but that American Companies would try the same thing is sad in the extreme.
This book illustrates this bizarre defacement with humor and insightful commentary. An excellent buy!

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In Black Run America (BRA), Hollywood is one of the primary cultural unifiers. Everyone sees and talks about the same films and movies across geographically diverse places from Bismark, North Dakota to Oxford, Mississippi.Filmmakers skillfully manipulate character and dialogue, conflict and action, in ways that allow them to cast positive and negative images; in so doing, filmmakers profoundly shape the perceptions their audiences hold of different racial groups which they, the audience, rarely encounter in real life.It is through this constant and careful manipulation of Black characters in popular films that has manufactured a positive representation for all Black people. Black Fictional Images (BFI) from the character of Captain Stephen Hiller played by Will Smith in Independence Day to Miles Dyson played by Joe Morton in Terminator 2: Judgment Day, from the character of Azeem played by Morgan Freeman in Robin Hood: Prince of Thieves to Terence Mann as played by James Earl Jones in Field of Dreams, these and numerous other actors and films have done more to burnish the image ofBlack people in America than all the Civil Rights activists combined. Indeed, the manipulation of characters like these and numerous others over the years have gone far toward manufacturing perceptions of Black people that reality just cannot replicate.Now even Thor, a movie based upon Nordic gods and mythology, has cast Black actor Idris Elba as a Northern European deity. Often characters such as these -- dubbed by one writer as the "Numinous Negro" -- provide moral clarity and guidance, helping the feckless white protagonist to overcome some obstacle or achieve some quest, and thus the positive image of the Black person is manufactured. A transference occurs, then, from this "Numinous Negro" that is rarely seen in a negative light into the positive image of Black Americans today that is out of kilter with reality.The book you hold in your hands, Hollywood in Blackface, will be your guide to the films and the characters that manipulated minds along the way in creating Black Run America.

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