Showing posts with label african-america n. Show all posts
Showing posts with label african-america n. Show all posts

Where Do We Go from Here: Chaos or Community? Review

Where Do We Go from Here:  Chaos or Community
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Many of those who claim to admire Dr. King and quote from his I have a dream speech seem to have never read his books. This book is the best of all the books King has written and probably the least read. In it, Dr. King critiques himself for giving the then youthful leaders of the Black Power Movement too overly optimistic views of the progress of integration. He also presents the pros and cons of Black Power. He states the need for White America to do much more to improve race relations other than declaring racism to be wrong. He calls for the teaching of African-American history, and for the nation to focus more on helping the poor over military spending. This book should be mandatory reading for high school students, college students, teachers, public officials and business leaders.

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One Crazy Summer (Scott O'Dell Award for Historical Fiction (Awards)) Review

One Crazy Summer (Scott O'Dell Award for Historical Fiction (Awards))
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When I heard that teen author Rita Williams-Garcia had written a middle grade novel for kids I wasn't moved one way or another. I don't read teen books. Couldn't say I knew much of the woman's work. When I heard that her book was about the Black Panthers, however, my interest was piqued. Black Panthers, eh? The one political group so difficult to write about that you can't find them in a single children's book (aside from "The Rock and the River" by Kekla Magoon, of course). So what was her take? How was she going to do it? But the thing is, "One Crazy Summer" is more than merely a historical tale. It's a story about family and friendships and self-sacrifice. There are so many ideas floating about this little novel that you'd think it would end up some kind of unholy mess. Instead, it's funny and painful and just a little bit brilliant. "One Crazy Summer" is a book that's going to earn itself a lot of fans. And a lot of them are going to be kids.
Eleven going on twelve Delphine has always kept a sharp eye on her little nine and seven-year-old sisters Vonetta and Fern. That's because their mother left them seven years ago and never came back again. "Cecile Johnson - mammal birth giver, alive, an abandoner - is our mother. A statement of fact." So when their father packs them on a plane and sends them to Oakland, California to see Cecile, their mom, the girls have no idea what to expect. Certainly they didn't think she'd just leave them in a kind of daycare over the summer run by members of the Black Panthers. And they probably didn't expect that their mother would want near to nothing to do with them, save the occasional meal and admonishment to keep out of her kitchen. Only Delphine knew what might happen, and she makes it her mission to not only take care of her siblings, no matter how crazy they make her, but also to negotiate the tricky waters that surround the woman who gave her up so long ago.
The whole reason this novel works is because author Rita Williams-Garcia has a fantastic story that also happens to meld seamlessly into the summer of 1968. I've been complaining for years that when it comes to the Black Panthers, there wasn't so much as a page of literature out there for kids on the topic (except the aforementioned "The Rock and the River" and even that's almost teen fare). Now "One Crazy Summer" is here. Certainly I don't know how Ms. Williams-Garcia set about writing the darn thing, but if she had stridently set about to teach without taking into consideration the essentials of good storytelling, this book would have sank like a stone. Instead, she infuses this tale with danger, characters you want to take a turn about the block with, and the heat of an Oakland sun.
I mean, take the people in this book! Someone once sold this story to me as "The Penderwicks meets the Black Panthers" and for the longest time I couldn't figure out why they`d said it. Then I started thinking back to the sisters. Ms. Wiliams-Garcia must have sisters. She must. How else to explain the dynamic between Delphine, Vonetta, and Fern? So it all became clear. If you love the family dynamics of "The Penderwicks", you'll probably find yourself loving the same thing here. Of course, when your heroine is an upright citizen like Delphine there is a danger of making her too goody goody to like. But this girl isn't like that. She has a duty that she believes in (taking care of her sisters) and she'll do it, even when they fight each other. Even when they team up against HER! The sheer unfairness of what Delphine has to handle, and the cheery lack of complaining (aside from the occasional and very understandable grumble) makes you care for her. Her interactions with her mother are what make you love her.
Because this mother is a pip. Cecile throws a wrench (and a couple of other metal objects besides, I'd wager) into the good guy/bad guy way of looking at things. For kids, she's a pretty clear-cut villain from page one onward. And adults who have enough historical understand to be clear on why she does some of the things she does still won't like her. I wouldn't even be surprised if some parents referred to her as the world's worst mother. She isn't really, but many a parent's ire will be raised when they see how she refuses to call her daughter Fern by her name out of spite, or refuses to so much as look her own daughters for a while. Heck, this may be the only book where the phrase, "Should have gone to Mexico to get rid of you when I had the chance," comes from the lips of a parental unit (not that any kid in the world would decipher what it means). Under normal circumstances, when you get a kid talking about the selfishness of their parent at the beginning of a book they turn out to be wrong in the end. So naturally I was waiting on tenterhooks for much of this book to see if Cecile would be perfectly redeemed by the story's end. Williams-Garcia never wraps anything up with a cute little bow, but she gives you closure with Cecile and maybe a drop of understanding. It's a far better solution.
Williams-Garcia will even use character development to place the story within the context of its time. The opinionated Big Ma who raised the three girls gives her thoughts on any matter rain or shine. Delphine then lists them, and kids are treated to a quickie encapsulation of life in '68. Pretty sneaky. Teaches `em when they're not looking. And one of those very topics is the Black Panther party. I was very pleased with how Williams-Garcia sought to define that group. She dispels misconceptions and rumors. Delphine herself often has to come to grips with her initial perceptions and the actual truths. As for the rest of the time period itself, little details spotted throughout the book make 1968 feel real. For example, the girls play a game where they count the number of black characters on television shows and commercials. Or the one time Delphine had felt truly scared, when a police officer in Alabama pulled her father over.
And, I'm sorry. You can make amazing, believable characters all day if you want to, but there's more to writing than just that. This writer doesn't just conjure up people. She has a way with a turn of a phrase. Three Black Panthers talking with Cecile are, "Telling it like it is, like talking was their weapon." Later Cecile tells her eldest daughter, "It wouldn't kill you to be selfish, Delphine." This book is a pleasure to cast your eyes over.
There is a moment near the end of the book when Fern recites a poem that is just so good that I couldn't seriously believe that a seven-year-old would be able to pull it off. So I mentioned this fact to a teacher and a librarian and found myself swiftly corrected. "Oh no," said the librarian. "Seven is when kids are at their most shockingly creative. It's only later that they start worrying about whether or not it's any good." So I'm willing to believe that Fern's poem could have happened. Otherwise, I certainly would have appreciated an Author's Note at the end with information about the Black Panthers for kids who wanted to learn more. And I was also left wondering where Delphine got her name. She spends a bit of time agonizing over that question, why her mother named her that, and never really finds out. Some kind of explanation there would have been nice.
It was teacher Monica Edinger who pointed out that "One Crazy Summer" pairs strangely well with "Cosmic" if you look at them in terms of fathers (on the "Cosmic" side) and mothers ("One Crazy Summer"'s focus). That's one theme for the book, but you could pluck out so many more if you wanted to. Race and family and forgiveness and growth. Everyone grows in this book. Everyone learns. But you'll have so much fun reading it you might not even notice. You might just find yourself happily ensconced in the world of Delphine, Vonetta, and Fern without ever wishing to leave it. If this is how Ms. Williams-Garcia writes books for kids, then she better stop writing all that teen fare and crank a couple more like this one. Kids are gonna dig it.
Ages 9-12.

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Darkness Before Dawn Review

Darkness Before Dawn
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Keisha is the senior class president of her high school. She had been going through some really difficult times the past year when her ex-boyfriend unexpectedly kills himself. The principal's 23 year old son is the new trak coach and he has his eye on Keisha. Slowly Keisha begins to find comfort in 23 year old Johnatan. Her parents and friends think there is something strange about Keisha and Johnathans realationship. Keisha is happy and loves the way Johnathan treats her like a women and not a high schooler. So Keisha breaks her parents rules and continues to see him. Suddenly Keisha's relationship with Johnathan takes a turn for the worst. Johnathan takes Keisha to his appartment and when Keisha doesn't coperate with Johnathan's plans that's when the big trouble starts. He tries to rape Keisha and he attempts to kill her with his jack knife.
I highly recommend this book. It may be a little boring in the begining but once your get a little further into it, your hooked. It also has a great moral/lesson to it. Another thing it shows how sexual preditors can be anywhere and it can happen to anyone. I enjoyed reading this book and think its a great book for teenage girls to read.

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Kaffir Boy: An Autobiography--The True Story of a Black Youth's Coming of Age in Apartheid South Africa Review

Kaffir Boy: An Autobiography--The True Story of a Black Youth's Coming of Age in Apartheid South Africa
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Not much of an introduction needed here: the full title of the book accurately sums up the subject. This was a book that I bought in used paperback not certain whether I'd finish it, and found myself deeply engrossed in the story and in reflection upon Mathabane's descriptions of life under apartheid.
Mathabane shows a great many literary strengths here. His candid expression of his own feelings can't help but inspire the reader's respect and interest; the whole book feels 'spoken from the heart'. His prejudices, embarrassing moments, times of despair, moments of triumph, and peer relations are all here. Of particular interest to me (naturally, as a white non-South African) was the development of his views of white people--South Africans and foreigners--and how his understanding becomes broader as he meets a wider variety of people. I came away thinking that I'd probably really like Mark Mathabane in person.
His youth in fact makes a good story, one that builds nicely to a conclusion I won't spoil for you except to carefully mention that this is the story only of his youth, not of his whole life. And his descriptive talent, which painted such vivid and contrasting portraits of the life he led, is worthy of the great storytellers of the proud tribes of southern Africa from which he is descended. I would offer the caveat that the book contains explicit sexual and violent scenes that most people would consider inappropriate for children under 14 (and even then I'm assuming a pretty well-adjusted child). Mathabane is never himself vulgar, but some of his experiences certainly were, and he gets through them as quickly as possible but I see why he didn't omit them.
If you ever wondered what life was like for South African blacks under apartheid, particularly for a highly gifted member of that group striving upward against every barrier that several cultures could place before him, this'll be a revelation.

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Tears of a Tiger Review

Tears of a Tiger
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As a junior high school English teacher, I am always on the lookout for a good YA novel to teach to my students or to recommend that they read individually. When I heard of Tears of a Tiger, I had high hopes that it would be everything that I look for in a YA novel. First of all, I liked the fact that the main characters were African-American. I teach a large portion of African-American students, and I have a lot of trouble finding a YA novel in which African-Americans are the central characters (are you listening, YA authors?). Second, I absolutely loved the differing points of view style that the book is written in. The way that the characters are developed through conversation, letters, poems, essays, and so on is one of the best that I have read. This is a great teaching tool alone, not to mention a super way of telling the story. Third, the event that is the catalyst for the plot, the underage drinking and driving, is realistic and teaches a great lesson to teenagers. Given my glowing praise, you may wonder, why not five stars? The simple fact is that Andy's suicide destroyed the book for me. The whole plot of the book seemed to be leading to Andy's coming to grips with the death of his friend. I was thinking: what a great way to show kids that there are other alternatives than killing oneself to work through problems. Then, the suicide note and he is dead. This is not a good message to send to youth. While a mature young adult can read and understand this book the way that the author probably meant it to be read, this is not a YA book for the masses. In good conscience, I cannot teach a book to kids who have enough disturbing messages thrown at them from all sources on a daily basis as it is. They do not need to read a book in which the main character, a young man much like many of them, cannot cope with his mistakes and kills himself. Would I still teach Antigone and Macbeth, you may wonder? Yes, I would; the characters who commit suicide in many classic works of literature bear little or no resemblance to the teenagers of today. Andy, on the other hand, is too much like many of the teenagers that I run into on a daily basis. Our children need to be taught the real truth--that suicide is a permanent solution to a temporary problem.

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The Art of The Princess and the Frog Review

The Art of The Princess and the Frog
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Looking through the art in this book, one would not have guessed that Disney actually decided to phase out traditional animation in 2004. The Princess and the Frog essentially marks a comeback, a representation of what Disney used to be. That's good news for all fans of traditional animation.
The Art of The Princess and the Frog is filled character designs, background art and storyboards. The art is unmistakeably Disney-style -- the caricature style of characters, stylized set designs and lush colours. The story is set in New Orleans and there are plenty of background paintings in different moods. The characters are lively and backgrounds beautiful.
The team of contributing artists is impressive. There are new artists as well as familiar names. It's impossible to name all but those whose name keep appearing are Rik Maki, Armand Baltazar, Bill Schwab, James Aaron Finch (production designer), Ian Gooding (art director), Sue Nichols, Mark Henn, Chris Appelhans, Kevin Gollaher and many more.
The artists and staff contribute numerous interesting quotes. They talk about the creative process, characters, the set and a bit on the story. There are stuff like what they did or where they went for research, inspiration and influence from older classic animated films. All interesting and insightful to read.
This book a refreshing and welcome look back at traditional art, after being exposed to so much digital animation. Old school still has its distinct charm.
(More pictures are available on my blog. Just visit my Amazon profile for the link.)

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This Fall, The Walt Disney Animation Studios returns to its timeless art form of hand-drawn animation. From the creative minds of directors John Musker and Ron Clements (The Little Mermaid and Aladdin) comes an American fairy tale and musical set in the heart of New Orleans during the Jazz Age. This unforgettable tale of love, enchantment, and discovery features Tiana, a young girl with big dreams who is working hard to achieve them amid theelegance and grandeur of the fabled French Quarter. The Art of The Princess and the Frog showcases the lush concept art of this sure-to-be-classic movie, including sketches, character designs, lighting studies and storyboards, alongside inspiring quotes from the directors, producers, artists and designers, including veteran hand drawn animators that brought you many of Disney's most classic and unforgettable characters.

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Unchained Memories: Readings from the Slave Narratives Review

Unchained Memories: Readings from the Slave Narratives
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"...Oh freedom, Oh freedom, Oh freedom over me. And before I'll be a slave, I'll be buried in my grave and go home to my Lord and be free"
__Old Negro Spiritual
The words of the spiritual above must not have been uttered to these beautiful human beings who have graciously allowed interviewers from the 1930's Governments Works Progress Administration to chronicle their life stories. For if the words above had been uttered, the slave experience, from an intimate and painful point of view, would never have received the credence they due. Tales of slavery are still passed down from generation to generation, and traditions still are followed but to see a book like Unchained Memories is special. Quite simply, this is a beautiful book. I'm so thrilled to have been given the opportunity to read it and experience it and learn from it. I can treat the book as a textbook, a factual accounting of the lives of former slaves who have wonderful stories that they don't mind sharing with the world. For that reason alone, this book has earned a permanent place on my coffee table, for all who enter into my house to experience. Something about the actual words of former slaves bound in book form validates an agonizing time in American History.
Unchained Memories is well researched and magnificently laid out. At the beginning of every chapter is an introductory text that accounts for the tenure of the time, followed by a poignant quote and then brief narratives begin. My one regret is that the narratives are so short, when biographers obviously spent a great deal of time with these people. I am grateful that there is an extensive bibliography at the back so that I can, at some point, go and read the entire account by the former slave. Oh where will I find the time? If you read this book, I would highly suggest that you get a copy of the HBO documentary of the same name and watch it as well. There is nothing like "hearing" the words spoken by African American actors of today in the vernacular of the time.
I'm glad that Unchained Memories was published, and quite fittingly made its debut during Black History Month. These former slaves are the reason why Black History Month is perpetuated now and a fitting tribute for remembering from whence we as a nation have come.

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Soul on Ice Review

Soul on Ice
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Even though this was one of the most important and popular books of the 1960s, it is not discussed that much now, some thirty-five years after its initial publication. "Soul on Ice" is as much an allegorical masterpiece as it is a real description of black male (whom he refers to as Supermasculine Menials) attitudes towards prison-life, white racism (and white women in particular, who are here referred to as Ogres and the Ultrafeminines) and the Nation of Islam (Cleaver writes compellingly about his disassociation with the Nation, citing their racism--"The onus of teaching racial supremacy and hate, which is the white man's burden, is pretty hard to bear"). Cleaver's at-times amazing writing gives this book a peculiar power, and given this, it is easy to understand why the book was so popular in the late 1960s. For several reasons, though, it is easy to see why this book doesn't get as much attention as, say, James Baldwin's "The Fire Next Time" [1963]. The chapter on Baldwin in "Soul on Ice," entitled "Notes on a Native Son" (a reference to one of Baldwin's early essays) is exceedingly homophobic, and other sections fairly hateful towards women (even though, in this regard, Cleaver is at times aware of his own misogyny--especially in his blushingly honest letters to one-time attorney Beverly Axelrod) and exceedingly macho. Many contemporary readers might not have the patience for this (especially given Baldwin's elevated status in the world of literature). Also, this book has lost some of its bite over the years because of excellent books written by participants in the Black Power Movement and the Black Panther Party. "Soul on Ice"--especially when compared with George Jackson's "Soledad Brother" (1971), Huey P. Newton's "Revolutionary Suicide" (1973), Amiri Baraka (1984) and Angela Y. Davis' (1974) autobiographies, and Elaine Brown's "A Taste of Power" (1992)--lacks the political vision, accuracy and believability of these other books, but it should also be credited for setting some of the standards by which these books would later have to judge themselves against, especially in regard to prison life (though Jackson's "Soledad Brother" is much more powerful in this regard). Nevertheless, "Soul on Ice" is a compelling read, and I agree with a statement that Ishmael Reed makes in the introduction that this book IS the 60s. If this memoir were a western, we could smell the sawdust on the floor.

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