The Forbidden Schoolhouse: The True and Dramatic Story of Prudence Crandall and Her Students (Bccb Blue Ribbon Nonfiction Book Award (Awards)) Review

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(More customer reviews)In 1832, Prudence Crandall ran a private girls' boarding academy in Canterbury, a small Connecticut town located between Hartford and Providence, R.I. When a young African-American girl asked if she could attend Prudence's school, the teacher gladly took her in - much to the chagrin of local residents. In spite of their protests, Prudence went one step farther. Seeing that the educational need was a much larger one, she started a school just for "young Ladies and little Misses of color" in 1833, beginning with an enrollment of six girls from around New England. Even in a Northern state filled with abolitionists and anti-slavery supporters, this action was met with abhorence and eventual hostility. In retaliation, the legislature passed the Connecticut Black Law, which made it illegal to run a school for "colored persons who are not inhabitants of this State." Prudence was arrested and taken to court. She had powerful men on her side -- William Lloyd Garrison, Samuel May, and Arthur Tappan - and eventually, she was found innocent and the law was judged to be unconstitutional. But after the school was repeatedly vandalized, Prudence decided to close it in 1834. She married and moved out of the area, ending up in Kansas.
Her story could easily have ended there. Fifty years after she closed her school, the town of Canterbury and the state of Connecticut decided to apologize to Prudence. The Black Law had already been struck down in 1838. Now in 1886, the legislature granted her a pension of $400 a year to make up for the losses she suffered in the 1830s. Of course, the payment to her still didn't put an end to segregated schooling, but it was a step in the right direction. Prudence Crandall died in Elk Falls, Kansas, in 1890.
Suzanne Jurmain has done us a service by bringing Prudence Crandall's story to light and to life. Her re-telling makes for an interesting and easy read; and yet, it's the kind of real-life tale that makes one cringe at the behavior of one's fellow Americans, even those who are long, long gone. Jurmain concludes the book with a brief and necessary history of American civil rights since that time. The name of Prudence Crandall shouldn't slip through the cracks of our American history volumes. She should be as honored and as well-known as Rosa Parks.

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Unchained Memories: Readings from the Slave Narratives Review

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(More customer reviews)"...Oh freedom, Oh freedom, Oh freedom over me. And before I'll be a slave, I'll be buried in my grave and go home to my Lord and be free"
__Old Negro Spiritual
The words of the spiritual above must not have been uttered to these beautiful human beings who have graciously allowed interviewers from the 1930's Governments Works Progress Administration to chronicle their life stories. For if the words above had been uttered, the slave experience, from an intimate and painful point of view, would never have received the credence they due. Tales of slavery are still passed down from generation to generation, and traditions still are followed but to see a book like Unchained Memories is special. Quite simply, this is a beautiful book. I'm so thrilled to have been given the opportunity to read it and experience it and learn from it. I can treat the book as a textbook, a factual accounting of the lives of former slaves who have wonderful stories that they don't mind sharing with the world. For that reason alone, this book has earned a permanent place on my coffee table, for all who enter into my house to experience. Something about the actual words of former slaves bound in book form validates an agonizing time in American History.
Unchained Memories is well researched and magnificently laid out. At the beginning of every chapter is an introductory text that accounts for the tenure of the time, followed by a poignant quote and then brief narratives begin. My one regret is that the narratives are so short, when biographers obviously spent a great deal of time with these people. I am grateful that there is an extensive bibliography at the back so that I can, at some point, go and read the entire account by the former slave. Oh where will I find the time? If you read this book, I would highly suggest that you get a copy of the HBO documentary of the same name and watch it as well. There is nothing like "hearing" the words spoken by African American actors of today in the vernacular of the time.
I'm glad that Unchained Memories was published, and quite fittingly made its debut during Black History Month. These former slaves are the reason why Black History Month is perpetuated now and a fitting tribute for remembering from whence we as a nation have come.

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Blues People: Negro Music in White America Review

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(More customer reviews)This book is probably the greatest ever written on the early history of black music in America. With rare clarity and glowing intensity, Baraka traces the evolution of black forms such as blues and jazz back to Africa, and presents the reader with genuine insight into the world of the creators of these important 20th century art forms. The book is as gripping as any novel you will ever read, and also crammed with facts and mindboggling lines of thought. Anybody with even the slightest interest in modern black music needs to read this book, and consider its contents thoroughly.

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"The path the slave took to 'citizenship' is what I want to look at. And I make my analogy through the slave citizen's music -- through the music that is most closely associated with him: blues and a later, but parallel development, jazz... [If] the Negro represents, or is symbolic of, something in and about the nature of American culture, this certainly should be revealed by his characteristic music."So says Amiri Baraka in the Introduction to Blues People, his classic work on the place of jazz and blues in American social, musical, economic, and cultural history. From the music of African slaves in the United States through the music scene of the 1960's, Baraka traces the influence of what he calls "negro music" on white America -- not only in the context of music and pop culture but also in terms of the values and perspectives passed on through the music. In tracing the music, he brilliantly illuminates the influence of African Americans on American culture and history.

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