Showing posts with label america. Show all posts
Showing posts with label america. Show all posts

A Walk Across America Review

A Walk Across America
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Peter Jenkins story of his 1973-1975 walk from New York to New Orleans is one of those books that you just can not put done once you have started. You will find yourself thinking about the book when you should be doing other things and you can't wait to pick it up again. When I finished reading the book I wanted more. I even purchased the old April 1977 National Geographic Magazine to read his article that he wrote for them and see even more of the pictures of his journey. Luckly, Jenkins journey does not stop in New Orleans, his walk continues and so do his books: The Walk West, The Road Unseen, Close Friends, and Across China.
Peter Jenkins says, "I started out searching for myself and my country and found both." The story would have been good enough just hearing about the trip, the things that he saw, how he survived, and the companionship of his faithful dog; but what make the book great is the people. The people that he meets, how they accept him, and in some cases don't. It is the sociology as well as the adventure that make this one of the best books I ever read for pleasure.

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Twenty-five years ago, a disillusioned young man set out on a walk across America. This is the book he wrote about that journey -- a classic account of the reawakening of his faith in himself and his country.

"I started out searching for myself and my country," Peter Jenkins writes, "and found both." In this timeless classic, Jenkins describes how disillusionment with society in the 1970s drove him out onto the road on a walk across America. His experiences remain as sharp and telling today as they were twenty-five years ago -- from the timeless secrets of life, learned from a mountain-dwelling hermit, to the stir he caused by staying with a black family in North Carolina, to his hours of intense labor in Southern mills. Many, many miles later, he learned lessons about his country and himself that resonate to this day -- and will inspire a new generation to get out, hit the road and explore.


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J. Edgar Hoover: The Man and the Secrets Review

J. Edgar Hoover: The Man and the Secrets
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The book is very well researched and detailed. If you ever wanted the facts (I got the feeling all of them) it's here. It kept me interested for about 500 pages, but after a while, it just got a bit relentless.
Not to say the book is written poorly, but be ready for a heavy, fact filled, hugely referenced, textbook style read.

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Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream Review

Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream
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Written in 1971, `Fear and Loathing' still has a powerful impact on the mind even today. If you are easily offended by gratuitous drug usage and the craziness resulting from it, then put the book down and back away slowly. For those who may have perhaps saw the movie with Johnny Depp and did not know what to think of it, I highly recommend reading the book and then watching the movie again, its subtleties come out from the background provided in the book, and you will truly appreciate the performances afterwards.
`Fear' is absolutely hilarious, following the ramblings of a journalist and his attorney into Las Vegas in the early years. Through clouds of mescaline, acid, ether, amyl, tequila, rum, and pot, we see Las Vegas through the demented eyes of a person totally over the edge and bordering on drug induced psychosis.
The bar scene in Circus-Circus is worth the price of the book alone, and all of the vapid trippings of our dynamic duo are practically frightening in their intensity. Thompson has captured the mind of the delusional manic in `Fear', and while it is a journey not recommended for real life, in its book form it is highly entertaining and brutally funny.
Fear And Loathing In Las Vegas may be dated in its use of drugs and money, and the picture painted of a Las Vegas strip long gone to the commercialism of today's Vegas, but the amusing underlying story of human nature of the edge of reason is timeless. Definitely a worthwhile muse to entertain yourself with. Enjoy!


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Blues People: Negro Music in White America Review

Blues People: Negro Music in White America
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This book is probably the greatest ever written on the early history of black music in America. With rare clarity and glowing intensity, Baraka traces the evolution of black forms such as blues and jazz back to Africa, and presents the reader with genuine insight into the world of the creators of these important 20th century art forms. The book is as gripping as any novel you will ever read, and also crammed with facts and mindboggling lines of thought. Anybody with even the slightest interest in modern black music needs to read this book, and consider its contents thoroughly.

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"The path the slave took to 'citizenship' is what I want to look at. And I make my analogy through the slave citizen's music -- through the music that is most closely associated with him: blues and a later, but parallel development, jazz... [If] the Negro represents, or is symbolic of, something in and about the nature of American culture, this certainly should be revealed by his characteristic music."So says Amiri Baraka in the Introduction to Blues People, his classic work on the place of jazz and blues in American social, musical, economic, and cultural history. From the music of African slaves in the United States through the music scene of the 1960's, Baraka traces the influence of what he calls "negro music" on white America -- not only in the context of music and pop culture but also in terms of the values and perspectives passed on through the music. In tracing the music, he brilliantly illuminates the influence of African Americans on American culture and history.

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Listening Is an Act of Love: A Celebration of American Life from the StoryCorps Project Review

Listening Is an Act of Love: A Celebration of American Life from the StoryCorps Project
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This book was published to mark the recent recording of the ten thousandth interview by the StoryCorps Project. Perhaps you have heard excerpts from some of these interviews on National Public Radio?
David Isay had the idea that he wanted to record the stories of regular folks-like you an I. He set up the first recording booth in Grand Central Station. For ten dollars you can record a 40 minute interview. Family members and friends interview each other. A facilitator is there to help out and sometimes to conduct the interview. Recordings are given to the respondents and also put in the Library of Congress with the permission of those who told their stories.
Some incredible stories are being told in the StoryCorps booths that now travel America inside Airstream trailers. Storycorps is preserving our oral history.
This book contains excerpts from interviews with senior citizens who remember the way it was in the olden days. There's a story from a bounty hunter. Another from a woman who survived a jet airliner crash in Iowa. There are the stories of people battling addictions and diseases like AIDS, cancer, and alcoholism.
There are tales of love lost and love found. A child re-unites with his birth mother. A grandchild interviews
the grandmother who took him in from his abusive parents.
Most dramatic of all is the story of a man who escaped from the 105th floor of the World Trade Center after the first tower was hit. He was in the second tower. This story will make your heart race and your tears flow. It's incredible!
What a wonderful book! Studs Terkel, our greatest oral historian loves this book. It reminded this reviewer of that classic book by Studs Terkel; HARD TIMES.

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I'm a Stranger Here Myself: Notes on Returning to America After 20 Years Away Review

I'm a Stranger Here Myself: Notes on Returning to America After 20 Years Away
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So what's this then? A collection of columns written by Bill Bryson for the British Night & Day magazine, assembled into a book? I was sceptical when I first picked it due to the unfamiliarity here; I thought he was a travel writer. But then I started reading through the first few pages and am delighted to report that they were so entertaining and accessible that I ended up finishing the book very satified.
This book is about America, about consumerism, hypocracy, politics, culture and everything else in between, such as motels and boring interstate highways and the condition of AT&T service these days. Why should all this be so interesting? Because Bill Bryson's voice shines throughout, dissecting normally more complex subjects into bite-sized articles which are eminently readable to the extent that it is at times impossible to stop. Of course, his trademark humour is present too. If you read this in public, there is the risk of embarrassment by your involuntary snorts of laughter.
However, 'I'm a Stranger here Myself' isn't perfect. Much of the book is predictable, and 85% of the time, Bill appears to be complaining. Someone as talented as Bill Bryson should know not to engage in such indulgence because the end result is that the reader occassionally feels frustrated over the ostensible monotony. You also can't help but feel that an assemblage of brief columns is not enough to make a book.
Although this book is not standard Bill Bryson fare, it still manages to excel. It really is exceptionally enlightening, to read what he has to say subsequent to spending 20 years in England. He compares the contrasts between the two nations and questioning so many aspects of life that Americans take for granted, such as driving from shop to shop when they are merely footsteps apart, or the blatant excesses of junk food. Each article (in my edition, Black Swan) covers only five pages so they are very easy to get into.
If you are an American, perhaps you will enjoy this book more than anyone else as you will undoubtedly find it compelling to look into the views of an outsider in the process of 'assimilation'.
'I'm a Strange here Myself' doesn't feel like a book, more like a colelction of columns binded together. If you are willing to accept this, it is an extremely rewarding, insightful and refreshingly diverting read. This is enough to gain a hearty recommendation.

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Jesus Made in America: A Cultural History from the Puritans to "The Passion of the Christ" Review

Jesus Made in America: A Cultural History from the Puritans to The Passion of the Christ
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Stephen J. Nichols, Jesus Made in America: A Cultural History from the Puritans to The Passion of the Christ (Downers Grove, IL: InterVarsity, 2008).
In Matthew 16:13-20, Jesus asked his disciples two provocative questions. First, "Who do people say the Son of Man is?" Two recent books by scholars of religion survey the answers of Americans generally. They are Stephen Prothero's American Jesus: How the Son of God Became a National Icon and Robert Wightman Fox's Jesus in America: Personal Savior, Cultural Hero, National Obsession. But Jesus went on to ask the disciples, "Who do you say I am?" In Jesus Made in America, historian Stephen J. Nichols surveys the answers of American evangelicals particularly. What he finds makes for disturbing reading.
Nichols begins, as historians of American Christianity must begin, with the Puritans. He critiques the Puritans for failing to live out a Christlike ethic, with regard to native Americans, African slaves, and Salem witches. Otherwise, however, he sets up their two-nature Christology and Christ-centered spirituality as a standard from which their evangelical successors have fallen. Christianity is a religion of head, heart, and hands - of doctrine, devotion, and deeds. Nichols is right to critique the ethical lapses of the Puritans, but they were certainly correct in believing in and worshiping the God-man Jesus Christ.
In a sense, the Revolutionary Era of American history reversed the error of the Puritans. They emphasized deeds over doctrine and devotion. Typical of this emphasis, a young Benjamin Franklin wrote: "My mother grieves that one of her Sons is an Arian, another an Arminian. What an Arminian or an Arian is, I cannot say that I very well know; the Truth is, I make such Distinctions very little my Study; I think vital Religion has always suffer'd, when Orthodoxy is more regarded than Virtue." It helps to know that Franklin's mother was a product of Boston Puritanism and that Franklin rebelled against his upbringing. Although there were a few orthodox Christians among the founders - Nichols mentions John Witherspoon, Benjamin Rush, and John Quincy Adams - the Founders were typically Unitarians. They thought highly of Jesus as the human teacher of moral virtue, but no higher than that. Thomas Jefferson went so far as to excise miracles, atonement, and declarations of Jesus' divinity from his copy of the Gospels. By emphasizing virtue and denying divinity, the Founders customized Jesus to meet the needs of their new republic.
In the Democratic Era that followed on the heels of the Founders, Jesus was further customized into the ideal frontiersman. The early nineteenth century saw a sea change in American religious attitude, as the populace shifted from the elitism of the Episcopal, Congregational, and Presbyterian churches to the egalitarianism of the Baptists, Methodists, and Churches of Christ/Disciples of Christ. The frontier made no time for abstract theology. It focused on spirituality and ethics, on results, not thinking. In some cases - Baptists and Methodists - the Christological conclusions were orthodox. In other cases - Barton Stone of the so-called Christian churches - they were not. But the methodology by which these conclusions were reached was something distinctly American. There was no need for educated clergy or church tradition. "No creed but the Bible," in Peter Cartwright's formulation. Any man could pick up the Bible and develop whatever doctrinal system he saw fit. And many did. The individualism and rough-hewn character of the frontier gave way to Victorian sentimentality as the frontier closed and the American populace settled in for city life. Jesus was brought inside, bathed, clothed, and made to act respectably. Think of "Gentle Jesus, meek and mild," and you'll get the picture of Victorian Jesus. Interestingly, the Victorian Jesus was suitably domesticated to be claimed by both sides of the Civil War. A Jesus who has been stripped of his divinity does not stand outside human systems to critique them; rather, he is product of those human systems, who make him in their own images.
At the beginning of the Twentieth Century, the reaction to this Victorian sentimentality set in with a vengeance. Social Gospel liberalism saw Jesus as a hero for humanity, liberating the oppressed from the wicked maw of capitalism. This heroic Jesus was not the God-man, however. Harry Emerson Fosdick, perhaps the most famous preacher of that age, made sure that such fundamentalist doctrines were explained away. But others - such as J. Gresham Machen, Fosdick's bete noir - responded with the re-assertion of creedal orthodoxy. "Liberalism regards Jesus as the fairest flower of humanity," Machen wrote; "Christianity regards him as a supernatural person." The battle between Fosdick's modernism and Machen's fundamentalism (a term he hated, and a side he barely wanted to be associated with) continues to this day.
Unfortunately, while one would expect evangelicals - the Puritans' self-proclaimed heirs - to boldly reassert Christological orthodoxy and to reframe real Christianity as a religion of head, heart, and hands, the evangelicals have been busy domesticating Jesus in their own novel ways. Their worship music has turned him into everyone's Boyfriend ("Hold me close to You / never let me go"). Their movies have occluded his divinity. (Even The Passion of the Christ, so lauded by evangelicals and Pentecostals who otherwise would abominate R-rated movies, doesn't adequately portray Jesus' divinity.) Their stores have turned Jesus into a slogan ("Jesus is my homeboy") or a bracelet ("WWJD?") or a doe-eyed Savior (Precious Moments figurines). And their politics has shoehorned Jesus into a proponent of a preconceived right-wing ideology (lately, a left-wing ideology too).
When Jesus asked the disciples who they thought he was, Peter responded with good theology: "You are the Christ, the Son of the living God." But that theology barely nudged Peter's conceptions of what a Christ should act like. Matthew 16:21-23 tells the rest of the story. Peter had no room for a crucified Savior and rebuked Christ when Christ suggested crucifixion was his destiny. In turn, Jesus said to Peter, "Get behind me, Satan!"
After reading Jesus Made in America, I have begun to wonder whether American evangelicals (and us Pentecostals) might be due for our own exorcism.

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Take the Cannoli : Stories From the New World Review

Take the Cannoli : Stories From the New World
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Sarah Vowell brings her trademark wit and attention to detail to a range of topics in this remarkable collection. She ranges from the everyday (mix tapes and UPS deliveries) to more complex subjects (her Cherokee heritage and Trail of Tears), and provides insights into American culture that are profound. She stakes her claim to be able to criticize American wrongdoings but also to wholeheartedly love her country (in an essay entitled "Vindictively American").
The love of music she evidenced in her previous book Radio On is still here, with her faves like Jonathan Richman sprinkled throughout the book. Her irreverent spirit is best displayed in the title chapter, where she appropriates the phrase "Take The Cannoli" from the film The Godfather and truly makes it her own.
Vowell goes to Rock N Roll Fantasy Camp, goes deep into the heart of the Chelsea Hotel, and gets glammed up as a goth girl, all in the name of journalism. She truly shines in this collection as a young person who has not given up on America or on rock n' roll, but who right claims her place to critique and evaluate them on her own terms.

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