Showing posts with label cultural studies. Show all posts
Showing posts with label cultural studies. Show all posts

Why Black People Tend to Shout: Cold Facts and Wry Views from a Black Man's World Review

Why Black People Tend to Shout: Cold Facts and Wry Views from a Black Man's World
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The book was a scream! It was full of anecdotes that most of us as Blacks folks have experienced. The stories were funny but they were also disturbing because so many of the situations were blatantly racist. Black people do have to shout just to be heard. Then people wonder what all the shouting is about. This book is an easy and fast read. You are left shaking your head but with a smile on your face.

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Party of One: The Loners' Manifesto Review

Party of One: The Loners' Manifesto
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As a dyed-in-the-wool (and unrepentant) introvert, I wished, at first, that Anneli Rufus hadn't chosen the word "loner" for her title, linked as it is with inevitable prefix "crazed" in so many news stories of murderers on the loose. But that's exactly her point: Rufus is determined to rescue the word -- and more importantly, the reputation of the people the word accurately describes -- from the misinterpretations and calumnies heaped upon it, and us, for so long.
It's an uphill fight, but it's definitely worth the effort. This book isn't one of the many attempts to offer introverts "coping skills" or networking tips for surviving with our sanity in an extroverted world. Instead, it's more of a call to extroverts out there to understand whom you're dealing with ... or more correctly, whom they're not dealing with ... and what we're all about.
To do this, Rufus covers a wide range of history and popular culture, showing how introverts have carved out places for themselves and learned to live with at least some degree of peace, despite the constant tug of "caring" people crying, "Come out of your shell and live a little!" It may seem paradoxical for a loner to tell other loners "We're not alone," but in this instance, it's a surprisingly comforting message.
Rufus's chapter on crime may be the most important, and the one with the widest implications outside the introvert community (so to speak), because it's here that she tackles the myth of the murderous loner and attempts to salvage the word from those who, she argues, misuse it so terribly.
Loners, she says, are people who *want* to be alone. Who enjoy their solitude. But many of the criminals who have been tagged as "loners" don't fit that description at all. Many of them have been marginalized from society, and want to strike back at it. They want to impress others, and be accepted by those whose approval they crave. Or, like Mark David Chapman, the "pseudoloner" who killed John Lennon, they simply crave attention. There's no such thing as an "attention-seeking loner."
There are other criminals, she argues, for whom the "loner" label doesn't even remotely fit, and she roundly criticizes the police profilers and news reporters who use the term so sloppily. Timothy McVeigh, the Oklahoma City bomber, for example, wasn't a loner at all, though he's often described that way. Neither were the Columbine High School shooters, or Ted Bundy, or John Wayne Gacy, though all of them have been called "loners."
Her point is an important one, if one many may dismiss as mere semantics. And it ties into her other important chapter, on raising loner children. If parents believe -- as many apparently do -- that any child who prefers to play by himself is liable to grow up to become a mass murderer, and therefore needs to be "cured," or "trained" out, of his introvert personality, life for that child is simply going to be hell. Though my situation growing up was hardly as extreme as some of the stories told here, I nevertheless sympathized completely with children made to act more extroverted than was comfortable for them. Loner children recognize they're different, Rufus writes, but don't know why, or what about them needs defending. If their parents are convinced there's something "wrong" with the introverted child, and try to "fix" it, they will create wounds that may never close.
This book struck close to home for me, and I really enjoyed it. I'm comfortable enough in my introversion ... my "lonerism" ... not to need a defense for it. But I'm glad this book exists -- not just for my loner brothers and sisters, but for the great mass of extroverts who can't understand why we're so "shy," and why we seem to enjoy -- how sick! -- our time alone. In a world which seems convinced, as the author puts it, that the only things worth doing are things done with other people, her proud declaration that we're perfectly well adjusted, "just not to their frequency," is a deeply welcome one.
Loners of the World, don't unite! There's nothing wrong with wanting to be alone!

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Imagining Religion: From Babylon to Jonestown (Chicago Studies in the History of Judaism) Review

Imagining Religion: From Babylon to Jonestown (Chicago Studies in the History of Judaism)
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Jonathan Z. Smith is the enfant terrible of the History of Religions discipline, although he's no longer young. From his first essays (collected in Map Is Not Territory) to his more recent musings in To Take Place and Drudgery Divine, he has outraged, stimulated, challenged, and restructured the study of religion in the modern academy.
Each essay here is a little gem, and should be read and savored by any serious student.
Right at the start, in "Fences and Neighbors", Smith shows his true colors: he talks about the taxonomy of walnuts, and uses this as a startlingly perfect demonstration of the strengths and weaknesses of various ways of defining and categorizing religion, religions, and religious groups. "In Comparison a Magic Dwells" points out that most comparison falls into Frazer's homeopathic/contagious magic division, and demonstrates the various pitfalls of the comparative endeavor. I could go on, right through the devastating and terrifying analysis of the Jonestown White Nights mass suicide, in which Smith argues that to study religion seriously, we have a duty to recognize that it is not always "nice," not always about love and peace, and that sometimes awful things are done because of religious feeling, but that nevertheless we are required to try to make sense of it -- a lesson that has renewed force in the wake of 9/11.
Smith does have one real flaw, though, which is that he assumes that everyone is as intelligent and careful as he is. He thinks that every reader will read all the endnotes, for example, and think about their implications for his arguments. And he assumes that every reader will hang onto a certain common-sense perspective on human nature, and interpret his arguments in that light.
Unfortunately, this isn't always the case. "In Comparison a Magic Dwells," for example, argues the need for a radical rethinking of how comparison should be done; many readers, however, think that he is anti-comparison in general. "The Bare Facts of Ritual," which tries to uproot an old sympathetic-magic reading of certain kinds of hunting rituals, and by implication a broader range of apparently intrumental rituals, has been interpreted as a failed attempt at a complete theory of ritual.
In short, this whole book needs to be read again and again, notes and all, with extraordinary care. If you're not willing to put in a great deal of effort, just don't bother--you're going to come out thinking that Smith has nothing constructive to say.
In _Imagining Religion_, Smith is by turns devastating and hilarious, and always brilliant. Not all of it can withstand every possible criticism, but what can? A seminal work, _Imagining Religion_ marks a place at which the History of Religions must either turn or turn back; the very possibility of the study of religion depends upon our turning.

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