Showing posts with label literature. Show all posts
Showing posts with label literature. Show all posts

The Books at the Wake: A Study of Literary Allusions in James Joyce's Finnegans Wake Review

The Books at the Wake: A Study of Literary Allusions in James Joyce's Finnegans Wake
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Atherton's book is "absotively" wonderful. Appreciating the Wake certainly requires this book. Numerous linguistic influences on Joyce from various authors are catalogued. Particularly interesting is the lengthy analysis of Lewis Carroll's literary influence on Joyce:
1. Carroll is presumably the undisputed inventor of the portmanteau word - a word packed with multiple meanings. Carroll was content to have dual meaning but Joyce packed as many meanings as possible into his words.
2. Carroll (like Joyce) worked with successive alterations of one letter in a word - meat, meet, mate, maze, etc. Sections of the Wake which obliquely referenced Carroll would routinely incorporate this technique.
3. Alice served as an alterego for Joyce's heroine ALP, where "Wonderlawn" is code for the Garden of Eden.
In short, Joyce found much in Carroll's work that (in the case of the portmanteau word, to his surprise) neatly "dovetallied" with his own "work in progress". The Books at the Wake is a fascinating and well-written collection of many more such analyses (Shakespeare, Blake, Vico, etc.).

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In Finnegans Wake Joyce uses world lit­erature, great and small, sacred and pro­fane, as one of the most important and frequent of his sources. Setting out to ex­plore these literary allusions, Mr. Atherton sheds a great deal of light upon other as­pects of Joyce's work. Entire chapters are devoted to such major figures as Swift and Lewis Carroll, while less important influences are grouped together under such headings as "The Irish Writers" and "The Fathers of the Church." He also sur­veys the various interpretations of Finnegans Wake, and makes use of the Letters of James Joyce and the manuscript of Fin­negans Wake in the British Museum.

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The Outermost House: A Year of Life On The Great Beach of Cape Cod Review

The Outermost House: A Year of Life On The Great Beach of Cape Cod
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The Outermost House is a classic, not just of natural history literature, but of American literature. If you love the outdoors, or the sea, or prose that flows like poetry, you should keep this small book always nearby. The harried introvert will especially appreciate it: reading even a page or two will transport you to a quiet place where the wind through the dune grass is the only sound that strikes your ear.
In addition to being a great writer, Beston is an acute observer biological phenomena, and not a bad theorist either. His discourse on the relationship other animals bear to us ("They are not brethren, they are not underlings; they are other nations...") does more to unlink the Great Chain of Being than any philosophical essay. And Beston's influence has been wide-ranging, not only among natural history writers, but among writers in general: unless I am mistaken, The Outermost House is one of the sources for the "Dry Salvages" section of T.S. Eliot's Four Quartets. (If no one else has noticed that before, I want coauthorship on the paper!)
Some books are so memorable that parts of them become internalized on first reading. The first time I read The Outermost House, its final sentence -- as graceful an example of polysyndeton as you will find in English -- became mine. Now, I pass it on to you: "For the gifts of life are the earth's, and they are given to all, and they are the songs of birds at daybreak, Orion and the Bear, and dawn seen over ocean from the beach."

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Their Eyes Were Watching God Review

Their Eyes Were Watching God
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"There Eyes Were Watching God," by Zora Neale Hurston, is widely acknowledged as a beloved classic of American literature. This novel is truly one of those great works that remains both entertaining and deeply moving; it is a book for classrooms, for reading groups of all types, and for individual readers.
In "There Eyes," Hurston tells the life story of Janie, an African-American woman. We accompany Janie as she experiences the very different men in her life. Hurston's great dialogue captures both the ongoing "war of the sexes," as well as the truces, joys, and tender moments of male-female relations. But equally important are Janie's relationships with other Black women. There are powerful themes of female bonding, identity, and empowerment which bring an added dimension to this book.
But what really elevates "Their Eyes" to the level of a great classic is Hurston's use of language. This is truly one of the most poetic novels in the American canon. Hurston blends the engaging vernacular speech of her African-American characters with the lovely "standard" English of her narrator, and in both modes creates lines that are just beautiful.
"Their Eyes" captures the universal experiences of pain and happiness, love and loss. And the whole story is told with both humor and compassion. If you haven't read it yet, read it; if you've already read it, read it again.

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Why Black People Tend to Shout: Cold Facts and Wry Views from a Black Man's World Review

Why Black People Tend to Shout: Cold Facts and Wry Views from a Black Man's World
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The book was a scream! It was full of anecdotes that most of us as Blacks folks have experienced. The stories were funny but they were also disturbing because so many of the situations were blatantly racist. Black people do have to shout just to be heard. Then people wonder what all the shouting is about. This book is an easy and fast read. You are left shaking your head but with a smile on your face.

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Sisterhood of the Traveling Pants (Sisterhood of Traveling Pants, Book 1) Review

Sisterhood of the Traveling Pants (Sisterhood of Traveling Pants, Book 1)
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With a new twist, this coming-of-age novel steals the genre for me. Ann Brashares takes us on a magical ride with the Traveling Pants and the best friends who comprise the sisterhood. Each girl experiences a different, new, aspect of life and their personality during their first summer apart in their lives. With each page, you will become closer to these girls, as they grow and begin to understand the world, and themselves.
The novel is brilliantly narrated, each girl developing a real human personality. These characters are not the 2-D characters often found in novels of this genre. Ann Brashares develops them so thoroughly, at least one of these girls rings incredibly true to my own adolescence.
Not only are they well-developed, and human, Brashares doesn't give them more wisdom than any other fifteen-year-olds would have. The characters un-annoyingly live their lives as real teenagers, and delve into human emotions that all women have experienced at some point.
If you are looking for a light read, with some underlying, and truly deeper characteristics, The Sisterhood of the Traveling Pants is definitely one to invest in. Each girl will find her way into your heart, and possibly show you something you never knew was there.

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Will Write for Food: The Complete Guide to Writing Cookbooks, Restaurant Reviews, Articles, Memoir, Fiction and More Review

Will Write for Food: The Complete Guide to Writing Cookbooks, Restaurant Reviews, Articles, Memoir, Fiction and More
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What is food writing? Before I read Jacob's book, I thought I might learn a few techniques for writing restaurant reviews. Wow -- I was wrong! This is a huge, magnificent field, of which I've merely sampled my first appetizer.
The author's research in compiling this book is extensive. In presenting her ideas, she doesn't limit readers to her own personal experience; she interviewed hundreds of successful food writers and asked them how they got started, what a typical day is like, and what advice they have to give.
Despite her years of industry experience, Jacob truly understands the heart of a beginner, and her voice is as far from snooty-hooty as one can be. Readers will feel encouraged and energized after reading chapters on the secrets of restaurant reviewing, cookbook compiling, recipe writing (yes, it is an art form!), memoir and nonfiction food writing, and food in fiction.
Jacob's passion is so contagious, her words dance across the page. She seems especially interested in the trend of narrative food writing, and she gives you tips on how to make your writing full of jolt and flavor. What are the three laziest adjectives used to describe food? She says "nice," "wonderful," and "delicious." She writes, "They are so vague that readers don't know what you mean other than something positive." Instead, she offers an extensive list of adjectives in chapter 5 that make it well worth the price of the book.
I'm only a simple home cook. My creativity usually involves whipping up kid-friendly favorites without having to dash off to the grocery store for exotic ingredients. Although I've written a few of my own recipes, I certainly didn't realize what an exciting art form food writing can be.
While reading this book, we ate out at a new restaurant, and I imagined myself as one of those fancy New York Times reviewers in disguise (didn't know they may actually wear wigs!). I had our waiter answering a myriad of questions, and even dashing back to speak with the chef. I brought home a menu and scribbled all over it my impressions.
I'm intrigued as to how to better describe tastes and food. And I never considered children's books to be a place where good food writing can exist. After reading WILL WRITE FOR FOOD, I am much more aware. I appreciate the recommendation from Writer's Digest and will certainly add this to my bookshelf of favorites.
I love the way she describes what it takes to make a great reviewer: [They] have passion, knowledge, authority, a great writing style, and stamina...They give the reader a feel for the place, its rhythm, and overall vibe. And they keep up their energy level and enthusiasm. Passion is paramount."
She quotes experienced food critic Alan Richman who says he can't wait to see what a restaurant has in store for him. He shares, "I get a hop in my step."
A well done book, indeed.
--Reviewed by Heather Lynn Ivester

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Lord of the Flies (50th Anniversary Edition) Review

Lord of the Flies (50th Anniversary Edition)
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"Lord of the Flies" is singularly the most important novel for required reading, whether assigned in school or self-imposed. It regularly appears as number one on my own list of best books.
Let's play "What if." What if a plane carrying a full load of school boys crashes on a deserted island with no adult survivors? What would happen to those boys? What would you expect to happen?
William Golding works with this premise: an idyllic setting, innocent schoolboys. One boy, an older boy just short of teenage years, a boy with fair hair, assumes leadership to stir the others into some semblance of organization and survival mode, much like adults would do if adults were present. He also saw a need to defuse the web of fear of the younger ones. Where are we? How long will we need to wait before someone comes for us? All questions with no answers at this time.
Ah, yes, Golding tells us, everything goes well for a while. But remember the "scar" made by the crashing plane? Something ugly is on this island (but it's not the scar). It's in the bushes, in the dark, in the depths, in the depths of hearts, and it grows like the malignancy it is.
A blatant revelation of what is about to come occurs when Roger silently and stealthily watches a young'un, unbeknownst to the little child. All the young'un is doing is running a stick through the sand, disturbing a crab in a tiny pool of water. Even he imposes control and fear on a helpless creature as Roger boldly picks up a couple of rocks and tosses them the youngster's way. He deliberately misses but comes closer with each throw. Next time he will probably hit the young boy, but not yet. This taboo--deliberately and unnecessarily causing pain to one smaller than you--has not been broken--yet.
Although the dance of the spears, the primeval chants, the attack and killing of the pig, then feasting on its flesh, their kill, are shocking acts of savagery, this event is foreshadowed by the seemingly innocent lob of the stones. From a casual incident, but one with eventual intentionality, the ritualistic slaughter is not so far-fetched or surprising. Golding prepares his readers. This is how the chaos of society starts. It begins with one simple disconnect from the rules. It begins in the minds and hearts. Will I do what society expects? Will I follow the rules to keep things running and working? Do I break a rule or two for my own enhancement. Will I feel a power surge if my rock hits that young `un?
Ralph would probably speak of the terror of knowing that rules WILL be broken. He would speak of the utter horror that any rule can be and will be broken and he won't live to tell about it. Just ask Piggy.
This novel is the only one I taught over and over during the twelve years I worked with high school seniors. My other choices I would switch around those years, drop some, add some. This one I kept. It is that important. I think of "Lord of the Flies" as a necessary manual for societal behavior and an effort to keep the chaos of evil at bay.
Is it even necessary to ask how many times that rock has been thrown since this novel was published in the 1950's? Or how much chaos has imploded so many lives?
Like the way of manuals, some remain in circulation and are deeply read; others fall by the wayside out of disinterest. Some are thrown in the trash. "Lord of the Flies"--what is its current status? And society--how is it doing? Reader, are you a little bit fearful?


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Metaphysics as a Guide to Morals (Penguin Philosophy) Review

Metaphysics as a Guide to Morals (Penguin Philosophy)
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Iris Murdoch was appointed to the faculty of Oxford at the age of twenty-nine. In this book, published in 1992 and based on a series of public, valedictory lectures she was invited to give, she ranges over philosophy, literature, the concept of consciousness, the relationship between religion and morality, and other topics. She "cuts loose" here, unworried about academic niceties, expressing her unvarnished opinions. She is marvelously fluent in the western philosophical tradition, addressing Plato, Kant, Schopenhauer, Wittgenstein, Sartre, and Derrida, among others. Her position, reflecting many years of development, is Platonic in the best, pagan sense: she argues against modern versions of relativism, but also insists that all perception is saturated with value. She is concerned with the future of spirituality in a "demythologized" culture, and draws on Platonism here as well: "God" as a metaphorical representation of Good, Good as the ultimate (secular) source of spiritual nourishment. The vision is very clear and consistent. A shorter, earlier exercise is The Sovereignty of Good, and the novels Under the Net and The Nice and the Good address themes discussed more directly here.

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50 Spiritual Classics: Timeless Wisdom from 50 Great Books on Inner Discovery, Enlightenment and Purpose Review

50 Spiritual Classics: Timeless Wisdom from 50 Great Books on Inner Discovery, Enlightenment and Purpose
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Butler-Bowdon's '50 Self-help Classics' (2003) and '50 Success classics' (2004) have been acclaimed as erudite commentaries in personal development literature. His third volume in this Trilogy- '50 Spiritual Classics' is a compelling read that establishes Butler-Bowdon firmly in the unique niche' that he has carved for himself with his previous two works in the field of personal development literature.
Reading the `50 Spiritual Classics' is an enlightening and often humbling experience. Whether it be The Discourses of Epictetus (Enchiridion), or Pirsig's 'Zen and the Art of Motorcycle Maintenence', the author displays a masterful ease which is commendable. Halfway through a chapter, one is often seized upon by an unstoppable urge to tear out, get hold of the title being commented upon by the author and read every page of it. And then one decides to exert self-control and continue with Bowden's own book as it is just too difficult to put down.
A brief glance at some of the authors reviewed bears testament to the breadth covered by this 320-page book: St. Augustine, Malcolm X, Chuang Tzu, Gandhi, Kahlil Gibran, Carlos Casteneda and Fritjof Capra! Somerset Maugham's `The Razor's edge' and Huxley's `The Doors of perception' are included. The authors and works in focus are dissected in a fairly non-judgemental fashion. Tom Butler-Bowdon succeeds in bringing out the essential messages and themes of the spiritual classics reviewed without sounding reverential.
This is not a jingoistic account of spiritualism or PD literature; This is not a collection of pontifications from a zealous convert; this is not a book of lists........'50 Spiritual Classics' is a candid and insightful exposition into the subject; it seeks to review the books and to a lesser extent the people who wrote them in the wider sense implied by the work `spirituality'.
But then why do we not see The Bible or Bhagavad Gita in the list, one may wonder. Simply because they have been commented upon in his previous works. Upon reflection, it becomes clear that this third offering is linked in spirit with the themes dealt with in '50 Self-Help Classics' and '50 Success Classics'. As Tom Butler-Bowdon notes with delightful insight in his Introduction, "The paradox of personal development is that, taken to its logical end, it takes us beyond the self. Meaning is found outside the perimeter of our small concerns."
Where does that leave us mortals? We could exert our wider choice and get hold of the Butler-Bowdon trilogy and make them part of that particular bookshelf which you reserve for special tomes. Those volumes that you reach out for to delve into in moments of introspection, or even pure indulgence.

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I Care About Your Happiness: Quotations from the Love Letters of Kahlil Gibran and Mary Haskell Review

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50 Success Classics: Winning Wisdom for Life and Work from 50 Landmark Books Review

50 Success Classics: Winning Wisdom for Life and Work from 50 Landmark Books
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In both this volume and in 50 Self-Help Classics, Butler-Bowdon has selected and then provided a rigorous examination of carefully selected works which have had, for decades, a profound impact on those who read them and then applied the principles which their respective authors affirm. In this instance, "winning wisdom" to apply in one's life and work. There are several reasons why I hold this volume in such high regard. Here are three.
First, Butler-Bowden has assembled excerpts and focused on key points from a wide variety of works which include (with authors listed in alphabetical order, as in the book) Horatio Alger's Ragged Dick, Andrew Carnegie's Autobiography, Jim Collins' Good to Great, Napoleon Hill's Think and Grow Rich, Nelson Mandela's Long Walk to Freedom, Thomas J. Stanley's The Millionaire Mind, Brian Tracy's Maximum Achievement, Sun Tzu's The Art of War, Sam Walton's Made in America, and Zig Ziglar's Meet You at the Top. Obviously, some of this material would also be appropriate for inclusion in 50 Self-Help Classics.
Second, I appreciate the fact that Butler-Bowden also enables his readers to focus on issues of greatest interest to them by suggesting combinations of selections within these four categories:
Motivation (e.g. Tom Hopkins' The Official Guide to Success)
Fulfilling your potential (e.g. Jim Loehr and Tony Schwartz's The Power of Full Engagement)
Prosperity (e.g. Russell H. Conwell's Acres of Diamonds)
Leadership (e.g. Warren Bennis' On Becoming a Leader)
The diversity of Butler-Bowdon's primary sources even within the same category is indeed impressive.
Third and finally, he makes clever use of a number of reader-friendly devices throughout his narrative, such as "In a nutshell," "Final comments," and a brief bio of the author at the conclusion of each selection. I also appreciate the inclusion of brief quotations wherever they are most relevant.
In the Introduction, Butler-Bowdon observes that "When we think of success writing it is often the motivational classics that first come to mind, and the titles in this [volume] represent the historical development of the genre....While all of the books have been bestsellers [and many continue to be], the main criterion for their inclusion was their impact and renown, or whether they filled a niche in terms of a particular subject or person....The leaders discussed are not specific markers for your own success -- it is generally not a good idea to compare yourself to other people -- but their stories illustrate a `way' of success that anyone can follow."
I agree with Butler-Bowdon that each person seeking success (however defined and measured) must assume primary responsibility for being and doing whatever is required to achieve it. However, most of those who share or are the subjects of the success "stories" in this volume have duly acknowledged the assistance provided to them along the way by family members, friends, allies, and in several instances, benefactors.
Butler-Bowdon realizes that he is providing "only a taste of the literature (the main ideas, context, and impact of each title)" while urging his readers to "feast on the real thing." What he offers is by no means a buffet of entrepreneurial "hors d'oeuvres." On the contrary, the content is solid and skillfully presented effectively. I am convinced that many of those who read this book will then be encouraged to read (or re-read) "the real thing." If Butler-Bowdon's efforts accomplish nothing else, that will indeed be sufficient to earn the praise I think he has earned...and justly deserves.


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The Word Made Flesh: Literary Tattoos from Bookworms Worldwide Review

The Word Made Flesh: Literary Tattoos from Bookworms Worldwide
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I've never considered getting a tattoo. They're fine, but never held any personal appeal... until I saw The Word Made Flesh. It's a photo essay of literary tattoos, and in addition to the fine editors who put the book together, it owes its success to the creativity and literacy of the individuals pictured within. Don't expect to see a lot of smiling faces. Most photographs are disembodied arms, legs, and other assorted body parts.
The tats pictured take all forms. Many are literary quotations, and it's quite fascinating to see the words that moved a reader so profoundly that he or she literally wanted them to become part of their selves. Other tattoos were recreations of cover art, illustrations, bookish logos, punctuation marks, and even portraits of authors.
One of the sequences that interested me most was a press release and a series of photographs from "The Skin Project." Writer Shelley Jackson has penned a 2,095-word short story entitled "Skin." It will never be published anywhere. The only place it is being printed is word by word on the bodies of volunteers. The only individuals who will ever be privileged to read the entire text are the tattooed "words." Five of them are pictured. And once the "words" die, the story will be gone. Very cool.
While the photographs are the central focus of the book (and they're nicely shot and pleasingly laid out), the text is likewise pleasing and diverse. Much of the text is made up of brief discussions of the tattoos in the bearers' own words, which are almost always interesting. The editors do a good job, as well, keeping things mixed up. I mentioned the press release earlier. At one point, a two-page short story that inspired a tattoo is printed in its entirety. Elsewhere, a man talks about his tattoo, and the writer quoted responds to being immortalized in this manner.
The pictures in this book are awesome! But after I'd done the quick flip, I went back and read every word of text. Literature is my greatest love, and I dig people who have been permanently marked by their reading. And I really dig this little book!

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The Word Made Flesh: Literary Tattoos from Bookworms Worldwide is a guide to the emerging subculture of literary tattoos-a collection of more than 150 full-color photographs of human epidermis indelibly adorned with quotations and illustrations from Dickinson to Pynchon, from Shakespeare to Plath. With beloved lines of verse, literary portraits, and illustrations-and statements from the bearers on their tattoos' history and the personal significance of the chosen literary work-The Word Made Flesh is part collection of photographs and part literary anthology written on skin.


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Oxymoronica: Paradoxical Wit & Wisdom From History's Greatest Wordsmiths Review

Oxymoronica: Paradoxical Wit and Wisdom From History's Greatest Wordsmiths
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One of my best friends had an aunt (let's call her Ginny) who, like Yogi Berra, could bring a lively conversation to a screeching halt with one brief comment. Aunt Ginny really was unaware of this (shall we say) unique talent. She was not trying to be funny, clever, etc. On the contrary, she offered what she considered to be a serious comment and everyone knew what her intended meaning was. For example:
"Quicker than you can count Jack Robinson."
"Deader than a door knob."
"She was born on a silver platter."
My personal favorite:
"He's on a treadmill to Bolivia."
I am curious to know what Aunt Ginny would make of Grothe's book. (She died many years ago.) She would no doubt agree with many observations but perhaps not see the humor in any of them. Grothe has selected what he calls "oxymoronical" material from his vast collection of quotations. With regard to the term, his definition: "Oxymoronica, n.; A compilation of self-contradictory terms, phrases, or quotations; examples of oxymoronica appear illogical or nonsensical at first, but upon reflection, make a good deal of sense and are often profoundly true." As other reviewers have correctly noted, many of the quotations which Grothe has assembled are hilarious, others insightful, still others cynical. All of them qualify as "oxymoronica."
Among those forgotten or of which I was previously unaware, my personal favorites include:
"Meetings are indispensable when you don't want to do anything."
John Kenneth Galbraith
"Hatreds are the cinders of affection."
Sir Walter Raleigh
"I must follow the people. Am I not their leader?"
Benjamin Disraeli
"What you get free costs too much."
Jean Anouilh
"Good fiction is that which is real."
Ralph Ellison
"Nothing is funnier than unhappiness."
Samuel Beckett (in Endgame)
Selections are organized within fourteen chapters, each of which has a generic subject such as "Sex, Love & Romance," "Ancient Oxymoronica," and "The Literary Life." I presume to suggest that Grothe's anthology be skimmed occasionally rather than read cover-to-cover. In the Foreword, Richard Lederer offers these comments which serve as an appropriate conclusion to my review: "Paradox is a particularly powerful device to ensnare truth because it concisely illuminates the contradictions that are at the very heart of our lives. It engages our hearts and minds because, beyond its figurative employment, paradox has always been at the center of of the human experience." Or, to paraphrase Yogi Berra, if people don't want to appreciate oxymoronica, nobody's going to stop them.
Those who share my high regard for this book are urged to check out The Portable Curmudgeon and The Return of the Portable Curmudgeon, both edited by Jon Winokur; also John M. Shanahan's The Most Brilliant Thoughts of All Time (In Two Lines or Less) and Condensed Knowledge: A Deliciously Irreverent Guide to Feeling Smart Again, edited by Will Pearson.


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