Showing posts with label 20th century european fiction. Show all posts
Showing posts with label 20th century european fiction. Show all posts

The Books at the Wake: A Study of Literary Allusions in James Joyce's Finnegans Wake Review

The Books at the Wake: A Study of Literary Allusions in James Joyce's Finnegans Wake
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Atherton's book is "absotively" wonderful. Appreciating the Wake certainly requires this book. Numerous linguistic influences on Joyce from various authors are catalogued. Particularly interesting is the lengthy analysis of Lewis Carroll's literary influence on Joyce:
1. Carroll is presumably the undisputed inventor of the portmanteau word - a word packed with multiple meanings. Carroll was content to have dual meaning but Joyce packed as many meanings as possible into his words.
2. Carroll (like Joyce) worked with successive alterations of one letter in a word - meat, meet, mate, maze, etc. Sections of the Wake which obliquely referenced Carroll would routinely incorporate this technique.
3. Alice served as an alterego for Joyce's heroine ALP, where "Wonderlawn" is code for the Garden of Eden.
In short, Joyce found much in Carroll's work that (in the case of the portmanteau word, to his surprise) neatly "dovetallied" with his own "work in progress". The Books at the Wake is a fascinating and well-written collection of many more such analyses (Shakespeare, Blake, Vico, etc.).

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In Finnegans Wake Joyce uses world lit­erature, great and small, sacred and pro­fane, as one of the most important and frequent of his sources. Setting out to ex­plore these literary allusions, Mr. Atherton sheds a great deal of light upon other as­pects of Joyce's work. Entire chapters are devoted to such major figures as Swift and Lewis Carroll, while less important influences are grouped together under such headings as "The Irish Writers" and "The Fathers of the Church." He also sur­veys the various interpretations of Finnegans Wake, and makes use of the Letters of James Joyce and the manuscript of Fin­negans Wake in the British Museum.

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Smilla's Sense of Snow Review

Smilla's Sense of Snow
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I read a review of Smilla in the New York Times Book Review the year it was published and was completely intrigued by it. I found it on a clearance rack for around 2 dollars a few years later, and have been reading it ever since. It is one of the few books that I take wherever I travel. Smilla is not always a nice person; most of the time her past envelopes her present and makes her almost unlikeable. The other characters in the novel, the mechanic, her father, the coroner and the blind linguist are so well written that you begin to feel that you know them. I can't agree with the 2/3's assessment,because I find it gripping to the end, even though I have read it many times. The atmosphere of Copenhagen in winter, the language of snow and ice, and the mystery surrounding a young boy's death may not move ahead like an American mystery, but the slow unraveling of the plot is perfect for a novel set in a country where life is lived at a different pace than ours.

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Imaginary Homelands: Essays and Criticism 1981-1991 Review

Imaginary Homelands: Essays and Criticism 1981-1991
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For all those who have read and loved a Rushdie novel, Imaginary Homelands provides more of the same biting humor, insightful thoughts, and elegant prose as Rushdie shares with us his thoughts on everything from censorship to Stephen Hawking. A fair amount of time is spent on criticisms of various novels and authors and I, for one, found it fascinating to see what such an acclaimed author thinks of his peers. Given that this volume contains numerous essays, you will definitely want to pick and choose what to read and will probably end up doing so over an extended period of time. But you must at least take the time to read a little. As always, Rushdie's language is beautiful and forthrightness admirable.

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Complete Poems (Penguin Twentieth-Century Classics) Review

Complete Poems (Penguin Twentieth-Century Classics)
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This book of poems shares the top spot in my bookcase with Whitman's "Leaves of Grass". They are accessible, highly perceptive, pertinent and intensely personal. My favorites are:
"FIDELITY" - "...The wonderful slow flow of the sapphire..."
"GOD IS BORN" - "...And so we see, God is notuntil he is born. And also we seethere is no end to the birthof God."
"SHIP OF DEATH" (Appendix III version) -"...Pulling the long oars of a lifetime's courage, ...and eating the brave bread of a wholesome knowledge..."
"GRIEF" - "...How am I clotted togetherOut of this soft matrix...The air, the flowing sunshine and bright dust..."
"WEDLOCK" - "...How sure the future is within me.I am like a seed with a perfectflower enclosed..."
Finally, as a scientist I marvel at his intuitive grasp of relativity in "SPACE" and "RELATIVITY" - ..."As if the atom were an impulsive thingalways changing its mind."
I would be delighted to share my enthusiasm with other readers.

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