Girl in Hyacinth Blue Review

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(More customer reviews)The concept of this novel, tracing the history of a painting by going back in time chapter by chapter, is just my cup of tea. Susan Vreeland has done an excellent job in transferring this unique notion to paper. I've always enjoyed antiques and wondered about its origination; Girl in Hyacinth Blue was like a dream come true in that respect.
The story begins with math professor, Cornelius Engelbrecht. He was bequeathed a painting from his father, who claims it a masterpiece by the Dutch artist Vermeer. There are no papers to prove this statement; however, the bigger picture is the way Cornelius's father obtained the painting...a way that has haunted him all his life.
Each chapter moves back in time to the previous owner of the painting. Readers follow the painting from the wall of Cornelius's father to the actual inspiration and creation of it. Each vignette houses new sets of characters with the painting as its central core. Slowly, with each turning page, we reveal another part of the painting's history, layer by layer, and what it has meant to the people whose lives it touched.
Girl in Hyacinth Blue made for a wonderful reading experience. I recommend this novel to those who enjoy lovely period pieces or like getting to the bare bones of a story. A very in depth and beautiful premise. I have Susan's next book on my list.

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slide:ology: The Art and Science of Creating Great Presentations Review

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(More customer reviews)I rarely review books, but this one was such a waste that I'd feel guilty if I didn't at least TRY to persuade you not to buy. The main problem with the book, as other reviewers have alluded to, is that it sort of tries to BE a design masterpiece rather than teach you. The design is interesting, but it is to the point that the content is subordinated to the design. There are maybe 5 pages worth of useful content.
Another irritant to me is that this is by far the most commercial book I've ever seen (more ads than a magazine). It seemed that every few pages I was being told to buy this book, or buy all of some other guys books. There is a two page section that is taken from Guy Kawasaki's blog. The whole thing is incredibly derivative (but shallow).
Finally, and this I can take responsibility for, it didn't meet my needs because I am not Al Gore, nor am I the CEO of a company. If I gave a presentation in the style of this book I'd be laughed out of the office. I'm an analyst, and the warm and fuzzy slides would not be good. Duarte's advice on data intensive slides? "Both [of Stephen Few's] books should be on your shelf along with everything Edward Tufte has written."
I have two Tufte books and they are virtually identical, I don't see myself buying his others (and they suffer from the same lack of relevance to corporate analysts). Disappointing.

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Graphic Design America 2: The work of many of the best and brightest design firms from across the United States Review

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(More customer reviews)Like most others in the Rockport series this book has an intriguing preface and a conglomerate of great work. The book features several prominent firms while highlighting the designers that work there. It's a good source of information because it explains the communication problem, and then how the use of good design solved it. It does this across several different media, from the aesthetics of store architecture to the traditional printed brochure. Like the others from Rockport, certain projects are repeated in their other books, but overall, any individual with an eye for the intangible will appreciate this book.

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This second volume displays the work of 37 of the best designers and design firms from across the United States. Organized by DK Holland of the Pushpin with Chip Kidd and Jessica Helfand, the selection presents such firms as Looking, Los Angeles; Post Tool, San Francisco, Modern Dog, Seattle; Carlos Segura, Chicago; Go Media, Austin Texas; Greteman Design, Wichita, Kansas; P. Scott Makela, Minneapolis; Werner Design Works, Minneapolis; and Design!, Atlanta.

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Song and Circumstance: The Work of David Byrne from Talking Heads to the Present Review

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(More customer reviews)Sytze Steenstra (an arts and social science professor from the Netherlands) has written an impressive book covering the art (mostly music, but by no means exclusively) of David Byrne. The book follows a roughly chronological path, but connects each section/part/era to conceptual themes. You need to be willing to put up with a little bit of academic theory and structure with those themes, but do realize that Byrne doesn't seem to shy from those theory labels, so there's some level of tacit approval. (In fact, the review of the book by Byrne himself shows up above on the amazon description of the book.) This is a look primarily at Byrne through the works of the Talking Heads, his films, solo music, visual art, and collaborations, so it is not strictly a biographer, least of all a "rock-n-roll" biography with smashed televisions, pregnant groupies, and piranhas being kept on the tour bus.
Parts four and six, the ethnography and Tropicalismo sections, were the strongest to me, at least in part because I was less familiar with that work. There are strong connections made throughout the book, and you definitely finish reading with a long list of music to track down. I'd highly recommend it to fans of Byrne from any era (Talking Heads on) and to readers of Wire Magazine (the British new music magazine which also has a willingness to use, and lack of fear of, critical theory).
Table of contents for "Song and Circumstance: The Work of David Byrne from Talking Heads to the Present" :
INTRODUCTION
A song and a face
Singer and conceptual artist
Mythology and methodology
Romantic conceptualism
The method of this book
Part One: STRIPPING DOWN ROCK SONGS
The tentative rejection of mimesis
Cybernetics as inspiration
The first years of Talking Heads
Ethological and neurological aspects of music
Experiments with rhythm, texture and persona
Part Two: A WIDER MUSICAL COMMUNITY
Music and dance as social exchange
Isolated voices embedded in rhythm
At the crossroads: "Remain In Light"
Comparative studies of myth, archetypes and ritual
Archetypal conflicts: "goin' boom boom boom"
Part Three: MOVIES, TV AND THEATER: THE RITUAL IN DAILY LIFE
Introducing performance theater
A concert in the cinema: "Stop Making Sense"
Music in context: "Talking Heads vs. The Television"
"The Knee Plays", music for Robert Wilson
"Little Creatures": television's naiveté
"True Stories", a generic Gesamtkunstwerk
A soundtrack for Mabou Mines' "Dead End Kids"
"The Forest", a Byrne-Wilson piece
"The Forest" as film script
Part Four: ROCK STAR AND ETHNOGRAPHER
Rock star and ethnographer
"Naked", Talking Heads' most `African' record
"Ilé Aiyé": a musical ethnographic documentary
"Rei Momo": incorporating Latin sensibility
Soundtracks for ethnographic art documentaries
Luaka Bop
In the mirror: Sex `n' drugs `n' electronic music
Critical responses
Part Five: IN THE VISUAL ARENA
The arena of visual communication
Photographic repertoires
"Strange Ritual": documents of sacralization
The voodoo of the business world
"The New Sins": a new mythology of chaos
Dressed objects and other furniture
Part Six: TROPICALISMO IN NEW YORK
The singer as imaginary landscape
"Between The Teeth"
New York Tropicalismo
TV presenter
"Live at Union Chapel"
Songs and choreography: coming full circle
Part Seven: AN EMOTIONAL EPISTEMOLOGY
Cloud diagrams
"Envisioning Emotional Epistemological Information"
Arboretum: the garden of correspondences
The representation of politics
Who owns our eyes and ears?
Philosophy in installments
Conclusion
Appendices
Index

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The Art Spirit: Notes, Articles, Fragments of Letters and Talks to Students, Bearing on the Concept and Technique of Picture Making, the Study of Art Generally, and on Appreciation (Icon Editions) Review

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(More customer reviews)My friend who was an artist gave me this book to read. Now it is one of the few that I carry around at all times. Robert Henri saw that there is no division between art and life. To be an artist, or trully alive for that matter, one has to experience life to his fullest. This means finding yourself and the people/things/and way of living that inspire you. When beauty strikes you so, and your full of love and joy it is hard not to do things beautifully. Henri tells us to find that beauty within us and the rest will follow. And one of the most enjoying things I found about this book was that the authors personality is very bright in every sentence. It made the book a great read. To enjoy this book, you need not to know art but to know life.

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National Geographic Simply Beautiful Photographs Review

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(More customer reviews)This is one of the most exciting books that National Geographic has published in recent times. One stunning image after another it lives up to its representation by showing the best photos found in the National Geographic archives. There is little text in this book and it relies heavily on the quality of the images selected. The sample photos and the video only give you a taste of what is between the covers. I must admit that I am biased, because one of my photos is in the book. It was an honor to have one of the only photos I ever sent to National Geographic to be selected by Annie Griffiths to be included in the book.
As a photographer, I will be learning from this book for years to come. What makes beauty in a photograph is a question this book answers. It may seem like a small trivial question to some, but Annie gives an elegant answer with some of the most beautiful photos that represent the best of our world. This book helps reaffirm to me that photography can be a medium of how to view this world and live our lives in the simple pursuit of beauty. What greater purpose could a photographer or a person have?
It is no wonder to me that the popularity of this book is rising, and I applaud Annie Griffiths for the theme of beauty that opens before your eyes with each turn of the page.
When I sit for awhile with this book a quote from George Eliot comes to mind:
"The golden moments in the stream of life rush past us and we see nothing but sand; the angels come to visit us, and we only know them when they are gone." I treasure the moments that each photographer has brought to my eyes.

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National Geographic Simply Beautiful Photographs takes readers on a spectacular visual journey through some of the most stunning photographs to be found in National Geographic's famed Image Collection. Award-winning photographer Annie Griffiths culled the images to reflect the many variations on the universal theme of beauty. Chapters are organized around the aesthetic concepts that create beauty in a photograph: Light, Composition, Moment (Gesture and Emotion), Motion, Palette, and Wonder.

Beyond the introduction and brief essays about each featured concept, the text is light. The photographs speak for themselves, enhanced by lyrical quotes from scholars and poets. In the chapter on Light, for example, we read these words of whimsical wisdom from songwriter Leonard Cohen: "Ring the bells that still can ring. Forget your perfect offering. There is a crack in everything. That's how the lights get in." And then the images flow, of light entering scenes via windows, clouds, and spotlights, from above, alongside, and behind, casting radiance upon young ballerinas and weathered men, into groves of autumn trees and island-dotted seas, revealing everything it touches to be beautiful beyond expectation.

To illuminate the theme of Wonder, Griffiths chose a wish from Andre Bazin: "If I had influence with the good fairy...I should ask that her gift to each child in the world be a sense of wonder so indestructible that it would last throughout life." This thought is juxtaposed with an exquisite vision in white, a frame filled with the snowy-pure dots and rays of a bird's fan tail. And on it goes, picture after tantalizing picture, alive with wondrous beauty.

When she created National Geographic Simply Beautiful Photographs, Annie Griffiths set two goals: to maximize visual delight, and to create a book unique in the world of publishing--one in which many of the photographs could be purchased as prints. She has succeeded on both counts. Many of these stunning images are available for order, and there can be no doubt as to the visual delight. You must open this book for yourself, and take in its radiant beauty.

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Daydreams at Work: Wake Up Your Creative Powers Review

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(More customer reviews)Daydreams at work is a thoughtful, well-researched read that examines the nature of daydreams as a window to the creative wellspring that lurks beneath the surface of our limited consciousness. This is a fascinating topic and a singular effort on the subject of daydreams. I highly recommend this to anyone interested in learning more about this fascinating dimension of life!

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Learn how to use the creative power of daydreaming to problem solve, brainstorm, find energy and motivation, and come up with the next big idea. 'Daydreams at Work' shows you why daydreaming is literally your most creative state of mind; reveals the valuable & productive role daydreams play in your life and work; and gives you suggestions for tapping into your own daydreams for ideas, energy, and motivation. For example, find out why Google and 3M give their employees the time and space to daydream and how that has helped them become two of the most innovative companies in the world. 'Daydreams at Work' includes interviews with and stories from psychologists, executives, entrepreneurs, artists, writers, scientists, inventors, and athletes, including legendary mountain climber Ed Viesturs; questionnaires to help you determine your own daydreaming style; and thought-provoking exercises and tips that will have you examining your daydreams in new and creative ways. We all daydream - isn't it time you found out more about your most creative state of mind?

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Unweaving the Rainbow: Science, Delusion and the Appetite for Wonder Review

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(More customer reviews)Not many people have the gift of taking some common event and deconstructing it to the nth degree, while making it all seem quite normal. As in his other books (Blind Watchmaker, Climbing Mount Improbable, etc.) Mr. Dawkins makes your mind boggle at the way nature use very simple (?) building blocks to fashion something extraordinary ... like us. You are set back on your heels when you realise that your body is largely composed of modified bacteria, without which we could not exist. He goes on to expound on how we see and from there how our brain interprets the world, comparing it to Virtual Reality (no comparison!) - anyone who has experienced any form of VR will understand the immense computing power it takes to present even a half-decent rendition, but the brain does this continuously AND has time to dream, imagine, remember past events and places all in real-time - I doubt if enough teraflops of computer power exist in the world even now to do that.
The main thrust of the book is the poetry of science; how, by understanding more about the way the universe works, we can appreciate the wonder of it all the better - open our minds to something more beautiful than just the outward appearance of a beautiful object - even make us see the beauty in some not-so- pleasant sights!
In this book he uses well thought-out, easy-to-grasp concepts to explode myths, de-bunk charlatans, and de-mystify magic (a little TOO vitriolic at times, I fear!) - all with the intention of opening our minds to the concept of evolution (specifically Darwinism). He takes us from rainbows to barcodes to DNA in easy stages, explaining in graphic (but never tedious) detail just how nature can (and will) evolve all its wonders.
Sometimes I had to put the book on one side just to let the enormity of it all sink in. I still find it hard to grasp the vastness of time it required for nature to accomplish all that it has - yes, I can imagine a thousand years; a million? ... I'm struggling now; a billion? ... overload! But that's what you need to do to come to grips with the evolutionary process. I suspect it's this lack of comprehension / imagination that is behind the beliefs of many Creationists, or maybe a refusal to accept that evolution can happen without some 'intervention'. Having laid myself open to attack, I can only recommend that you read what Mr. Dawkins has to say and make up your own mind who has the right of it.

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Life Is a Verb: 37 Days to Wake Up, Be Mindful, and Live Intentionally Review

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(More customer reviews)In the beginning, this book really annoyed me.
Here's the set-up: "In October of 2003, my stepfather was diagnosed with lung cancer. He died 37 days later."
Tragic. Though I can't imagine, I can empathize. But then comes the goopy stuff:
"The time frame of 37 days made an impression on me. We often live as if we have all the time in the world, but the definite-ness of 37 days was striking. So short a time, as if all the regrets and joys of a life would barely have time to register before time was up...."
"I tried to reconcile the fact that this fearful death was happening with the understanding that I needed to make something good out of it. What emerged was a commitment to ask myself this question every morning: What would I be doing today if I only had 37 days to live?"
Well, you know the answer. Savor every second. "Enjoy every sandwich," as the dying Warren Zevon put it. Buddhism 101. The punch line of a million self-help books.
So was I moved by Ms. Digh's approach to her theoretical last 37 days --- pumping out reams of writing so her young daughters would have some idea who Mom was? No. And not because I'm hard-hearted. It's just that I've heard all this. Many times, most recently in "Improv Wisdom", which I consider the last word on Showing Up and Being Here.
But I stumbled on, past the beautifully designed pages with the lovely art and the super-sincere poems by poets I'd never heard of, until I achieved the entrance to Part One. "Inhabit Your Story." The predictable moral arrived on schedule: "Find the change you can make and make it."
On to Part Two: "The Six Practices for Intentional Living." Which includes: "Dance in your car", followed by "carry a small grape" and "always rent the red convertible" and "say wow when you see as bus".
What was I doing in this Birkenstock gulag, surrounded by Good Thoughts?
But then I hit the story of Ms. Digh sitting on a plane next to a boor, and how they became close friends. The next page brought another compelling story. The Jungian analyst Marion Woodman, sick in India, is bothered by a large brown woman who crowds her on the couch of the hotel lobby. For days. On the fourth day, the woman's husband shows up to say he had been sending his wife there to pour her warmth and life energy into the body of the dying Woodman. The woman had, Woodman decided, saved her life. And then came the story of Digh's college lover, back in 1978. Richard was African-American. Her parents were less than thrilled. The relationship withered. Flash-cut to now. Richard is now Amanda. He wears his old girlfriend's earrings.
Tell me enough stories, and one will be an arrow to the heart. Richard-and-Patti was, and then, suddenly, they all were --- and advice like "Go to a black barbershop to get your hair cut if you're a Caucasian" no longer seemed monumentally trite. Reading on, I learned about hikaru dorodango --- shiny Japanese mud balls --- and how to make better ones simply by making more. I learned how to disagree by saying, elegantly, "I don't see the truth in that." I was reminded what a dollar can mean to the person ahead of you in the supermarket line. I encountered some very wise quotations, like this, from Eric Hoffer: "You can discover what your enemy fears by observing the means he uses to frighten you."
In short, as I read on, I found myself getting sharper and smarter. I considered why it might be better to make a mistake --- and learn from it --- than strain to get everything right. And I read the obituary Patti Digh wrote recently for her father --- who died in 1980, when she was in her teens --- and misted over.
The stories in the news these days are so big. Tectonic plates are moving. History is being made. But then, it always is. "Life is a Verb" is a reminder that our lives are bigger than the stories in the headlines. A small thought? Not to me. Now I have to go back to the beginning and start again....


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In October 2003, Patti Digh's stepfather was diagnosed with lung cancer. He died 37 days later. The timeframe made an impression on her. What emerged was a commitment to ask herself every morning: What would I be doing today if I had only 37 days left to live? The answers changed her life and led to this new kind of book. Part meditation, part how-to guide, part memoir, Life is a Verb is all heart.
Within these pages-enhanced by original artwork and wide, inviting margins ready to be written in-Digh identifies six core practices to jump-start a meaningful life: Say Yes, Trust Yourself, Slow Down, Be Generous, Speak Up, and Love More. Within this framework she supplies 37 edgy, funny, and literary life stories, each followed by a "do it now" 10-minute exercise as well as a practice to try for 37 days-and perhaps the rest of your life.

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Living the Creative Life: Ideas and Inspiration from Working Artists Review

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(More customer reviews)This book is a keeper, a touchstone to come back to on those awful, dark
days when I'm sure there isn't a drop of creative energy left. It will sit
in an honored place beside my worktable between Everyday Matters by Danny Gregory and Kaleidoscope by Suzanne Simanaitis. This is where I reach when
the muse sneaks off to play the horses.
Let's face it, many of the books published about collage and mixed media art are profit-driven or a surface scratching prettifying of the creative life. I've bought and been disappointed by several. This book is the real
thing-something to dive into and come up with a pearl of a kick start to
goat-butt you out of your self pitying trough of creative dispair.
Buy the book-you will not be listing it on half.com in two weeks. It will
sit in a honored place for those moments you need something special.

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This book answers questions that every crafter ponders: What is creativity, anyway? Where do ideas come from? How do successful artists get started? How do you know when a piece is finished?Creativity is different for everyone, and "Living the Creative Life" offers a wide range of insights from 15 well-known and admired full-time artists, including: Linda Woods (art journaler and co-author of "Visual Chronicles" and the forthcoming 'Journal Revolution"), Michael deMeng (mixed-media assemblage artist and author of "Secrets of Rusty Things"), Melissa Zink (New Mexican mixed-media artist and bronze sculptor), James Michael Starr (collage and assemblage artist), Scott Radke (puppet maker) and many others.Colourful and engaging artwork fills the pages alongside the chronicles of artistic awakenings, creative techniques, inspired strategies, unique ways of thinking, and high-energy brainstorms by the very artists readers admire in magazines, learn from at retreat workshops and buy work from online.Full of been-there, have-you-thought-about-trying-this stories and insights, "Living The Creative Life" will appeal to artists of all mediums and skill levels.

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The Word Made Flesh: Literary Tattoos from Bookworms Worldwide Review

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(More customer reviews)I've never considered getting a tattoo. They're fine, but never held any personal appeal... until I saw The Word Made Flesh. It's a photo essay of literary tattoos, and in addition to the fine editors who put the book together, it owes its success to the creativity and literacy of the individuals pictured within. Don't expect to see a lot of smiling faces. Most photographs are disembodied arms, legs, and other assorted body parts.
The tats pictured take all forms. Many are literary quotations, and it's quite fascinating to see the words that moved a reader so profoundly that he or she literally wanted them to become part of their selves. Other tattoos were recreations of cover art, illustrations, bookish logos, punctuation marks, and even portraits of authors.
One of the sequences that interested me most was a press release and a series of photographs from "The Skin Project." Writer Shelley Jackson has penned a 2,095-word short story entitled "Skin." It will never be published anywhere. The only place it is being printed is word by word on the bodies of volunteers. The only individuals who will ever be privileged to read the entire text are the tattooed "words." Five of them are pictured. And once the "words" die, the story will be gone. Very cool.
While the photographs are the central focus of the book (and they're nicely shot and pleasingly laid out), the text is likewise pleasing and diverse. Much of the text is made up of brief discussions of the tattoos in the bearers' own words, which are almost always interesting. The editors do a good job, as well, keeping things mixed up. I mentioned the press release earlier. At one point, a two-page short story that inspired a tattoo is printed in its entirety. Elsewhere, a man talks about his tattoo, and the writer quoted responds to being immortalized in this manner.
The pictures in this book are awesome! But after I'd done the quick flip, I went back and read every word of text. Literature is my greatest love, and I dig people who have been permanently marked by their reading. And I really dig this little book!

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The Word Made Flesh: Literary Tattoos from Bookworms Worldwide is a guide to the emerging subculture of literary tattoos-a collection of more than 150 full-color photographs of human epidermis indelibly adorned with quotations and illustrations from Dickinson to Pynchon, from Shakespeare to Plath. With beloved lines of verse, literary portraits, and illustrations-and statements from the bearers on their tattoos' history and the personal significance of the chosen literary work-The Word Made Flesh is part collection of photographs and part literary anthology written on skin.

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The Philosophy of Andy Warhol : (From A to B and Back Again) Review

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(More customer reviews)Seriously, at a certain point when I was around 18 or 19, this was my Bible, or my Little Red Book - I and a handful of friends (Warhol died at about the same time) took every syllable here very, very seriously.
This is kinda funny to me now, but it's a great book still, a truly unique cultural artifact. Warhol - as always maintains the trademark deadpan aloofness here, which had a few odd purposes beyond simply looking cool: there were rare instances when he'd drop his guard and a hint of social relevance would enter the frame, which did run contrary to most of what Warhol did, here especially. Doing so would turn art into something didactic, and - as a joke doesn't work if you have to explain the punch line, art flops if you have to lead your viewers, or readers, by the hand into your meaning. Thus Warhol's stylish glibness and affected cool served a brilliant purpose - it made demands of everyone who came into contact with it.
Here we have Warhol's epigrams - spread out like some artboy approximation of 'Quotations From Chairman Mao Tse-Tung,' all about equally quotable, useless, devoid of literary merit, yet (unlike the leaden and ideologically bankrupt Chairman) also stylish and memorable, even at their most zoned out.
The other great method behind Warhol's facades is here as well - the same impulse that turned canned soup into the artworks of a once very, very poor 2nd-generation immigrant's child (if you were going hungry, Campell's soup would in fact become, and possibly remain, a beautiful thing, and we all know that beautiful things are and always will be one of the most fitting of subjects for art). These cryptic sayings and jottings all seem constructed to get us all to see the small stuff for what it is, and learn to appreciate it for that.
Warhol was like Elvis - all things to all people. And about as maddening, contradictory and semiotically intriguing as Elvis. This slim little book is one of his strangest and most magnificent achievements.
-David Alston

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