Showing posts with label top reviewers. Show all posts
Showing posts with label top reviewers. Show all posts

The Blue Book of Grammar and Punctuation: An Easy-to-Use Guide with Clear Rules, Real-World Examples, and Reproducible Quizzes Review

The Blue Book of Grammar and Punctuation: An Easy-to-Use Guide with Clear Rules, Real-World Examples, and Reproducible Quizzes
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I have been an English professor for fifteen years, and my advice is that people interested in improving their grammar find a better book than this one. It is full of errors. I care very much about getting students to write and speak properly (for many it's a key to success), and that's why I am so disappointed in this book. (By the way, I have not written any book that competes with this one for your dollars.) Better material is available free of charge on the internet.
I will list some errors below, all found in the very first section of the book, and you will note that in all the canned testimonials that appear on this site, not one of my statements will be refuted. Instead, you will hear about how this book "answered all of my questions" or "helped me land my dream job" or "turned my company around," etc. Nonsense.
ERROR 1: On page 2 we are told, "A subject will come before a phrase beginning with 'of'." This is simply not a rule; subjects often follow "of". Consider this sentence: "Hoping to win the respect of her employer, Sandra learned to speak fluent English." The subject, Sandra, comes after a phrase beginning with "of" ("of her employer"), not before one. Someone who followed the rule in the book might falsely conclude that "respect" is the subject, as it comes before "of".
ERROR 2: There are grammar and punctuation errors in the writing itself. On page 1 we read, "Being able to identify the subject and verb correctly will also help you with commas and semicolons as you will see later." It is certainly odd that a sentence about proper punctuation should itself include a punctuation error; a mandatory comma has been omitted between "semicolons" and "as."
ERROR 3: On page 2 we are told, most unhelpfully, "To find the subject and verb, always find the verb first." (This is like a recipe that says, "To bake a cake and make frosting for it, first bake the cake," and leaves its instructions on cake-baking at that.) Once you find the verb, the book continues, "Then ask who or what performed the verb." This sloppy wording is almost bound to cause confusion. Consider this sentence: "In spite of the bad instructions, the error was found by the student." The verb is "was found," and the student did the finding. It would be natural to suppose, then, that the student "performed the verb" and thus is the subject. The subject, however, is "the error," not "the student".
All of these problems (and others I have not mentioned) are found on the first two pages of the book.
Please note that no one promoting this book will defend the idea that subjects must precede phrases beginning with "of," or that finding "who performed the verb" gives students enough to go on to determine the subject, or that the author makes no punctuation errors of her own in the book. They as good as admit that some of the rules in the book are wrong, that the explanations are inadequate, and that the author makes punctuation errors. So one wonders what might motivate these people to endorse the book. As for my motive, it is this: concern for students who will be (and have been) misled by this faulty product.
The previous edition used crucial terms that it did not bother to define--like "direct object," "object of the preposition," and even "preposition" itself.
Imagine a grammar book that leaves students in the dark about the meaning of the word "preposition," and you have some idea of what this book is like.
As for crucial grammatical elements like transitive verbs, the subjunctive, linking verbs, helping verbs--they were not even mentioned. Will anyone step forward and say, "In this edition, 'preposition' is defined and transitive verbs are discussed"? Of course not.
This book omits even very basic material, and, what is worse, much of what it does say is misleadingly phrased or just plain wrong. You can do better.

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The Blue Book of Grammar and Punctuation is filled with easy-to-understand rules,real-world examples, dozens of reproducible exercises, and pre- and post-tests.
This handy workbook is ideal for teachers, students in middle school through college, ESL students, homeschoolers, and professionals. Valuable for anyone who takes tests or writes reports, letters, Web pages, e-mails, or blogs, The Blue Book offers instant answers to everyday English usage questions.

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Bird by Bird: Some Instructions on Writing and Life Review

Bird by Bird: Some Instructions on Writing and Life
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This is not a how-to book. This is not a New Age manual for freeing your creativity in ethereal ways. This is Anne Lamott, for heaven's sake...and that means it's funny! As in, laugh- till-you-can't-read-the-words-through-the-tears-in-your-eyes funny. (Some call this therapy, and I'm inclined to agree.)
Though aimed at writers, this book is full of sage advice and razor-edged honesty for the average joe. If you're a writer--and I claim to be one--it's more than a few anecdotes and good advice; it's a lifeline in the thrashing seas of rough-draftdom, a foothold on the sands of jealousy and vain ambition. Anne makes it clear that writing must be pursued for something other than mere publication. (Though, to be honest, I know she's just trying to let the majority of us down easy.) Writing is about letting go, growing, facing truths, and holding on.
I'm hooked on Lamott. She slaps me in the face with her startling revelations, nudges me in the ribs with her unpredictable humor, and prods my frozen little writer's hands back into action with warm compassion. This book won't solve the mechanical aspects of my writing, or lead me on the path of structural excellence, but it will spark my creativity, free my characters to be true to themselves, and, ultimately, shake me from my doldrums back into the writing mode.
In a society addicted to mindless facts and information, "Bird by Bird" reminds us--writers or otherwise--that it's all about heart. Heart and mind and soul dancing together, even if they step all over each other's feet.

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Writing Workshop: The Essential Guide Review

Writing Workshop: The Essential Guide
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I have taught writing for the past five years utilizing the teaching structure, writing workshop. I have also taught teachers how to teach using writing workshop and this has been the most helpful book in training new teachers. It is an easy read with lots of timelines, teacher guides, quick summaries at the end of chapters and practical advice. There are a lot of books out there about writing workshop, but this one is concise, clear and enjoyable to read. This is worth the money! Enjoy :)

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100 Ways to Improve Your Writing (Mentor) Review

100 Ways to Improve Your Writing (Mentor)
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I use Gary Provost's 100 WAYS as the textbook in my Internet writing course (Personal Writing) for Lansing Community College. Students tell me, and I agree, that the organization of the book, its conversational tone, its concrete examples, and its unintimidating size and appearance are all features that make it a book they LOVE to read and will keep. It doesn't feel, look, or read like a textbook.
Gary Provost's honesty about his own dislike for starting a writing assignment is disarming and important for students to see. Provost also makes readers comfortable with him when he admits the enormous risk inherent in writing a book about writing: He knows there must be thousands of readers just waiting to find an error in his work and to take two points off with a sharp red pencil!
Finally, Provost's section on cliches is a delight. The entire section, which warns readers to avoid cliches, is written in a series of -- what else? -- cliches. Nice touch, and funnier than a crutch (oops)!
Gary Provost is an artist, as are all good writers. The artist in Provost succeeds delightfully in this little book. 100 WAYS is Provost's Picasso-like sketch of Don Quixote with the windmill waiting in the distance to be overcome.
Buy this book, use it, enjoy it, learn from it, teach with it, keep it.
Dale M. Herder, Ph.D. Professor of English and Vice President Emeritus Lansing Community College Lansing, Michigan

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A complete course in the art of writing and an essential reference for any working or would-be writer of any kind. Step-by-step it shows how to come up with ideas, get past writer's block, create an irresistible opening, develop an effective style, choose powerful words and master grammar, rewrite, and much, much more.

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Oxymoronica: Paradoxical Wit & Wisdom From History's Greatest Wordsmiths Review

Oxymoronica: Paradoxical Wit and Wisdom From History's Greatest Wordsmiths
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One of my best friends had an aunt (let's call her Ginny) who, like Yogi Berra, could bring a lively conversation to a screeching halt with one brief comment. Aunt Ginny really was unaware of this (shall we say) unique talent. She was not trying to be funny, clever, etc. On the contrary, she offered what she considered to be a serious comment and everyone knew what her intended meaning was. For example:
"Quicker than you can count Jack Robinson."
"Deader than a door knob."
"She was born on a silver platter."
My personal favorite:
"He's on a treadmill to Bolivia."
I am curious to know what Aunt Ginny would make of Grothe's book. (She died many years ago.) She would no doubt agree with many observations but perhaps not see the humor in any of them. Grothe has selected what he calls "oxymoronical" material from his vast collection of quotations. With regard to the term, his definition: "Oxymoronica, n.; A compilation of self-contradictory terms, phrases, or quotations; examples of oxymoronica appear illogical or nonsensical at first, but upon reflection, make a good deal of sense and are often profoundly true." As other reviewers have correctly noted, many of the quotations which Grothe has assembled are hilarious, others insightful, still others cynical. All of them qualify as "oxymoronica."
Among those forgotten or of which I was previously unaware, my personal favorites include:
"Meetings are indispensable when you don't want to do anything."
John Kenneth Galbraith
"Hatreds are the cinders of affection."
Sir Walter Raleigh
"I must follow the people. Am I not their leader?"
Benjamin Disraeli
"What you get free costs too much."
Jean Anouilh
"Good fiction is that which is real."
Ralph Ellison
"Nothing is funnier than unhappiness."
Samuel Beckett (in Endgame)
Selections are organized within fourteen chapters, each of which has a generic subject such as "Sex, Love & Romance," "Ancient Oxymoronica," and "The Literary Life." I presume to suggest that Grothe's anthology be skimmed occasionally rather than read cover-to-cover. In the Foreword, Richard Lederer offers these comments which serve as an appropriate conclusion to my review: "Paradox is a particularly powerful device to ensnare truth because it concisely illuminates the contradictions that are at the very heart of our lives. It engages our hearts and minds because, beyond its figurative employment, paradox has always been at the center of of the human experience." Or, to paraphrase Yogi Berra, if people don't want to appreciate oxymoronica, nobody's going to stop them.
Those who share my high regard for this book are urged to check out The Portable Curmudgeon and The Return of the Portable Curmudgeon, both edited by Jon Winokur; also John M. Shanahan's The Most Brilliant Thoughts of All Time (In Two Lines or Less) and Condensed Knowledge: A Deliciously Irreverent Guide to Feeling Smart Again, edited by Will Pearson.


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