Showing posts with label on writing. Show all posts
Showing posts with label on writing. Show all posts

The Elements of Journalism: What Newspeople Should Know and the Public Should Expect, Completely Updated and Revised Review

The Elements of Journalism: What Newspeople Should Know and the Public Should Expect, Completely Updated and Revised
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Where are the Walter Cronkites of the world?
I don't know the answer to this question, but I have often wondered what happened to those highly respected, eminently fair, seemingly unbiased journalists who used to grace our television sets and newspapers.
This book, written by journalists on behalf of a group of high level, very concerned journalists, directly addresses in a most lucid and intelligent manner their belief that something is "seriously wrong" with their profession.
If awareness is indeed the first step on the road to recovery, this book bodes well for the development of a new journalism, one that is in sync with the electronic age and will, much like Walter Cronkite, inform us of the facts and encourage us to form our own opinions, as is our right and responsibility as citizens.
If you are concerned about our democracy and the important role that journalism plays in preserving it, I encourage you to read this excellent book.
Robert E. Levasseur, Ph.D., president of MindFire Press (www.mindfirepress.com).


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The Book That Every Citizen and Journalist Should Read"What this book does better than any single book on media history, ethics, or practice is weave . . . [together] why media audiences have fled and why new technology and megacorporate ownership are putting good journalism at risk." —Rasmi Simhan, Boston Globe"Kovach and Rosenstiel's essays on each [element] are concise gems, filled with insights worthy of becoming axiomatic. . . . The book should become essential reading for journalism professionals and students and for the citizens they aim to serve." —Carl Sessions Stepp, American Journalism Review"If you think journalists have no idea what you want . . . here is a book that agrees with you. Better—it has solutions. The Elements of Journalism is written for journalists, but any citizen who wonders why the news seems trivial or uninspiring should read it." —Marta Salij, Detroit Free PressThe elements of journalism are:* Journalism's first obligation is to the truth.* Its first loyalty is to citizens.* Its essence is a discipline of verification.* Its practitioners must maintain an independence from those they cover.* It must serve as an independent monitor of power.* It must provide a forum for public criticism and compromise.* It must strive to make the significant interesting and relevant.* It must keep the news comprehensive and proportional.* Its practitioners must be allowed to exercise their personal conscience.

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The Nuts and Bolts of College Writing Review

The Nuts and Bolts of College Writing
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I first encountered "Nuts and Bolts" several years ago, when it was just a web-site. Back then, Yahoo! gave it one of their "cool sites" awards (complete with cute little sunglasses.) It became such a hit on the web, Hackett decided to give Professor Harvey a publishing contract.
Its great that they did, because the other college writing handbooks are either deadly dull or sprouting whiskers. Nuts and Bolts is neither dry nor bewhiskered -- it is hip, handy, and highly literate. This new book could (and should) evict Strunk and White, Turabian, Chicago Style Book, and all the other has-beens and never-weres as the one book every college student (yes, including science majors) should carry in their book bag. (Dissertation-writers may still need Chicago for their fine brush-work, but everyone else will find this jack-of-all-topics addresses most high-school and college needs.)
What's so great about this book? Essentially, it provides one-stop shopping for the essentials of good college term-paper writing -- usually dispensed in travel-sized doses of only three or four pages.
Nuts and Bolts presumes little, but teaches much. It rides no high horses, grinds no axes, curries no favors. Yet it is both idiot- and pedant -proof. Never written an essay before, but want to know what one is? Nuts and Bolts will tell you, without making you feel stupid for having asked. (Enlightening but non-overwhelming flashback to Montaigne included). Want to know what good sentences look like? (hint: active verbs) How to cite a "blog" in an essay? (take that, Strunk and White!) "Nuts and Bolts" does all this and (much) more while always remembering that brevity is the soul of pedagogy.
Finally, though it crisply marches student essays from the first head-scratch to the last push of the "print" button, its elegant writing and efficient layout make Nuts and Bolts ideal for sustained soaks or surgical strikes as needs dictate. Perfect example: Nuts and Bolts provides side-by-side comparisons of how each of the three major citation-systems expect students to format books, articles, websites (etc.) in their bibliographies and footnotes. A veritable god-send for the student triple-majoring in English Lit, Psychology, and Bio!
This book is written so clearly, and presumes so little background on the part of its reader (Professor Harvey has obviously studied the average scantily-trained college student in its native habitat) that you almost don't realize how supremely intelligent it is. Though it will probably mostly be assigned for remedial purposes, the book is so engagingly written it will inspire even very good writers -- teachers and professors included -- to carry it around in their own soft-sider brief cases. Adios, Strunk and White. Hello, Nuts and Bolts.

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Engagingly written and illustrated with scores of telling examples, this plainspoken how-to book for college writers identifies those qualities that most typically distinguish good writing from bad and provides practical measures for avoiding pitfalls. Included are do's and don'ts for achieving concision, clarity, and flow, as well as pointers on using punctuation, writing gracefully, citing sources, and structuring persuasive writing. Championing "the plain style" with a keen appreciation for the uses to which language can be put—including abuses to which it is prone—The Nuts and Bolts of College Writing is a guide that never fails to remind readers why good writing matters so much in the first place, in college and beyond.

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The Blue Book of Grammar and Punctuation: An Easy-to-Use Guide with Clear Rules, Real-World Examples, and Reproducible Quizzes Review

The Blue Book of Grammar and Punctuation: An Easy-to-Use Guide with Clear Rules, Real-World Examples, and Reproducible Quizzes
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I have been an English professor for fifteen years, and my advice is that people interested in improving their grammar find a better book than this one. It is full of errors. I care very much about getting students to write and speak properly (for many it's a key to success), and that's why I am so disappointed in this book. (By the way, I have not written any book that competes with this one for your dollars.) Better material is available free of charge on the internet.
I will list some errors below, all found in the very first section of the book, and you will note that in all the canned testimonials that appear on this site, not one of my statements will be refuted. Instead, you will hear about how this book "answered all of my questions" or "helped me land my dream job" or "turned my company around," etc. Nonsense.
ERROR 1: On page 2 we are told, "A subject will come before a phrase beginning with 'of'." This is simply not a rule; subjects often follow "of". Consider this sentence: "Hoping to win the respect of her employer, Sandra learned to speak fluent English." The subject, Sandra, comes after a phrase beginning with "of" ("of her employer"), not before one. Someone who followed the rule in the book might falsely conclude that "respect" is the subject, as it comes before "of".
ERROR 2: There are grammar and punctuation errors in the writing itself. On page 1 we read, "Being able to identify the subject and verb correctly will also help you with commas and semicolons as you will see later." It is certainly odd that a sentence about proper punctuation should itself include a punctuation error; a mandatory comma has been omitted between "semicolons" and "as."
ERROR 3: On page 2 we are told, most unhelpfully, "To find the subject and verb, always find the verb first." (This is like a recipe that says, "To bake a cake and make frosting for it, first bake the cake," and leaves its instructions on cake-baking at that.) Once you find the verb, the book continues, "Then ask who or what performed the verb." This sloppy wording is almost bound to cause confusion. Consider this sentence: "In spite of the bad instructions, the error was found by the student." The verb is "was found," and the student did the finding. It would be natural to suppose, then, that the student "performed the verb" and thus is the subject. The subject, however, is "the error," not "the student".
All of these problems (and others I have not mentioned) are found on the first two pages of the book.
Please note that no one promoting this book will defend the idea that subjects must precede phrases beginning with "of," or that finding "who performed the verb" gives students enough to go on to determine the subject, or that the author makes no punctuation errors of her own in the book. They as good as admit that some of the rules in the book are wrong, that the explanations are inadequate, and that the author makes punctuation errors. So one wonders what might motivate these people to endorse the book. As for my motive, it is this: concern for students who will be (and have been) misled by this faulty product.
The previous edition used crucial terms that it did not bother to define--like "direct object," "object of the preposition," and even "preposition" itself.
Imagine a grammar book that leaves students in the dark about the meaning of the word "preposition," and you have some idea of what this book is like.
As for crucial grammatical elements like transitive verbs, the subjunctive, linking verbs, helping verbs--they were not even mentioned. Will anyone step forward and say, "In this edition, 'preposition' is defined and transitive verbs are discussed"? Of course not.
This book omits even very basic material, and, what is worse, much of what it does say is misleadingly phrased or just plain wrong. You can do better.

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The Blue Book of Grammar and Punctuation is filled with easy-to-understand rules,real-world examples, dozens of reproducible exercises, and pre- and post-tests.
This handy workbook is ideal for teachers, students in middle school through college, ESL students, homeschoolers, and professionals. Valuable for anyone who takes tests or writes reports, letters, Web pages, e-mails, or blogs, The Blue Book offers instant answers to everyday English usage questions.

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Grammar Girl's Quick and Dirty Tips for Better Writing (Quick & Dirty Tips) Review

Grammar Girl's Quick and Dirty Tips for Better Writing (Quick and Dirty Tips)
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I didn't have expectations about this book from the podcast because I only discovered Grammar Girl a few days before the book was released. I like books about usage, and I enjoyed this one. It's organized in chapters of related usage problems and the rules for the most frequent cases. For many issues, the book gives not only the right way to do it, but demonstrates common wrong ways too, and clearly labels them so you won't pick up the wrong way if you're skimming. Many of the entries include memory devices to help you remember what to do next time.
The drawings and examples were cute, but sometimes the references to Squiggly and Aardvark felt like inside jokes, but fortunately not to the point where I felt like the joke was on me. I didn't know if there were personalities for the characters that would have given me a deeper understanding of the examples they demonstrated, or if they were just generic illustrations.
The voice is consistent, and the delivery is short and sweet, or as the author puts it, quick and dirty. Nothing is belabored that shouldn't be, but each issue is adequately covered for most situations. If an item is controversial, the book mentions the controversy and gives an overview of the major arguments. Matters of style are also identified, even if the author has a strong preference for a particular way.
The last chapter, "Work It," is an unusual chapter for a usage book, and especially valuable. It gives writer-oriented tips for interviewing people, generating ideas, fighting writer's block, and proofreading. Some of the tips it gives are excellent, and in the right situation, may make the difference between success and failure. I would love to see that chapter expanded into a book of its own.


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Online sensation Grammar Girl makes grammar fun and easy in this New York Times bestsellerAre you stumped by split infinitives? Terrified of using "who" when a "whom" is called for? Do you avoid the words "affect" and "effect" altogether?Grammar Girl is here to help! Mignon Fogarty, a.k.a. Grammar Girl, is determined to wipe out bad grammar—but she's also determined to make the process as painless as possible. A couple of years ago, she created a weekly podcast to tackle some of the most common mistakes people make while communicating. The podcasts have now been downloaded more thantwenty million times, and Mignon has dispensed grammar tips on Oprah and appeared on the pages of The New York Times, The Wall Street Journal, and USA Today.Written with the wit, warmth, and accessibility that the podcasts are known for, Grammar Girl's Quick and Dirty Tips for Better Writing covers the grammar rules and word-choice guidelines that can confound even the best writers. From "between vs. among" and "although vs. while" to comma splices and misplaced modifiers, Mignon offers memory tricks and clear explanations that will help readers recall and apply those troublesome grammar rules. Chock-full of tips on style, business writing, and effective e-mailing, Grammar Girl's print debut deserves a spot on every communicator's desk.

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Lessons from a Lifetime of Writing: A Novelist Looks at His Craft Review

Lessons from a Lifetime of Writing: A Novelist Looks at His Craft
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David Morrell's name may not sound familiar, but his works should spark recognition. Rambo. Brotherhood of the Rose. If you haven't read them, you may have seen or heard of the Rambo movies or TV miniseries. Who can forget Sylvester Stallone as Rambo in his black headband with his exposed sweaty muscular chest holding a machine gun with fury?
Impressive background aside, the knowledge that Morrell imparts is educational and constructive. He tells the story of the writer, Sterling Silliphant of Route 66, who influenced Morrell's career in writing. A story like that sounds dull, but Morrell tells it in a simple and gripping way like the rest of the book.
Morrell provides lessons on literary techniques: plots, structure, and voice. His technique of talking to himself and questioning every aspect of a story is a remarkably easy way to ensure the words and story have purpose.
Most writers don't have time to go to a writer's conference or take a class. This book is a class in itself without the annoying "how to" style of writing. I read this book over a period of several months, absorbing one chapter at a time. Reading it slowly was like getting a mini-lesson each reading session.
Not only does he offers tips on smarter dialogue and overcoming writer's block, but he also talks about the business of writing and what to do when a book is published. "Getting Published and the Business of Writing" alone is worth the price of the book. Every writer who publishes a book will benefit from this chapter.
Whether or not one is interested in screenwriting, the chapter on movies is a humorous adventure as Morrell dives into the red tape-like process for getting Hollywood to bring a book alive on the silver screen. Think writers whose books get Hollwoodified are rich? Think again as Morrell walks through the steps of where all the money goes and it ain't in the writer's pocket.
The genre of Rambo movies isn't my thing, but I'm Morrell's fan after spending time with this book. He's inspiring.

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Spiritual Writing: From Inspiration To Publication Review

Spiritual Writing: From Inspiration To Publication
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Spiritual Writing is the clearest, most helpful book I've ever read about getting nonfiction books published. Despite the title, I think it's perfect for anyone who is trying to publish an unusual, personal book.
The authors talk about the special challenges we face when we tackle subjects close to our hearts -- how to self-edit and make our ideas marketable. They take readers all the way through the process: crafting the book, writing query letters, proposals, agents, publishers. They also include a helpful guide to the differences between major publishers and independent publishers -- from the author's perspective. The resource list in the back (spirit-friendly agents and publishers, online resources for writers, etc.) is great, too. I found the book straight-forward and encouraging.

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In SPIRITUAL WRITING, writer and literary agent Deborah Levine Herman and publisher Cynthia Black demystify the process and show writers how to create a book that both remains true to their vision and still conforms to the protocols of the publishing industry.

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The Grammar Devotional: Daily Tips for Successful Writing from Grammar Girl (TM) (Quick & Dirty Tips) Review

The Grammar Devotional: Daily Tips for Successful Writing from Grammar Girl (TM) (Quick and Dirty Tips)
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The Grammar Devotional: Daily Tips for Successful Writing from Grammar Girl (TM) by Mignon Fogarty, the Grammar Girl herself, is a must-have for anyone who loves grammar, diction, and the simple, proper use of words. Organized like a religious devotional, the book provides readers with a grammar or writing rule, factoid, or puzzle (word scramble, crossword, etc.) for each day of the year. The tips are quick, humorous, and informative. Because the book is organized in numbered weeks (e.g., Week 1, Sunday), you can start reading it anytime without having to wait for a particular month or the first of the year.
This devotional is best suited for those who already love grammar and who crave a daily dose of Grammar Girl's wit and wisdom. I wouldn't recommend it to those looking for a style manual or a book on writing technique, because it's not organized in that way. If you're looking for that, I would recommend Grammar Girl's Quick and Dirty Tips for Better Writing.
This little book is so much fun that my spouse and I look forward to reading the tip to each other every day, and I plan to gift a copy to my English professor parents for Christmas!

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Millions of fans around the globe punctuate properly and communicate clearly thanks to Mignon Fogarty's practical and easy-to-remember advice about writing style and word usage.Her first book, Grammar Girl's Quick and Dirty Tips for Better Writing, hit the New York Times bestseller list, and her weekly grammar podcast has been downloaded more than 20 million times and hailed by USA Today as "authoritative but warm." Now, in tip-of-the-day form, Grammar Girlserves up365 lessons on language that are sure to inspire. Filled with new, bite-size writing tips, fun quizzes and puzzles, and efficient memory tricks, The Grammar Devotional gives you a daily dose of knowledge to improve your writing and also serves as a lasting reference you'll use for years to come.

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Writing the Novel: From Plot to Print Review

Writing the Novel: From Plot to Print
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I recently ordered and received Lawrence Block's book, 'Writing the Novel From Plot to Print.' IF you are very serious about writing a novel, this small book provides some thoughtful, though verbose information on tips and tricks and should and shouldn't's.
In the same order package, I purchased 'Telling Lies for Fun and Profit -- A Manuel for Fiction Writers.' I was very dissapointed to find that the second book was an almost verbatim version of the 'Writing the Novel...' book.
Keeping that in mind, if/when you order either of the books, go for the cheapest used version you can get of either because Mr. Block tells the same anecdotes, the same thoughts, and information in both books--almost verbatim.
I just wish that on either of the books information, either in Amazon or Printer's Editorial/Description, it would have been noted that the first book was a rewrite of the second (or vice versa).
As to the value of the information that is provided in either book--it's OK, but nothing earthshattering that will help you write a blockbuster novel. The text itself reads easily, as if you were having a conversation with Mr. Block in the same room. Very friendly and easy to understand--nothing you would need a college degree to comprehend.

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Writing lessons from the crown prince of suspense For more than five decades, Lawrence Block has written novels. He has produced hard-boiled detective stories, taut suspense thrillers, literature, and erotica, and has succeeded in all these genres because he knows how to grab a reader with an opening line, and how to tighten that grip until the final sentence. In Writing the Novel: From Plot to Print, Block offers neither tricks nor formulas, but straight-forward advice based on the experience that comes with producing more than one hundred books. He explains how to refine an idea, how to study one's chosen genre, and how to use the novel's expansive form to find one's particular voice. And he tells it all in the easy, immediate style that has made his own work so successful. This ebook features an illustrated biography of Lawrence Block, including rare photos and never-before-seen documents from his personal collection, and a new afterword written by the author. --This text refers to the Kindle Edition edition.

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Writing from the Inside Out: Transforming Your Psychological Blocks to Release the Writer Within Review

Writing from the Inside Out: Transforming Your Psychological Blocks to Release the Writer Within
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The first and sometimes only thing I read in the monthly Writers Guild of American Journal is Dennis Palumbo's column, so I knew I had to have this book. What I didn't know is how much it would help me. A successful TV person, I have been avoiding writing my first novel for years. Blocked. Totally. Although I thought I had heard all the advice, I had never heard anyone describe a block in the way Palumbo does. Turning it from a negative to a positive worked. I began to view the block as a stepping stone or a bridge (albeit a creaky, scary swinging bridge), rather than a concrete wall. In this way, I was finally able to stop beating myself up for the avoidance, and accept it as a part of the process. Lo and behold, book is done and the agent loves it! Thank you, Mr. Palumbo, for helping me write the thing I spent four years avoiding.
Also especially loved what Palumbo had to say about writers' envy of other successful writers. Until I read this, I thought it was my own dirty, little secret. Now I know that all the rest of you hope my books does as lousy as I hope yours does...
If you love to write, you'll like this book. If you hate to write, you may like it even more.

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"Dennis Palumbo has great insight into a writer s psyche.... Every writer should have a shrink or this book. The book is cheaper."—Gary Shandling, actor, comic, and writer
"wise, compassionate, and funny..."—Aram Saroyan, poet and novelist
"Dennis Palumbo provides a sense of community in the isolation of writing, of knowing that we are not alone on this uncharted and privileged journey. He shows us that our shared struggles, fears, and triumphs are the very soul of the art and craft of writing."—Bruce Joel Rubin, screenwriter, GhostandDeepImpact
Writer's block. Procrastination. Loneliness. Doubt. Fear of failure. Fear of rejection. Just plain...fear. What does it mean if you struggle with these feelings on a daily basis?It means you re a writer. Written with a unique empathy and deep insight by someone who is both a fellow writer and a noted psychotherapist, Writing from the Inside Out sheds light on the inner life of the writer and shows you positive new ways of thinking about your art and yourself. Palumbo touches on subjects ranging from writer s envy to rejection, from the loneliness of solitude to the joy of craft. Most of all, he leads you to the most empowering revelation of all that you are enough. Everything you need to navigate the often tumultuous terrain of the writer s path and create your best work is right there inside you.

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Advice to Writers: A Compendium of Quotes, Anecdotes, and Writerly Wisdom from a Dazzling Array of Literary Lights Review

Advice to Writers: A Compendium of Quotes, Anecdotes, and Writerly Wisdom from a Dazzling Array of Literary Lights
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Advice to Writers is Jon Winokur's finest book -- and that's saying something. Its already pulled me out of writer's block several times. I mean, its not exactly a self-help book, but the damn thing WORKS.
As a writer who suffers from chronic indolence, I'm keeping this book on my bedside table (since I'm indolent I work in bed) -- it makes me WANT to write.
Practical usage aside, its big fun, too. No one else has Winokur's delicious eye for quotes and their juxtapositions. This lovely book is caviar; all other "advice to writer" books are neurasthenic by comparison.
Bravo, Mr. Winokur, and thank you! When's the next one?

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