Save The Cat The Last Book on Screenwriting You'll Ever Need Review

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(More customer reviews)OK, maybe not the last book you'll ever need, but if you are a screenwriter or play one on TV, this just may be the BEST book you'll ever need, or read, on the subject of how to break into the big screen big time as a writer of tall tales.
Blake Snyder is a working, selling writer himself, so that gives the reader a true inside glimpse into what it's like, what it takes, and what to expect on the long road to screenwriting stardom. Many screenwriting how-to tomes are written by guys and gals who have few or no real studio credits, so with this book you can be sure you are getting the info direct from the source of a successful member of the Hollywood elite.
Snyder starts out with a bang, describing how important a good title, pitch and concept are, and giving tons of useful advise for whipping those log lines into shape, the best shape ever in fact, for as the author points out, many industry powerbrokers won't even look beyond a log line...so it better be good. Damned good. He then discusses how to make your story like everything else out there, only different, and if you can come to understand that paradox, you will be a success indeed.
We also learn about the importance of creating characters that fit certain archetypes, like the hero and the villain, and how the use of Jungian archetypes can help you shape and mold real people that resonate with the audience. Also covered is the importance of knowing your genre and how to best amplify the style of that genre.
Another chapter deals with the author's own system of breaking a script down to 15 beats, and how every successful movie fits this same beat system. We also learn the art of building scenes and the use of those wonderful index cards for moving and changing scene progression, as well as following the basic rules of a great story, rewriting and reshaping the script, and of course, what the heck to do with the darned thing once you've finished. I really appreciated the glossary of screenwriting and industry terminology, something every writer should know (or at least pretend to know in meetings).
Although this book does follow the mold of many other screenwriting books before it, focusing both on writing and marketing the script and including summaries and exercises for the reader to expand their understanding, the difference that makes this book stand out is the honesty and directness of the author in giving the reader every best chance to comprehend and conquer the inner and outer workings of screenwriting. "Save the Cat" (I'll let you find out what the title means on your own!) doesn't hold back on doling out the solid advise, and presents it in a way that will not only inspire screenwriters, but also make them more aware of just how hard it really is to succeed. No sugar-coating here, but plenty of motivation and great info packed into one book.
So, "Save the Cat" may not be the final screenwriting book you will ever need, should for some reason the entire industry change and adopt some bizarro new standard of screenwriting that will require you to learn the metric system and Pig-Latin. But barring a drastic reshaping of the industry standard (I think most execs are too lazy to change much of anything), this is no doubt the one book that will do more to help you achieve success and get your two-brad-bound puppy through the door than any other I've read so far. And believe me, folks, I've read them all.
FADE OUT.

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Lessons from a Lifetime of Writing: A Novelist Looks at His Craft Review

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(More customer reviews)David Morrell's name may not sound familiar, but his works should spark recognition. Rambo. Brotherhood of the Rose. If you haven't read them, you may have seen or heard of the Rambo movies or TV miniseries. Who can forget Sylvester Stallone as Rambo in his black headband with his exposed sweaty muscular chest holding a machine gun with fury?
Impressive background aside, the knowledge that Morrell imparts is educational and constructive. He tells the story of the writer, Sterling Silliphant of Route 66, who influenced Morrell's career in writing. A story like that sounds dull, but Morrell tells it in a simple and gripping way like the rest of the book.
Morrell provides lessons on literary techniques: plots, structure, and voice. His technique of talking to himself and questioning every aspect of a story is a remarkably easy way to ensure the words and story have purpose.
Most writers don't have time to go to a writer's conference or take a class. This book is a class in itself without the annoying "how to" style of writing. I read this book over a period of several months, absorbing one chapter at a time. Reading it slowly was like getting a mini-lesson each reading session.
Not only does he offers tips on smarter dialogue and overcoming writer's block, but he also talks about the business of writing and what to do when a book is published. "Getting Published and the Business of Writing" alone is worth the price of the book. Every writer who publishes a book will benefit from this chapter.
Whether or not one is interested in screenwriting, the chapter on movies is a humorous adventure as Morrell dives into the red tape-like process for getting Hollywood to bring a book alive on the silver screen. Think writers whose books get Hollwoodified are rich? Think again as Morrell walks through the steps of where all the money goes and it ain't in the writer's pocket.
The genre of Rambo movies isn't my thing, but I'm Morrell's fan after spending time with this book. He's inspiring.

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Writing the Novel: From Plot to Print Review

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(More customer reviews)I recently ordered and received Lawrence Block's book, 'Writing the Novel From Plot to Print.' IF you are very serious about writing a novel, this small book provides some thoughtful, though verbose information on tips and tricks and should and shouldn't's.
In the same order package, I purchased 'Telling Lies for Fun and Profit -- A Manuel for Fiction Writers.' I was very dissapointed to find that the second book was an almost verbatim version of the 'Writing the Novel...' book.
Keeping that in mind, if/when you order either of the books, go for the cheapest used version you can get of either because Mr. Block tells the same anecdotes, the same thoughts, and information in both books--almost verbatim.
I just wish that on either of the books information, either in Amazon or Printer's Editorial/Description, it would have been noted that the first book was a rewrite of the second (or vice versa).
As to the value of the information that is provided in either book--it's OK, but nothing earthshattering that will help you write a blockbuster novel. The text itself reads easily, as if you were having a conversation with Mr. Block in the same room. Very friendly and easy to understand--nothing you would need a college degree to comprehend.

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Writing lessons from the crown prince of suspense For more than five decades, Lawrence Block has written novels. He has produced hard-boiled detective stories, taut suspense thrillers, literature, and erotica, and has succeeded in all these genres because he knows how to grab a reader with an opening line, and how to tighten that grip until the final sentence. In Writing the Novel: From Plot to Print, Block offers neither tricks nor formulas, but straight-forward advice based on the experience that comes with producing more than one hundred books. He explains how to refine an idea, how to study one's chosen genre, and how to use the novel's expansive form to find one's particular voice. And he tells it all in the easy, immediate style that has made his own work so successful. This ebook features an illustrated biography of Lawrence Block, including rare photos and never-before-seen documents from his personal collection, and a new afterword written by the author. --This text refers to the Kindle Edition edition.

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