Showing posts with label pop culture. Show all posts
Showing posts with label pop culture. Show all posts

Sundays with Vlad: From Pennsylvania to Transylvania, One Man's Quest to Live in the World of the Undead Review

Sundays with Vlad: From Pennsylvania to Transylvania, One Man's Quest to Live in the World of the Undead
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I've always been fascinated with Stoker's Dracula novel, but never with any of the movies, books, or countless manifestations of the character he created. I've never understood how the Dracula figure has grown into a pop-culture juggernaut over the last century on the strength of terrible movies, lousy novels, and breakfast cereals. This book addresses all of those issues.
I've never thought of the spread of the Dracula phenomenon as inherently vampiric until I read Sundays with Vlad. Paul Bibeau chronicles the transformation of a fictional character, based loosely upon a vague historical figure from a remote region, created in a novel that was not even mentioned in its author's obituary, into an unrivalled marketing powerhouse that has penetrated global culture with the same viral potency that gave Stoker's figure its true terror. The Dracula persona has been escalated by wave after wave of fans, freaks, and economic opportunists to the point where legend, history, literature, and pop-culture are permanently, and irrevocably intertwined. Sundays with Vlad untangles the mess.
But that sounds boring.
The true strength of Sundays with Vlad is Bibeau's humor.
This book is an impressively thorough examination of the Dracula phenomenon, that transitions smoothly between political, historical, literary, and pop-cultural issues - always with a brisk wit that keeps the matter interesting. Not only does Bibeau examine all angles of Dracula worship, he does it all personally. He goes to Romania on his honeymoon, he marches in a parade dressed as a clove of garlic, he watches every god-forsaken vampire movie he can find in a weekend, he goes LARPing in Kentucky, he speaks to the creator of Count Chocula, he almost gets attacked by hookers and skinheads in Hungary, and he even tries on vinyl pants. None of it is pretty, but it's all there.
The result is a very extensive, very entertaining, journey through a landscape littered with eccentrics in plastic capes and sanguinarians running for political office. Bibeau handles all topics from the sublimity of literature to the absurdity of Aaron Spelling vampire dramas with a sincere touch; non-judgmental, yet crucially observant, and always funny. As he follows the unlikely trail of arguably the most influential icon of the last century, Paul Bibeau's own thoughts, reservations, and shortcomings, often serve as a familiar point of reference for the reader in the face of the absurd. As we walk with him through the ranks of the unrecognizably strange, Bibeau's natural, comfortable wit may be the true appeal of the book.


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Examines Dracula as a cultural icon, describing his transformation from a fictional character in Bram Stoker's novel to a figure that has pervaded popular culture.--This text refers to the Kindle Edition edition.

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The Truth About Chuck Norris: 400 Facts About the World's Greatest Human Review

The Truth About Chuck Norris: 400 Facts About the World's Greatest Human
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By now, we're all familiar with the Chuck Norris phenomenon that has gripped the nation. We all know that Chuck's tears cure cancer - but don't try to make him cry, cuz he'll roundhouse-kick you right in the face. We're familiar with the fact that Chuck doesn't sleep - he waits. And we know Chuck's manhood far encompasses that of any mortal man.
Ian Spector is a genius for first starting the Original Chuck Norris Fact Generator and now for the release of this delightful book. It is a factbook you simply cannot put down - each fact is more hilarious than the last. Personally, I can't wait for the next Chuck Norris book of facts - bring them on, Ian!

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The lowdown on the toughest, sexiest, and beardiest man to ever stalk the earth Since its emergence from the bowels of the internet, the Chuck Norris Fact has roundhouse kicked its way into the world's consciousness with all the vim and verve of its namesake. Singing the praises of his unequaled toughness, his mighty kicking feet, his indestructible beard, his frightening virility, and his ability to stop time by thinking about pineapples, The Truth About Chuck Norris is the one book brave enough to go behind the beard and reveal the real Chuck. Ian Spector, webmaster of the site which started the meme and survivor of a real-life encounter with Chuck himself, has selected the 400 most kick-ass facts from his library of thousands, as well as illustrations as awesome as the man himself. This death-defying volume includes such awe-inspiring observations as: • A cobra once bit Chuck Norris's leg. After five days of excruciating pain, the cobra died. • Chuck Norris can charge a cell phone by rubbing it against his beard. • When an episode of "Walker, Texas Ranger" aired in France, the French surrendered to Chuck Norris just to be on the safe side. • Chuck Norris was the first person to tame a dinosaur. • Chuck Norris once visited The Virgin Islands. Afterward, they were renamed The Islands. • Every piece of furniture in Chuck Norris's house is a Total Gym. A must-have paean to the archetypical American male and a bible of all things Chuck, The Truth About Chuck Norris is easily the most important book of all time.

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Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto Review

Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto
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"Sex, Drugs, and Cocoa Puffs" is an essay collection that draws comparisons between popular culture and important social and interpersonal issues. It also happens to be extremely witty at times. Chuck Klosterman is a writer for Spin magazine, so he clearly knows pop culture and can write quality essays. The best of his work here truly encapsulates life. Who cannot relate to this quote? - "Every relationship is fundamentally a power struggle, and the individual in power is whoever likes the other person less." That profundity, by the way, is from an essay that discusses the merits of "When Harry Met Sally"; another section proffers the genius of Billy Joel. Yes, Klosterman is a bit of a hipster geek.
Pop culture references are sprinkled throughout the book, but sometimes it stretches a bit too much for the sake of a clever analogy. In the forward, Klosterman assserts that, at times, he feels as though "everything is completely connected." Unfortunately, he is not adept enough to make all of his essays into a cohesive whole (as other reviewers have noted). Ultimately, the book feels like a loose collection of unrelated but very funny skits. Although that debit doesn't sink the book, it does lessen its impact. In addition, Klosterman is sometimes too self-aware for his own good; several times, he makes reference to liking something "unironically" - such as "Saved by the Bell." His definitive goal seems to be achieving irony. While this credo certainly makes "Sex, Drugs, and Cocoa Puffs" a funny read, it can become rather tedious as well. Overall, I'd recommend this book, but with reservations.

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The Philosophy of Andy Warhol : (From A to B and Back Again) Review

The Philosophy of Andy Warhol : (From A to B and Back Again)
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Seriously, at a certain point when I was around 18 or 19, this was my Bible, or my Little Red Book - I and a handful of friends (Warhol died at about the same time) took every syllable here very, very seriously.
This is kinda funny to me now, but it's a great book still, a truly unique cultural artifact. Warhol - as always maintains the trademark deadpan aloofness here, which had a few odd purposes beyond simply looking cool: there were rare instances when he'd drop his guard and a hint of social relevance would enter the frame, which did run contrary to most of what Warhol did, here especially. Doing so would turn art into something didactic, and - as a joke doesn't work if you have to explain the punch line, art flops if you have to lead your viewers, or readers, by the hand into your meaning. Thus Warhol's stylish glibness and affected cool served a brilliant purpose - it made demands of everyone who came into contact with it.
Here we have Warhol's epigrams - spread out like some artboy approximation of 'Quotations From Chairman Mao Tse-Tung,' all about equally quotable, useless, devoid of literary merit, yet (unlike the leaden and ideologically bankrupt Chairman) also stylish and memorable, even at their most zoned out.
The other great method behind Warhol's facades is here as well - the same impulse that turned canned soup into the artworks of a once very, very poor 2nd-generation immigrant's child (if you were going hungry, Campell's soup would in fact become, and possibly remain, a beautiful thing, and we all know that beautiful things are and always will be one of the most fitting of subjects for art). These cryptic sayings and jottings all seem constructed to get us all to see the small stuff for what it is, and learn to appreciate it for that.
Warhol was like Elvis - all things to all people. And about as maddening, contradictory and semiotically intriguing as Elvis. This slim little book is one of his strangest and most magnificent achievements.
-David Alston

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