Showing posts with label book. Show all posts
Showing posts with label book. Show all posts

Rita Hayworth and Shawshank Redemption a Story from Different Seasons Review

Rita Hayworth and Shawshank Redemption a Story from Different Seasons
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This is Steven King's finest novella. I should probably add that the movie follows the story faithfully and does it very well - it is one of my favourite movies. But somehow the story is always a little better.
What is interesting about the story is there is more of a feeling of the sheer weight of time Andy spends in prison. There is not one cheif warden or sadistic guard, there are several, who come and go as the years roll on. The posters change of course, but the friendships that Andy forges remain. And the spectacular ending - just as we imagine.
It is fortunate that this is a story that has translated so well to film - so often such things fall well short of the mark. But it is well worth reading in its own right, and I recommend it highly. If you cannot find the story by itself, it does appear in "Different Seasons" with 3 other equally good stories.

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Doonesbury.com's The War in Quotes Review

Doonesbury.com's The War in Quotes
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"The War in Quotes" clearly and simply documents the Orwellian double-speak that has characterized the Bush administration and the multiple strings of lies that brought us the quagmire in Iraq.

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Doonesbury.com's The War in Quotes is a startling account of the Iraq War, told entirely in the words of those who conceived, planned, advocated, and executed it. Presented in chronological order in thematic groups against a timeline of key events, this astonishing record of remarks both public and private speaks for itself, chronicling the dramatic unfolding of America's first preventative war.THAT WAS THEN"Once you've got Baghdad, it's not clear what you do with it. It's not clear what kind of government you put in place. How much credibility is that government going to have if it's set up by the U.S. military?" --Dick Cheney, 1991MIND-SET"F*** Saddam. We're taking him out." --George W. Bush, to three U.S. senators, March 2002WMD"If the president wants to go to war, our job is to find the intelligence to allow him to do so." --Alan Foley, director, CIA Weapons Intelligence, to staff, December 2002THE PLAN"There was no guidance for restoring order in Baghdad, creating an interim government, hiring government and essential services employees, and ensuring that the judicial system was operational." --3rd Infantry Division's official after-action reviewINSURGENCY"I really qualify it as militarily insignificant. They are very small. They are very random. They are very ineffective." --Maj. Gen. Ray Odierno, June 18, 2003REALITY"Does [the Iraq war strategy] make America safer?" --Sen. John Warner"I don't know, actually." --Gen. David Petraeus, in Senate testimony, September 11, 2007

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Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation Review

Eats, Shoots and Leaves: The Zero Tolerance Approach to Punctuation
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Readers, check your reaction to the following sentence:
Lynne Truss, an English grammarian is bloody fed up with sloppy punctuation.
Does that sentence leave you feeling confused, irritated, or angry? Do you feel you have to second-guess the author of the sentence, forced to ascertain whether s/he was writing to Lynne Truss or about Ms. Truss?
But that sort of thing is almost the norm these days, on both sides of the Atlantic. Of course, we Americans have been struggling for years with FRESH DONUT'S DAILY and Your Server: "MILLY" -- not to mention the archy-and-mehitabel school of e-mail that neither capitalizes nor punctuates and reading through this kind of sentence really gets confusing i think it does at least do you too?
Turns out that even the British--including the elite "Oxbridge" inteligentsia--are wildly ignorant of punctuation's rules and standards. Lynne Truss, an English grammarian and author of EATS, SHOOTS & LEAVES, is bloody fed up with it! So she wrote this handy little book that is ever-so-correct but not condescending, sometimes savage but not silly, full of mission and totally without mush.
Think of Truss as punctuation's own Miss Manners, a combination of leather and lace, with maybe a bit more emphasis on the leather. (She advocates forming possees to paint out incorrect apostrophes in movie placards.) But her examples of bad punctuation serve a purpose: bad punctuation distorts meaning. EATS, SHOOTS & LEAVES includes numerous hilarious backfires of punctuation -- statements and missives that use the exact same words but convey totally opposite messages due to inappropriate punctuation.
Do commas go where they go for breathing, as the do-it-naturally school of non-grammar so many of us were exposed to would have it? Or were they for Medieval chanting or, more analytically, for grammar? Truss explains that it's a mish-mosh of all three, and proceeds to make useful sense of it all. Along the way she confesses she would have gladly borne the children of the 15th-Century Italian typographer who invented Italics and the forward-slash.
With its blend of high dudgeon and helpfulness, Truss steers the reader through the shoals of possession and apostrophes, quotations (British use is a bit differerent from North American, but only a bit, and she notes the difference), the useful if forlorn semicolon, the mighty colon, the bold and (mea culpa) overused dash and other interrupters like parenthesees and commas.
It's important to note that Truss, while something of a true believer, is a believer who lives in the 21st Century. She does not advocate turning back the clock to the 1906 version of Fowler's MODERN ENGLISH USAGE; she is not a snob; she does not overwhelm us with technical terms of grammar and punctuation for their own sake. Just good, common-sense English prescriptive lessons in grammar. People who know they don't know their stuff will learn the right stuff there. People who felt that "the rules" have somehow become archaic in the last thirty years will be happy to see that there are still rules, and while they have become more fluid and pragmatic, they haven't changed inordinately. "It's" still means "It is" and "Its" is still a possessive: "It's a wise publisher that knows its public," say.
Best of all, the teaching is conveyed with wit, bite, and in a snappy tome easy to carry and inexpensive. I'm a former English teacher and I couldn't help but learn and laugh. Highly recommended.
Oh, John Updike? He uses comma faults all that time, that's a sentence like this that splices main clauses together with a comma, maybe using semicolons or starting a new sentence would be better. For us mere mortals, though, standard punctuation fits the norm: once we become world-famous, then we can punctuate at will.

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The Exorcist Review

The Exorcist
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William Peter Blatty's seminal novel of demonic possession took the nation and much of the world by storm when it was published in 1971, and the movie adaptation of The Exorcist ranks as one of the most famous horror movies of all time. Many, many readers over the years have described it as a quite unsettling if not frightening read; I envy these people because I didn't find the book at all shocking or scary. I was actually more affected by the inner turmoil of Father Karras than anything else. His doubts over his own faith, the horrible guilt he feels for having left his aged mother alone when he became a Jesuit priest, and some of his scattered sad childhood memories make of him a philosophical, sentimental character who serves as the main liaison between the reader and the events of the novel. What we see through Father Karras' eyes is a complex, troubling vision of life and death, a conduit of our own philosophical and religious struggles.
The plot of the The Exorcist is well-known to just about everyone. Chris MacNeil and her daughter are living in Georgetown while Chris is filming a new movie. The energetic and happy child, Regan, suddenly begins to change. Strange things begin to happen in the house - rustling noises are heard at night, objects seem to disappear and reappear in strange places, and Regan begins to complain about her bed shaking at night. When Regan's state of mind begins to deteriorate, Chris seeks medical help for her daughter, but the doctors, after a series of complete, agonizing tests, can find no evidence to support their theories of a condition brought about by a lesion in the temporal lobe of the brain. Regan continues to worsen, making wild animal noises, struggling with her caretakers with superhuman strength, cursing like a drunk pirate, speaking with several different voices, projectile vomiting a nasty green substance, claiming to be the devil himself, and - in what is probably the most shocking image of all - hideously violating herself with a religious icon. She eventually has to be strapped into bed for the protection of her as well as those around her. Desperately, the nonreligious Chris turns to the Jesuit priesthood for help, asking for an exorcism to be performed on her daughter. Father Karras studies the case, attempting to find a medical explanation for Regan's behavior even after he witnesses some extraordinary things in Regan's room and converses with the demon claiming to reside within her. In the end, Father Merrin, whom we met in a highly symbolic scene at the beginning of the book, comes to perform an exorcism, engaging once again in battle a demon he had defeated years earlier. The book concludes in a particularly strong, dramatic, and satisfying way.
The descriptions of Regan's behavior and increasingly disturbing actions are laid out in quite open and impacting ways here, but I think this aspect of the story is expressed much more effectively in the movie. It's one thing to read about projectile vomiting, a head spinning completely around, and the other physical manifestations of Regan's condition, but it's something else to actually watch it presented visually onscreen. The book's main strength, in my opinion, comes in the form of the character of Father Karras. The novel provides much deeper access into the mind and soul of this tragically troubled character, and herein is to be found the true heart of the book. The exorcism itself does not take center stage the way it does in the film. Despite all of its religious and demonic attributes, I believe Peter William Blatty's novel is a deep look inside the heart of man as he attempts to make sense and keep the faith in the face of the sometimes revolting human condition.
Those who have seen the movie will benefit greatly from a reading of Blatty's novel. There are a number of sub-plots covered only in these pages, and much of the symbolic and quite subtle aspects of the harrowing drama are not captured in the film at all (or are awkwardly included in the form of symbology that the casual viewer may not notice or recognize). It is interesting for me to ponder why so many find The Exorcist a truly frightening reading experience while I really do not. Perhaps those who are not religious have never really examined pure evil as straightforwardly as they are forced to in the form of this possessed child. In any event, I believe the horror many feel at this undeniably gripping and disturbing story comes not from a vision of the events so vividly described herein, but rather from a consciousness of the changes and perhaps fears wrought upon their own heart and soul by the implications of the experience.

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The Anatomy of Hope: How People Prevail in the Face of Illness Review

The Anatomy of Hope: How People Prevail in the Face of Illness
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I devoured this book of pure inspiration while recovering from my second cancer diagnosis with a 17-month period. As soon as I finished reading it, I wrote to my several oncologists, at three hospitals on 2 continents, to recommed that it be placed in every oncology waiting area and every chemotherapy unit for patients and health professionals alike. Jerome Gropman, M.D. descibes his evolution as a a physican, from his years of training in its illness-detective work and business of interventions to becoming a compassionate, humanistic doctor who is capable of seeing whole lives in his patients. Always and everywhere, in every one, every day, searching for hope: in the body, mind and if there be one, soul or spirit of an individual.
Groopman quotes, "Beware how you take hope away from another human being." Oliver Wendell Holmes, 19th century Boston physician, poet and essayist.
Mainly, this book tells stories of Groopman's extraordianry patients, who, "led ...on a journey of discovery from a point where hope was absent to a place where hope could not be lost. ....learned the difference between true hope and false hope....Because when they held onto hope even when I could not, they survived. nNd one woman of deep faith showed me that even when there is no hope for the body, there is always hope for the soul. Each person helped me see another dimension of the anatomy of hope." from the Introduction

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Why do some people find and sustain hope during difficult circumstances, while others do not? What can we learn from those who do, and how is their example applicable to our own lives? The Anatomy of Hope is a journey of inspiring discovery, spanning some thirty years of Dr. Jerome Groopman's practice, during which he encountered many extraordinary people and sought to answer these questions. This profound exploration begins when Groopman was a medical student, ignorant of the vital role of hope in patients' lives–and it culminates in his remarkable quest to delineate a biology of hope. With appreciation for the human elements and the science, Groopman explains how to distinguish true hope from false hope–and how to gain an honest understanding of the reach and limits of this essential emotion.

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The Machines of Leonardo Da Vinci and Franz Reuleaux: Kinematics of Machines from the Renaissance to the 20th Century (History of Mechanism and Machine Science) Review

The Machines of Leonardo Da Vinci and Franz Reuleaux: Kinematics of Machines from the Renaissance to the 20th Century (History of Mechanism and Machine Science)
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This book consists of four parts which actually should best be understood as four seperate essays by the same author. The first of these is a biographical comparison of Leonardo da Vinci and Franz Reuleaux, a German engineering educator of the late nineteenth century. Though at first this may seem somewhat absurd, the point the author makes is that in their approach to describing mechanical devices there is much similarity between the two. In order to establish that, Francis Moon demonstrates a thorough mastery of the documentary evidence of da Vinci and great familiarity with the work of Reuleaux, particularly his library of physical models of mechanisms. The second essay is a historical summary of the evolution of the design of machines from ancient times into the 20th century. This is a fascinating study that focuses on the level of connection between mathematical analytical understanding and intuitive kinematic understanding of mechanical machine design. It addresses the usually ignored topic of HOW engineers of the past designed things. To an engineer there are no end of interesting topics covered as for instance,a comparison of the flying machines designs of da Vinci and Otto Lilienthal, who was a student of Reuleaux. The third essay is a series of brief comparisons of 20 distinct mechanisms described in some detail by both da Vinci and Reuleaux in their writings. It is hard not to be fascinated by this, at least if you are a mechanical engineer. The fourth essay is a bibliographical review of much of the material the book is based on. This is by no means the least interesting part. I think the book might have read a little more coherently if the second essy in order had been the first but that would perhaps gone against the relative order of the title and subtitle of the book.
I ended up giving this book five stars even though it is very much an academic work, with significant repetition and limited narrative thrust. For one thing, the illustrations are virtually innumerable (143 to be numerous)and of great quality though sometimes necessarily a little small in reproduction. Next the reference material is highly accessible both in the last essay but also more especially throughout the text. Finally the book is a convenient entry way and guide to an online resource, the KMODDL Kinematic Models for Design Digital Library at Cornell which is fairly wonderful.
To sum up, if you are actually interested in the subtitle of this book, "Kinematics of Machines from the Renaissance to the 20th Century" then this is a five star buy without any doubt.

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This fascinating book will be of as much interest to engineers as to art historians, examining as it does the evolution of machine design methodology from the Renaissance to the Age of Machines in the 19th century. It provides detailed analysis, comparing design concepts of engineers of the 15th century Renaissance and the 19th century age of machines from a workshop tradition to the rational scientific discipline used today.

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Henry and Ribsy Review

Henry and Ribsy
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This year, when Mr. Huggins goes fishing, his son Henry wants to come, too. But Henry's dog Ribsy is causing trouble. So they make a deal, if Henry can keep Ribsy out of trouble for a month, Mr. Huggins will take him fishing. Henry thinks it'll be easy, but he soon learns it's going to be harder then he thought.
This book was my first introduction to Beverly Cleary, so it holds a special place in my heart. Henry's adventures are real, funny, and heart-warming. The chapter "Ramona and the PTA" is not to be missed; it's a riot.
I highly recommend this kid's classic.

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At last, Henry Huggins's father has promised to take him fishing, on one condition. Henry's dog, Ribsy, has been in all sorts of trouble lately, from running off with the neighbor's barbecue roast to stealing a policeman's lunch. To go on the fishing trip, Henry must keep Ribsy out of trouble -- no chasing cats, no digging up lawns...and no getting anywhere near little Ramona Quimby, the pest of Klickitat Street.

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Monkey Business: Swinging Through the Wall Street Jungle Review

Monkey Business: Swinging Through the Wall Street Jungle
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Before going into my review, let me start with a caution. This book is the grossest, most vulgar business book I have ever read . . . by a very wide margin. This book would have been banned in Boston 50 years ago. If that sort of thing offends you, this book is a minus ten stars. Many women will feel this book is anti-female. On the other hand, if you happen to like your humor male, bold and brassy, this book will be one of the funniest you will ever read.
As someone who often works with investment bankers, the descriptions about how business is sold and delivered should be tempered a bit. This book describes pretty much every investment banker as shoddy, shallow, and manipulative. That has not been my typical experience. There are terrifically smart, talented, ethical and humane investment bankers. For example, one of my favorites never used a pitch book during his first meeting with a client. Pitch book preparation is one of the banes of the young investment banker's existence. But like all professions, investment bankers vary a lot. There are certainly some less capable ones, and I have seen their work too. I would describe it much like the authors do.
In terms of the working conditions, they are mostly a reflection of weak management in the industry. Investment banks reward doing deals, not being good managers of the deals. A fellow I know became CEO of a major investment bank, and made much less money after that than when he was just a deal-maker. He found little interest on the part of his colleagues in improving management, so it was pretty frustrating. It just doesn't pay to work on making life better for the investment bankers in training, compared to producing more business.
The book's main point is that many young people enter investment banking without knowing what it is like, and are overly impressed with the financial prospects. If your values really favor having time for yourself, your family, and developing your other interests, this is probably the wrong career for you. There are plenty of other ways to make lots of money. The richest people I know are entrepreneurs, not investment bankers.
The book's other main point is that you should take a look at close yourself before you compromise too many of your values. The authors should have never joined an investment bank. Having done so, they should have left much sooner.
CEOs and CFOs should read this book also, to know what to check out carefully in the work that investment bankers do. Most companies now develop their own ideas, and just hire the investment bankers for implementation. In that role, fewer problems will occur of the sort described here. Perhaps the most dangerous role is having an investment banker help you select and pursue an acquisition. Many expensive mistakes follow under those circumstances. Caveat emptor!
You will probably find the monkey drawings in the book add to the humor. The text frequently refers to monkey-see, monkey-do type examples, and the whole story is seen more usefully as a bunch of monkeys playing in a gilded cage. That takes some of the sting out of the gratuitous grossness.
If you liked the put-downs of investment bankers in Liar's Poker, this book will be irresistible to you.
After you have had a good laugh, take a look at your current job and see how well it fits your values and life goals. Chances are that it doesn't. Be prepared to figure that out, and move onward and upward out of whatever gilded (or not-so-gilded) cage you are in today into the freedom of self-actualization.


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The 7 Habits Of Highly Effective Teens Review

The 7 Habits Of Highly Effective Teens
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At the ripe age of 23, I borrowed my 18 year old brother's copy of this book and was enthralled.I cant help but wonder what a difference this book would have made in my life if I had read it at age 14 and not ten years later. The layout of the book is fun and appeals to readers of any age. This makes it easier to read. One thing I have to say, is that this book is one of the most powerful positive thinking books on the market. Although it's aimed at teens, the values and tips can apply to anyone. I loved the little excercises which are still applicable. Sean's frankness on matters really inspired me. My favourite part of the book though is the real life stories he relates on how teenagers have overcome difficulties and still succeed in the end. A great read, highly recommended !

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Why Black People Tend to Shout: Cold Facts and Wry Views from a Black Man's World Review

Why Black People Tend to Shout: Cold Facts and Wry Views from a Black Man's World
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The book was a scream! It was full of anecdotes that most of us as Blacks folks have experienced. The stories were funny but they were also disturbing because so many of the situations were blatantly racist. Black people do have to shout just to be heard. Then people wonder what all the shouting is about. This book is an easy and fast read. You are left shaking your head but with a smile on your face.

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Lawn Boy Review

Lawn Boy
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LAWN BOY provides some quick entertainment. It's a very manageable read at less than 90 pages. Readers are treated to quite a few laughs and a little business education.
The main character is a 12-year-old boy. His grandmother gives him a riding lawn mower for his birthday. She says it was his late grandfather's mower. Miracle of all miracles, the thing actually works, and he sets about mowing their pitiful excuse for a yard.
When he finishes the yard, a neighbor wonders if he can get his own lawn mowed. Soon he's mowing for the whole neighborhood. In a few short days, he has over three hundred dollars stuffed in his pockets.
Arnold, a stay-at-home stockbroker, would like his lawn mowed; but he admits to being short on cash. He offers a deal -- mow his lawn and he'll invest the cost of the mowing in the stock market and hopefully increase the investment. Boy, does he!
Before he knows it, he has a growing business and more money than he can even imagine. He has a stock portfolio that would be the envy of any businessperson. And just think, his only dream at the start of the summer was to have enough to afford a new inner tube for his bike tire.
The problem now is how do you break it to your parents that in five short weeks you have tons of money? Will they believe you?
Gary Paulsen has done it yet again. His die-hard fans will like the story, and reluctant readers will find it a quick and satisfying read. It's also a terrific read-aloud that will have them laughing and teach them a little about capitalism in the bargain.
Reviewed by: Sally Kruger, aka "Readingjunky"


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The Office and Philosophy: Scenes from the Unexamined Life (The Blackwell Philosophy and Pop Culture Series) Review

The Office and Philosophy: Scenes from the Unexamined Life (The Blackwell Philosophy and Pop Culture Series)
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What an amazing book! For anyone who LOVES "The Office" (either UK of US version), has ever had full-on intellectual discussions about it, maybe even felt a little dirty for having those discussions. For anyone who has ever wondered if these characters, or if any show, is worth so much mulling over and picking apart. The clear answer is a resounding "YES!" Intellectuals rejoice, you have found a place where all of those theories and ideas you've had are on paper. Sure, you might not agree with some of the essays, but isn't that the joy of intellectual discourse? If you buy this book, you might want to buy 2 or find a friend who would also be inclined to read it so you have someone to discuss the contents with as you read.
Just to recap what this book is: it is an anthology of academic papers on different moral and ethical issues and situations that are brought to light in both the UK and US versions of "The Office." It is a very clever, well thought, well chosen, and well organized anthology. Please note though, that I give this book a 5 out of 5 IF you are a fan of "The Office" and IF you are a fan of intellectual discourse. If not: forget it, move on, start with the show on DVD and work your way up.

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Olivia Review

Olivia
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"This is Olivia," begins Ian Falconer's delightful picture book about a precocious piglet. "She is good at lots of things." In charming and hilarious illustrations, Olivia's busy adventures take her through dress-up, playing with her cat, going to the beach and museum, (reluctantly) taking a nap, and going to bed after just one story...no, three stories.
This simply is one of the finest children's picture books of the year, and sure to be named on everyone's Top of 2000 list. Quietly humorous and tongue-in-cheek narration, fluid and expressive black-and-white-and-red artwork, and the charming portrayal of the busy and mischievous Olivia make this an instant classic. Sight gags abound (Olivia's ambitious sandcastle, her pink-pink sunburn, her dreams of being a ballerina, and her songbook "40 Very Loud Songs") and Falconer, a New Yorker cover artist and theatre designer, portrays the never-ending energy of a tiny pig, er, girl, with wit and charm.
Don't miss this one: suitable for all ages from the very young to the very old, "Olivia" is the prize of the season. It's the kind of book kids will be begging to have read to them before bed: bargaining for not once, not twice, but three times.

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Graphic Design America 2: The work of many of the best and brightest design firms from across the United States Review

Graphic Design America 2: The work of many of the best and brightest design firms from across the United States
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Like most others in the Rockport series this book has an intriguing preface and a conglomerate of great work. The book features several prominent firms while highlighting the designers that work there. It's a good source of information because it explains the communication problem, and then how the use of good design solved it. It does this across several different media, from the aesthetics of store architecture to the traditional printed brochure. Like the others from Rockport, certain projects are repeated in their other books, but overall, any individual with an eye for the intangible will appreciate this book.

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This second volume displays the work of 37 of the best designers and design firms from across the United States. Organized by DK Holland of the Pushpin with Chip Kidd and Jessica Helfand, the selection presents such firms as Looking, Los Angeles; Post Tool, San Francisco, Modern Dog, Seattle; Carlos Segura, Chicago; Go Media, Austin Texas; Greteman Design, Wichita, Kansas; P. Scott Makela, Minneapolis; Werner Design Works, Minneapolis; and Design!, Atlanta.

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Profit Over People: Neoliberalism & Global Order Review

Profit Over People: Neoliberalism and Global Order
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Edit of 20 Jun 09 to add links (feature not available back then)
This book begins with a very fine introduction by Robert McChesney, who defines neoliberalism as an economic paradigm that leaves a small number of private parties in control and able to maximize their profit (at the expense of the people). He goes on to note that a distracted or apathetic or depoliticized public essentially "goes along" with this, resulting in the loss of community and the rise of consumerism.
Chomsky himself, over the course of 167 pages, points out the damages of neo-liberalism (public abdicating power to corporations), not just to underdeveloped nations and their peoples, but to the American people themselves, who are suffering, today, from a fifteen year decline in education, health, and increased inequality between the richest and the poorest.
Over the course of several chapters, he discusses various U.S. policies, including the U.S. policy of using "security" as a pretext for subsidizing the transfer of taxpayer funds to major arms dealers. The declaration of Cuba as a threat to U.S. national security is one that Mexico could not support--as one of their diplomats explained at the time: "if we publicly declare that Cuba is a threat to our security, forty million Mexicans will die laughing."
At the end of it all, Chomsky comes down to the simple matter of protecting both civilization and the civilians from their own governments in cahoots with corporations. His observations on the deaths by disease, starvation, and so on, at the same time that billions are being spent on arms which perpetuate the cycles of violence, are relevant. So also are his observations on the dramatic increase in both the extent and the damages caused by increasingly unregulated financial markets. He singles out the Multilateral Agreement on Investment (MAI) as an especially pernicious organization whose machinations are invisible to the public and harmful as well.
I note with interest a review of this book that seeks to call Chomsky a liar, uninformed, and a laughingstock among "serious" scholars. I wish to address that point of view kindly. I can understand, when scholarship consists largely of going through the motions, reading a limited number of works, and answering by rote with the prescribed thought, how so many of our allegedly educated people in business and government are simply socially tuned in. I have myself come to the conclusion that Washington runs on 2% of the available international information (and is largely witless about the 75% or so that is in foreign languages), and I also agree with Howard Bloom's observation in Global Brain: The Evolution of Mass Mind from the Big Bang to the 21st Century, to wit, that half one's brain cells are killed off by the time one is an adult, due to normal biological adjustments to accommodate the prescribed social, cultural, and intellectual parameters that are demanded if one is to "get along." In that light, I view Chomsky as one of our more important vaccinations against premature stupidity among our loosely-educated adult policymakers. For myself, with considerable reading and a 25-year national security career behind me, I find that while Chomsky is repetitious, he is generally meticulous about foot-noting (something that cannot be said for the lazy authors residing in most think tanks, all of them being paid to think along very specifically prescribed directions).
The bottom line for me is clear: citizens must read and think, or perish from the earth as slaves to those who control money. There is only one thing that matters more than money in this world, and that is the vote. In a representative democracy, the vote can be bought with ease *until* the moment comes when citizens realize that they can combine the use of public sources to reach conclusions (open source intelligence) with self-organization via the Internet, with civil action (cyber-advocacy, street-advocacy, communication and voting) to *take back the power.* It is not terrorism that scares the corporate carpetbaggers, it is something much more powerful: thinking citizens willing to spend the time keeping their corporate servants in line.
Chomsky has labored for over fifty years to keep that part of our brain alive that our schools, seeking to train obedient factory workers, have worked so hard to kill. It can be disheartening, to see citizens so freely give up their rights and their powers, but I do believe, that with the The Radical Center: The Future of American Politics (Halstead and Lind), The Cultural Creatives: How 50 Million People Are Changing the World (Rya and Anderson) and other books I have reviewed, there is, without question, a tipping point. The Internet has changed everything-now we need for the people to notice, and act. Chomsky sheds light in a way that no prostituted scholar or preppy business acolyte will respect-but if the workers wish to begin reading for the future salvation of their children's rights, Chomsky is as good a place as any from which to step off into true democracy.
See also:
The Manufacture Of Evil: Ethics, Evolution, and the Industrial System
The Shock Doctrine: The Rise of Disaster Capitalism
Screwed: The Undeclared War Against the Middle Class - And What We Can Do about It (BK Currents (Paperback))
The Working Poor: Invisible in America
The Global Class War: How America's Bipartisan Elite Lost Our Future - and What It Will Take to Win It Back
The Corporation: The Pathological Pursuit of Profit and Power
The People's Business: Controlling Corporations and Restoring Democracy

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Why is the Atlantic slowly filling with crude petroleum, threatening a millions-of-years-old ecological balance? Why did traders at prominent banks take high-risk gambles with the money entrusted to them by hundreds of thousands of clients around the world, expanding and leveraging their investments to the point that failure led to a global financial crisis that left millions of people jobless and hundreds of cities economically devastated? Why would the world's most powerful military spend ten years fighting an enemy that presents no direct threat to secure resources for corporations?The culprit in all cases is neoliberal ideology—the belief in the supremacy of "free" markets to drive and govern human affairs. And in the years since the initial publication of Noam Chomsky's Profit Over People: Neoliberalism and Global Order, the bitter vines of neoliberalism have only twisted themselves further into the world economy, obliterating the public's voice in public affairs and substituting the bottom line in place of people's basic obligation to care for one another as ends in themselves. In Profit Over People, Chomsky reveals the roots of the present crisis, tracing the history of neoliberalism through an incisive analysis of free trade agreements of the 1990s, the World Trade Organization, and the International Monetary Fund—and describes the movements of resistance to the increasing interference by the private sector in global affairs.In the years since the initial publication of Profit Over People, the stakes have only risen. Now more than ever, Profit Over People is one of the key texts explaining how the crisis facing us operates—and how, through Chomsky's analysis of resistance, we may find an escape from the closing net.

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Celebrating Peanuts: 60 Years Review

Celebrating Peanuts: 60 Years
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One review for the casual fan, one review for the hardcore fan.
CASUAL
Buy this immediately; case closed. If you plan on remaining a casual Peanuts fan it will be all that you need for the rest of your life, and if you become a hardcore Peanuts fan because of this remarkable collection's capacity to convince, it will hold up as a worthwhile and useful purchase even after you've expanded your collection.
HARDORE
You face a more complex situation. If you're already a Peanuts diehard, most likely you're working on or already own everything released so far in Fantagraphic's essential Complete Peanuts series. Since Celebrating Peanuts: 60 Years only draws from highlights, why do we need yet another expensive selective Peanuts edition, when eventually we will have them all in Fantagraphic's fine volumes? Is Celebrating Peanuts indicative of the more unfortunate, fringe-commercialized aspects of Peanuts, while The Complete Peanuts is where the true fans maintain their loyalties? I was asking myself this question when I first found out about this new collection, but it was so handsome and I'm such an impulsive buyer when it comes to Schulz that I sprung for it anyway, and far from feeling I may have wasted my money, far from feeling merely "relieved", I was doing a Snoopy dance at the quality of this set.
This collection performs a function that is different than but just as important as that of the Complete Peanuts series. The Complete Peanuts is great for diehards hungry to see how the strip developed in great detail. It's good for scholarly work and archival purposes, as well as utter immersion. Celebrating Peanuts, on the other hand, strikes me first and foremost as a concentrated, self-contained and not incomplete plea for wider recognition of Schulz the Man as not just the "most world's beloved cartoonist" but as one of the greatest artistic geniuses of the second half of the 20th century. There have been other high profile takes on Schulz the Man and pleas for recognition of his genius: the Schulz Museum in Santa Rosa, California is no doubt a must-stop for Peanuts fans, largely for seeing Schulz's originals in person, but the biographical sense we get of Schulz from a visit there is understandably antiseptic, harmless, and uncomplicatedly reverent. The second high profile take on Schulz is David Michaelis's biography from a few years back, Schulz and Peanuts. The book is a great read, informative, and essential for Peanuts nuts, but much of its accuracy is contested, and it gives us a rather stock portrait of Schulz as a suffering artist, which, though probably more true to life than the Mr. Rogers other sources would have us think of, is nevertheless incomplete, and does not capture the joy and happiness present in Schulz's life and work. Preoccupied with extramarital melodrama, the biography also fails to give us enough insight into Schulz the Artist, his methods, what made his art as important as it is, to really be a serious argument for Schulz the Genius [more than Michaelis's book itself, I suggest The Comics Journal #290 (No. 290), for an exhaustive round-table discussion of Michaelis's biography featuring rebuttals from Peanuts experts as well as Schulz's son]. So when it comes to being the convincing accessible case for Schulz's genius, the family/museum's take is too antiseptic, Michaelis's take is too mournful and unartistic, and The Complete Peanuts, though they of course capture Schulz's genius with the most fullness, can be daunting and confusing for the uninitiated.
Celebrating Peanuts is the solution. It works as (1) an artistic and human biography, (2) an argument for greatness aimed at the uninitiated, and (3) a more friendly, concentrated excursion into Schulz's head (seen in new ways) that is more than appropriate for Fantagraphics fans, because even we sometimes only want the very best; Celebrating Peanuts nails down not only the most important and popular strips, tracking the formal/character developments along the way, but also reveals through its fine selection of the best obscure strips and storylines a very holistic image of Schulz's genius. Schulz as philosopher, gag man, and fine artist are all well represented here, reprinted in the finest quality (and often color) that we have yet seen. Take heed diehards, great as they are, The Complete Peanuts series does not do enough justice to Schulz's usually confident, sometimes shaky, but always elegant line work. But what really rockets this collection into greatness are the quotes from the man himself sprinkled lovingly and tellingly throughout the book. The close reader will notice in many of these quotes wisdom, insight, and roaring contradictory beliefs and emotions raging underneath a calm exterior, much like we see in the strips themselves. Hardcore fans may be familiar with some of these quotes, as many are drawn from Charles M. Schulz: Conversations (Conversations With Comic Artists), but by thoughtfully placing them among his life's work, the publishers have given us an intense one-stop Charles M Schulz experience; the best you could ever ask for.
This is truly a package for the ages. It is my desert island object. Get it.

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Sixty years of Peanuts, generations of fans, a gang of beloved characters, but only one creator: the legend, Charles M. Schulz.Andrews McMeel is proud to showcase the exclusive Celebrating Peanuts: 60 Years. It is packed with commentary from throughout Schulz's career, making this book not only a heartwarming tribute but also a true collector's item.This special 60th anniversary tribute is arranged decade, to spotlight the highlights and development of this world favorite classic.

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Why a Daughter Needs a Mom: 100 Reasons Review

Why a Daughter Needs a Mom: 100 Reasons
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The book is ridiculous, i ordered it for my mom for Christmas, thinking it would be nice, it has sayings in it such as: A daughter needs a mom to teach her how to become a good wife, a daughter needs a mom to teach her how to fix her hair. And by the way its written by a man, who is neither a mother or a daughter.

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