Showing posts with label nonfiction. Show all posts
Showing posts with label nonfiction. Show all posts

Ask Me If I Care: Voices from an American High School Review

Ask Me If I Care: Voices from an American High School
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As a teen worker I found this be a useful guide into the minds of teens. It didn't surprise me as much as it confirmed or validated my experiences working with teens. Be warned, if you are not ready to hear the truth in graphic detail, then this book is not for you. But, if you have an open mind, a caring heart and a willingness to really understand teens then this book is a must!

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The Books at the Wake: A Study of Literary Allusions in James Joyce's Finnegans Wake Review

The Books at the Wake: A Study of Literary Allusions in James Joyce's Finnegans Wake
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Atherton's book is "absotively" wonderful. Appreciating the Wake certainly requires this book. Numerous linguistic influences on Joyce from various authors are catalogued. Particularly interesting is the lengthy analysis of Lewis Carroll's literary influence on Joyce:
1. Carroll is presumably the undisputed inventor of the portmanteau word - a word packed with multiple meanings. Carroll was content to have dual meaning but Joyce packed as many meanings as possible into his words.
2. Carroll (like Joyce) worked with successive alterations of one letter in a word - meat, meet, mate, maze, etc. Sections of the Wake which obliquely referenced Carroll would routinely incorporate this technique.
3. Alice served as an alterego for Joyce's heroine ALP, where "Wonderlawn" is code for the Garden of Eden.
In short, Joyce found much in Carroll's work that (in the case of the portmanteau word, to his surprise) neatly "dovetallied" with his own "work in progress". The Books at the Wake is a fascinating and well-written collection of many more such analyses (Shakespeare, Blake, Vico, etc.).

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In Finnegans Wake Joyce uses world lit­erature, great and small, sacred and pro­fane, as one of the most important and frequent of his sources. Setting out to ex­plore these literary allusions, Mr. Atherton sheds a great deal of light upon other as­pects of Joyce's work. Entire chapters are devoted to such major figures as Swift and Lewis Carroll, while less important influences are grouped together under such headings as "The Irish Writers" and "The Fathers of the Church." He also sur­veys the various interpretations of Finnegans Wake, and makes use of the Letters of James Joyce and the manuscript of Fin­negans Wake in the British Museum.

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Wind, Sand and Stars Review

Wind, Sand and Stars
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Antoine de Saint-Exupery was one of the most interesting figures of 20th century literature. He wrote The Little Prince, a children's book that sold 200,000 copies in the U.S. alone in one year several years ago, and was also the author of several novels and memoirs, all relating to flying, of which this is one. The author was MIA over his beloved France while flying for the Free French Air Force in 1944 (after having to argue to be allowed to fly in combat; he was considered a national treasure). It appears the site of the wreck was discovered in the water just off the Riviera a couple of years ago, though no one's certain.
Wind, Sand and Stars is a recounting of several episodes in Saint-Exupery's life as a pilot, told to illustrate his view of the world, and especially his opinions of what makes life worth living, and who we are or should be. He was a wonderfully insightful individual, and his prose and ideas are the sort of thing you'll carry with you for years. I would highly recommend this book.

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Stretch: The Unlikely Making of a Yoga Dude Review

Stretch: The Unlikely Making of a Yoga Dude
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Yes, there is a lot about yoga in this book and Pollack's journey through yoga is the story, but this book is really about a a guy who is on the verge of a full-blown midlife crisis and attempts to deal with it by re-discovering his "best self." Pollack pulls this off by avoiding sentimentality and self-pity - his wit and humor is sharp and hits the target. It is clear that Pollack is not a wild-eyed yoga zealot, he finds yoga teachers and methods that speak to him, but he also pulls no punches when it comes to some of the more cynical yoga-marketing schemes (the "yoga championship" section is really a marvel). I found myself for-real laughing out loud whenever I picked up the book.

As someone around Pollack's age (and not that into yoga), his journey resonated with me this book resonated with me. Yes, I went to some yoga classes after reading the book, but more importantly it served as a reminder to try to find my own "best self" and not take myself so damn seriously.
Highly recommended.

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Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation Review

Eats, Shoots and Leaves: The Zero Tolerance Approach to Punctuation
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Readers, check your reaction to the following sentence:
Lynne Truss, an English grammarian is bloody fed up with sloppy punctuation.
Does that sentence leave you feeling confused, irritated, or angry? Do you feel you have to second-guess the author of the sentence, forced to ascertain whether s/he was writing to Lynne Truss or about Ms. Truss?
But that sort of thing is almost the norm these days, on both sides of the Atlantic. Of course, we Americans have been struggling for years with FRESH DONUT'S DAILY and Your Server: "MILLY" -- not to mention the archy-and-mehitabel school of e-mail that neither capitalizes nor punctuates and reading through this kind of sentence really gets confusing i think it does at least do you too?
Turns out that even the British--including the elite "Oxbridge" inteligentsia--are wildly ignorant of punctuation's rules and standards. Lynne Truss, an English grammarian and author of EATS, SHOOTS & LEAVES, is bloody fed up with it! So she wrote this handy little book that is ever-so-correct but not condescending, sometimes savage but not silly, full of mission and totally without mush.
Think of Truss as punctuation's own Miss Manners, a combination of leather and lace, with maybe a bit more emphasis on the leather. (She advocates forming possees to paint out incorrect apostrophes in movie placards.) But her examples of bad punctuation serve a purpose: bad punctuation distorts meaning. EATS, SHOOTS & LEAVES includes numerous hilarious backfires of punctuation -- statements and missives that use the exact same words but convey totally opposite messages due to inappropriate punctuation.
Do commas go where they go for breathing, as the do-it-naturally school of non-grammar so many of us were exposed to would have it? Or were they for Medieval chanting or, more analytically, for grammar? Truss explains that it's a mish-mosh of all three, and proceeds to make useful sense of it all. Along the way she confesses she would have gladly borne the children of the 15th-Century Italian typographer who invented Italics and the forward-slash.
With its blend of high dudgeon and helpfulness, Truss steers the reader through the shoals of possession and apostrophes, quotations (British use is a bit differerent from North American, but only a bit, and she notes the difference), the useful if forlorn semicolon, the mighty colon, the bold and (mea culpa) overused dash and other interrupters like parenthesees and commas.
It's important to note that Truss, while something of a true believer, is a believer who lives in the 21st Century. She does not advocate turning back the clock to the 1906 version of Fowler's MODERN ENGLISH USAGE; she is not a snob; she does not overwhelm us with technical terms of grammar and punctuation for their own sake. Just good, common-sense English prescriptive lessons in grammar. People who know they don't know their stuff will learn the right stuff there. People who felt that "the rules" have somehow become archaic in the last thirty years will be happy to see that there are still rules, and while they have become more fluid and pragmatic, they haven't changed inordinately. "It's" still means "It is" and "Its" is still a possessive: "It's a wise publisher that knows its public," say.
Best of all, the teaching is conveyed with wit, bite, and in a snappy tome easy to carry and inexpensive. I'm a former English teacher and I couldn't help but learn and laugh. Highly recommended.
Oh, John Updike? He uses comma faults all that time, that's a sentence like this that splices main clauses together with a comma, maybe using semicolons or starting a new sentence would be better. For us mere mortals, though, standard punctuation fits the norm: once we become world-famous, then we can punctuate at will.

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Tales of a Shaman's Apprentice: An Ethnobotanist Searches for New Medicines in the Amazon Rain Forest Review

Tales of a Shaman's Apprentice: An Ethnobotanist Searches for New Medicines in the Amazon Rain Forest
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If you're a student of ethnobotany, you've come across the works and influence of Richard Evans Schultes who not only got the discipline on the charts but also spawned all of its major researchers. Plotkin, like many of the other ethnobotanists out there, never imagined going into this area but after attending a lecture by Schultes was forever hooked. And who wouldn't be? There are few tracks of study that harken back to the great era of discovery when large swaths of maps were inscribed "TERRA INCOGNITA" and strange tales of lost tribes, hidden ruins, and secret rituals abounded. In short, ethnobotany is a calling card for the last terrestrial adventure. Reading any of its texts one gets to take part in this adventure vicariously.
Like "One River" (Wade Davis), Plotkin's "Tales of a Shaman's Apprentice" takes us to the most remote areas of the Amazon and allows us to sample the last vestiges of traditional cultures where, in the words of Plotkin, the arrival of Columbus in 1492 is just being felt. It's taken 500 years for European civilization to finally penetrate the canopy of the deep rainforest but the Conquest is now nearly complete and the very last of the holdouts are starting to wear ratty jeans and tossed off t-shirts, sing cheesy Bible hymns, and guzzle down Coca-Cola. For all the adventure and good writing, a long sad tune is heard as one reads this book; a threnody to bemoan the last gasp of wise-old cultures as their vision goes dark. And with each of these cultures is lost all the knowledge of plants that they have come to know so well. But, in truth, the loss of this knowledge is not so important since the plants themselves are disappearing into oblivion even faster. As was recently reported, the Amazonian rainforest lost 10000 square miles in 2004 alone. It seems that all one can do is stand tall at the funeral to pay respect.
Lest one lash out too quickly at the misguided missionaries or encroaching campesinos, Plotkin does a majestic job of introducing us to these characters and showing how each is doing what is right in its own way. It's just that the rainforest was never meant to take on modernity and humanity's billions. As the two clash, modernity-as has been its record-wins, even at the loss of irreplaceable natural resources.
The book is hard to put down and if one needs more of the same, "One River" should be the next read. With enough interest in the Amazon and its issues perhaps, just perhaps, a critical mass of people can come together to better protect this ecological and anthropological treasure trove.


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No Pity : People with Disabilities Forging a New Civil Rights Movement Review

No Pity : People with Disabilities Forging a New Civil Rights Movement
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As a deaf person and an educator, I find myself very involved whether I like it or not in being an activist. I was taking a law class on disability law, and the second footnote in the required text was on this book. That intrigued me, and when I read the reviews about the book, I was even more intrigued. This book is a must-read for anyone who might or does work with the disabled. We no longer want the pity, the institutions, and the exclusion from society. We want to be viewed as normal except with one part or a few parts that may not function as some would consider normal. We want an equal education, equal opportunity to jobs, equal opportunities to participate in society. And everyone will be the better for it. Mr Shapiro as a non-disabled person, wrote a book that was compassionate but strived hard to see things from our point of view. This ability probably stands him in good stead as a journalist. He even taught me things I didn't know about other disabilities. Educators, lawyers, politicians, parents, social workers, and health care professionals need to get off their duff and read this book. They can no longer turn a blind eye or claim ignorance as an excuse to not allowing those of us with differences our rights under the law.

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Blood Red Sunset: A Memoir of the Chinese Cultural Revolution Review

Blood Red Sunset: A Memoir of the Chinese Cultural Revolution
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This is an absolutely phenomenal book. There's so much about the Cultural Revolution and the early days of Communist China that just gets glossed over in history classes and general books about the country. Ma Bo was on the inside of it all, and despite his unflinching belief in Communist ideals, was nonetheless punished by the very system he had so much faith in.
I was worried that this book would be tainted by the stain of moralizing one way or the other. What a relief it is to read on such a charged subject and not be preached at. Ma Bo simply tells his story, and you take away from it whatever you will. There's deep understanding of what motivated the Chinese then (and to one degree or other still motivates them today), and there is much to be learned from this tale.
Whatever your thoughts on Communism, I strongly recommend this book to anyone who is at all curious about this major chapter in modern Chinese history.

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The Villas of Pliny from Antiquity to Posterity Review

The Villas of Pliny from Antiquity to Posterity
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Rarely, perhaps once in a generation, does an enterprising scholar step forth with a truly novel research idea and the capacity to see it through. Du Prey''s Villas of Pliny is just this: an utterly fascinating, deliciously composed, and copiously illustrated treatment of a neglected theme in architectural history. Although it is the author's object to document the perennial allure for post-medieval architects of Pliny the Younger's literary picture of villa life in ancient Rome, the book's overall theme could be equally understood as the enduring architectural potency of one man's idea of 'the good life.' Du Prey succeeds triumphantly both in the close compass of the historian's exercise and in broader quality-of-life issues.
The book opens with a leisurely literary examination of Pliny's Como letters and proceeds to articulate the four 'cardinal points' of a villa described in the epistles to Gallus (bk. 2, ep. 17) and Apollinaris (bk. 5, ep. 6). Judiciously, Du Prey furnishes translations of these missives as appendices; the translation upon which he relies is John Boyle's unsurpassed mid-eighteenth century text. After setting forth some of the basic themes that unite various projects across the centuries, the author proceeds through a historical sequence of reconstruction exercises and built designs each determined by a conscious reflection upon Pliny's descriptions of his Laurentine and Tuscan villas. From the Medici's documented interest through various 'ruins and restitutions' and 'emulations,' Du Prey offers the reader an engaging tour through one of the most imaginatively fertile corridors of architectural history.

Although some of this material will be familiar to reader's of James S. Ackerman's recent study , Du Prey's fidelity to the literary exigencies of his topic keeps him from wandering back to familiar stylistic comparisons with survey material. In fact, it is Du Prey's tenacity in seeking out new imagery that keeps one eagerly turning the pages to digest the projects of Francesco Lazzari, William Newton, Stanislas Potocki, Friedrich August Krubsacius, Karl Friedrich Schinkel, Louis-Pierre Haudebourt, Jules-Fr'd'ric Bouchet, and Hubert Stier. Not only has Du Prey expanded our understanding of historically well-established figures like Palladio and F'libien, he has also tilled the fields of relatively obscure talents to great advantage. The author dedicates the majority of one closing chapter to detailed discussions of several designs for a 1982 exhibition and colloquium in Paris; this amounts to a sustained essay in architectural criticism, and many readers will agree that, compared to his historical labors, this section constitutes the least successful portion of the book. Nevertheless, one hopes this study will generate an increased awareness of the significance of the Pliny theme and that other treatments ' such as Constantin Lipsius's 1889 project in the archive of Dresden's Academy of Fine Arts ' will find their way into future editions.

The opportunity to survey such a rich thematic vein as Pliny's legacy invites one to make new connections and associations. One such thought isThe Villas of Pliny should be regarded as a signal contribution to a growing awareness that, in terms of the History of Ideas, the overall continuity of much of nineteenth century art and architectural theory with what has been called the 'Renaissance'Baroque system' is more in evidence than ever before. In other words, while generations of scholars have tended to locate the formal sources of 'modernity' in the late-eighteenth century , the strands linking nineteenth-century ideas about art and creativity to much earlier periods are increasingly difficult to deny. Although such a perspective tends to attenuate the rupture of the 'High Modernism' of the 1920s, the conceptual lineaments of historicism are perhaps better served.

Regardless of the book's manifold historiographic value, its significance as a stirring, unforgettable read is impossible to deny.

[This review originally appeared in The New Criterion.]

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Pierre de la Ruffinière du Prey traces the influence of Pliny the Younger as a continuous theme throughout the history of architecture. First he looks at what Pliny considered to be the essential qualities of a villa. He then discusses the many buildings Pliny inspired: from the Renaissance estates of the Medici, to papal summer residences near Rome, to Thomas Jefferson's Monticello, and the home of former Canadian prime minister Pierre Elliott Trudeau. Equally important to du Prey's study are the many designs by architects past and present that remain on paper. These imaginary restitutions of Pliny's villas, each representative of its own epoch, trace in microcosm the evolution of the classical tradition in domestic architecture. In analyzing each project, du Prey illuminates the work of such great masters as Michelozzo, Raphael, Palladio, and Schinkel, as well as such well-known modern architects as Léon Krier, Jean-Pierre Adam, and Thomas Gordon Smith.

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The Elements of Journalism: What Newspeople Should Know and the Public Should Expect, Completely Updated and Revised Review

The Elements of Journalism: What Newspeople Should Know and the Public Should Expect, Completely Updated and Revised
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Where are the Walter Cronkites of the world?
I don't know the answer to this question, but I have often wondered what happened to those highly respected, eminently fair, seemingly unbiased journalists who used to grace our television sets and newspapers.
This book, written by journalists on behalf of a group of high level, very concerned journalists, directly addresses in a most lucid and intelligent manner their belief that something is "seriously wrong" with their profession.
If awareness is indeed the first step on the road to recovery, this book bodes well for the development of a new journalism, one that is in sync with the electronic age and will, much like Walter Cronkite, inform us of the facts and encourage us to form our own opinions, as is our right and responsibility as citizens.
If you are concerned about our democracy and the important role that journalism plays in preserving it, I encourage you to read this excellent book.
Robert E. Levasseur, Ph.D., president of MindFire Press (www.mindfirepress.com).


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The Book That Every Citizen and Journalist Should Read"What this book does better than any single book on media history, ethics, or practice is weave . . . [together] why media audiences have fled and why new technology and megacorporate ownership are putting good journalism at risk." —Rasmi Simhan, Boston Globe"Kovach and Rosenstiel's essays on each [element] are concise gems, filled with insights worthy of becoming axiomatic. . . . The book should become essential reading for journalism professionals and students and for the citizens they aim to serve." —Carl Sessions Stepp, American Journalism Review"If you think journalists have no idea what you want . . . here is a book that agrees with you. Better—it has solutions. The Elements of Journalism is written for journalists, but any citizen who wonders why the news seems trivial or uninspiring should read it." —Marta Salij, Detroit Free PressThe elements of journalism are:* Journalism's first obligation is to the truth.* Its first loyalty is to citizens.* Its essence is a discipline of verification.* Its practitioners must maintain an independence from those they cover.* It must serve as an independent monitor of power.* It must provide a forum for public criticism and compromise.* It must strive to make the significant interesting and relevant.* It must keep the news comprehensive and proportional.* Its practitioners must be allowed to exercise their personal conscience.

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Writing to Change the World Review

Writing to Change the World
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Deep down, all writers aspire to be what Mary Pipher calls "Change Writers". Mary Pipher gets to the heart, the root of why we write. Whether we are 'liberal' or 'conservative', republican or democrat, athiest or 'fundamentalist', we write because we understand that we can influence people with our words.
This is not a book on "How to Write". This is not even a book of inspiration for curing "Writer's Block". This is a book that brings to light the things which the heart of every writer knows, yet often forgets.
Pipher separates her book into three sections, "What We Alone Can Say", "The Writing Process" and "Calls to Action". I found "What We Alone Can Say" and "Calls to Action" to be the most insightful and original. I was actually debating whether I liked the book while reading the center section. But, Pipher pulled through. The irony is that she includes a Mickey Spillane quote that says, "Nobody reads a book to get to the middle." I wonder if Pipher struggled with the center section herself.
If you want a book on how to write, or a book for inspiration, pick up Write Down the Bones. Pipher also recommends this book in a thorough list of Recommended Readings. If you are a writer, a performer, a blogger or a poet who is trying to figure out how to make a difference, pick up Pipher's book.
I have found that many of my most treasured books begin with a James Baldwin quote. Pipher chooses, "You write in order to change the world, knowing perfectly well that you probably can't, but also knowing that literature is indispensable to the world... The world changes according to the way people see it, and if you alter, even by a millimeter, the way... people look at reality, then you can chage it." Pipher offers a guide to changing the world one "Baldwin Millimeter" at a time.
(Side note: Pipher references a song by Billie Holiday "Strange Fruit" While this was the perfect example, the song was not actually written by her, but by a poet who does not receive credit in this book.)

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The Nuts and Bolts of College Writing Review

The Nuts and Bolts of College Writing
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I first encountered "Nuts and Bolts" several years ago, when it was just a web-site. Back then, Yahoo! gave it one of their "cool sites" awards (complete with cute little sunglasses.) It became such a hit on the web, Hackett decided to give Professor Harvey a publishing contract.
Its great that they did, because the other college writing handbooks are either deadly dull or sprouting whiskers. Nuts and Bolts is neither dry nor bewhiskered -- it is hip, handy, and highly literate. This new book could (and should) evict Strunk and White, Turabian, Chicago Style Book, and all the other has-beens and never-weres as the one book every college student (yes, including science majors) should carry in their book bag. (Dissertation-writers may still need Chicago for their fine brush-work, but everyone else will find this jack-of-all-topics addresses most high-school and college needs.)
What's so great about this book? Essentially, it provides one-stop shopping for the essentials of good college term-paper writing -- usually dispensed in travel-sized doses of only three or four pages.
Nuts and Bolts presumes little, but teaches much. It rides no high horses, grinds no axes, curries no favors. Yet it is both idiot- and pedant -proof. Never written an essay before, but want to know what one is? Nuts and Bolts will tell you, without making you feel stupid for having asked. (Enlightening but non-overwhelming flashback to Montaigne included). Want to know what good sentences look like? (hint: active verbs) How to cite a "blog" in an essay? (take that, Strunk and White!) "Nuts and Bolts" does all this and (much) more while always remembering that brevity is the soul of pedagogy.
Finally, though it crisply marches student essays from the first head-scratch to the last push of the "print" button, its elegant writing and efficient layout make Nuts and Bolts ideal for sustained soaks or surgical strikes as needs dictate. Perfect example: Nuts and Bolts provides side-by-side comparisons of how each of the three major citation-systems expect students to format books, articles, websites (etc.) in their bibliographies and footnotes. A veritable god-send for the student triple-majoring in English Lit, Psychology, and Bio!
This book is written so clearly, and presumes so little background on the part of its reader (Professor Harvey has obviously studied the average scantily-trained college student in its native habitat) that you almost don't realize how supremely intelligent it is. Though it will probably mostly be assigned for remedial purposes, the book is so engagingly written it will inspire even very good writers -- teachers and professors included -- to carry it around in their own soft-sider brief cases. Adios, Strunk and White. Hello, Nuts and Bolts.

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Engagingly written and illustrated with scores of telling examples, this plainspoken how-to book for college writers identifies those qualities that most typically distinguish good writing from bad and provides practical measures for avoiding pitfalls. Included are do's and don'ts for achieving concision, clarity, and flow, as well as pointers on using punctuation, writing gracefully, citing sources, and structuring persuasive writing. Championing "the plain style" with a keen appreciation for the uses to which language can be put—including abuses to which it is prone—The Nuts and Bolts of College Writing is a guide that never fails to remind readers why good writing matters so much in the first place, in college and beyond.

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Profit Over People: Neoliberalism & Global Order Review

Profit Over People: Neoliberalism and Global Order
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Edit of 20 Jun 09 to add links (feature not available back then)
This book begins with a very fine introduction by Robert McChesney, who defines neoliberalism as an economic paradigm that leaves a small number of private parties in control and able to maximize their profit (at the expense of the people). He goes on to note that a distracted or apathetic or depoliticized public essentially "goes along" with this, resulting in the loss of community and the rise of consumerism.
Chomsky himself, over the course of 167 pages, points out the damages of neo-liberalism (public abdicating power to corporations), not just to underdeveloped nations and their peoples, but to the American people themselves, who are suffering, today, from a fifteen year decline in education, health, and increased inequality between the richest and the poorest.
Over the course of several chapters, he discusses various U.S. policies, including the U.S. policy of using "security" as a pretext for subsidizing the transfer of taxpayer funds to major arms dealers. The declaration of Cuba as a threat to U.S. national security is one that Mexico could not support--as one of their diplomats explained at the time: "if we publicly declare that Cuba is a threat to our security, forty million Mexicans will die laughing."
At the end of it all, Chomsky comes down to the simple matter of protecting both civilization and the civilians from their own governments in cahoots with corporations. His observations on the deaths by disease, starvation, and so on, at the same time that billions are being spent on arms which perpetuate the cycles of violence, are relevant. So also are his observations on the dramatic increase in both the extent and the damages caused by increasingly unregulated financial markets. He singles out the Multilateral Agreement on Investment (MAI) as an especially pernicious organization whose machinations are invisible to the public and harmful as well.
I note with interest a review of this book that seeks to call Chomsky a liar, uninformed, and a laughingstock among "serious" scholars. I wish to address that point of view kindly. I can understand, when scholarship consists largely of going through the motions, reading a limited number of works, and answering by rote with the prescribed thought, how so many of our allegedly educated people in business and government are simply socially tuned in. I have myself come to the conclusion that Washington runs on 2% of the available international information (and is largely witless about the 75% or so that is in foreign languages), and I also agree with Howard Bloom's observation in Global Brain: The Evolution of Mass Mind from the Big Bang to the 21st Century, to wit, that half one's brain cells are killed off by the time one is an adult, due to normal biological adjustments to accommodate the prescribed social, cultural, and intellectual parameters that are demanded if one is to "get along." In that light, I view Chomsky as one of our more important vaccinations against premature stupidity among our loosely-educated adult policymakers. For myself, with considerable reading and a 25-year national security career behind me, I find that while Chomsky is repetitious, he is generally meticulous about foot-noting (something that cannot be said for the lazy authors residing in most think tanks, all of them being paid to think along very specifically prescribed directions).
The bottom line for me is clear: citizens must read and think, or perish from the earth as slaves to those who control money. There is only one thing that matters more than money in this world, and that is the vote. In a representative democracy, the vote can be bought with ease *until* the moment comes when citizens realize that they can combine the use of public sources to reach conclusions (open source intelligence) with self-organization via the Internet, with civil action (cyber-advocacy, street-advocacy, communication and voting) to *take back the power.* It is not terrorism that scares the corporate carpetbaggers, it is something much more powerful: thinking citizens willing to spend the time keeping their corporate servants in line.
Chomsky has labored for over fifty years to keep that part of our brain alive that our schools, seeking to train obedient factory workers, have worked so hard to kill. It can be disheartening, to see citizens so freely give up their rights and their powers, but I do believe, that with the The Radical Center: The Future of American Politics (Halstead and Lind), The Cultural Creatives: How 50 Million People Are Changing the World (Rya and Anderson) and other books I have reviewed, there is, without question, a tipping point. The Internet has changed everything-now we need for the people to notice, and act. Chomsky sheds light in a way that no prostituted scholar or preppy business acolyte will respect-but if the workers wish to begin reading for the future salvation of their children's rights, Chomsky is as good a place as any from which to step off into true democracy.
See also:
The Manufacture Of Evil: Ethics, Evolution, and the Industrial System
The Shock Doctrine: The Rise of Disaster Capitalism
Screwed: The Undeclared War Against the Middle Class - And What We Can Do about It (BK Currents (Paperback))
The Working Poor: Invisible in America
The Global Class War: How America's Bipartisan Elite Lost Our Future - and What It Will Take to Win It Back
The Corporation: The Pathological Pursuit of Profit and Power
The People's Business: Controlling Corporations and Restoring Democracy

Click Here to see more reviews about: Profit Over People: Neoliberalism & Global Order

Why is the Atlantic slowly filling with crude petroleum, threatening a millions-of-years-old ecological balance? Why did traders at prominent banks take high-risk gambles with the money entrusted to them by hundreds of thousands of clients around the world, expanding and leveraging their investments to the point that failure led to a global financial crisis that left millions of people jobless and hundreds of cities economically devastated? Why would the world's most powerful military spend ten years fighting an enemy that presents no direct threat to secure resources for corporations?The culprit in all cases is neoliberal ideology—the belief in the supremacy of "free" markets to drive and govern human affairs. And in the years since the initial publication of Noam Chomsky's Profit Over People: Neoliberalism and Global Order, the bitter vines of neoliberalism have only twisted themselves further into the world economy, obliterating the public's voice in public affairs and substituting the bottom line in place of people's basic obligation to care for one another as ends in themselves. In Profit Over People, Chomsky reveals the roots of the present crisis, tracing the history of neoliberalism through an incisive analysis of free trade agreements of the 1990s, the World Trade Organization, and the International Monetary Fund—and describes the movements of resistance to the increasing interference by the private sector in global affairs.In the years since the initial publication of Profit Over People, the stakes have only risen. Now more than ever, Profit Over People is one of the key texts explaining how the crisis facing us operates—and how, through Chomsky's analysis of resistance, we may find an escape from the closing net.

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Bonk: The Curious Coupling of Science and Sex Review

Bonk: The Curious Coupling of Science and Sex
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This a truly great tale of a first-hand look at science and sex from both the inside and the outside! Mary Roach provides a humorous and often very personal view--both as a participant and observer--of humans, animals, and mechanical devices: there is much that you would never have imagined, and perhaps would rather never of heard of at all. She and her husband Ed have sex in a 20-inch diameter MRI tube in the interests of science. The doctor looks on, makes suggestions, and finally tells Ed "You may ejaculate now". The author also recounts the experiments by Kinsey is his attic many years ago and tries to track down the film footage.
The author's great sense of humor needs to be read to be believed. She spares no one, and particularly not herself or her husband. She travels to Taiwan to watch an implant operation. In one of the funniest parts[and this says a lot, since the book will have you howling a lot] she goes to Denmark to watch artificial insemination of sows. We know this happens with cows, and you might suppose that there's not much difference with pigs, but you'd be wrong, very wrong indeed. Suffice it to say that the best results occur, when, among other things best not mentioned here, the AI person lies down on the sow's back and fondles her teats during the process. You may never regard your morning sausage quite the same way again.
The author has a lot of asides that are a delight to read. If you usually skip the footnotes in a book, you'll miss a lot here. You'll learn a lot--for all the things that might seem frivolous, but which are not, the book is a scientific one. Roach has a curiosity, an appetite for knowledge, and has the capability that perhaps most scientists do not have, which is to mix science and humor. Stephen Gould was able to do this, but his humor was not as pervasive--his writing is, at a guess, 95% science at 5% humor, whereas with Roach it's more like 50-50. Martin Gardner's great Fads and Fallacies in the Name of Science may be the closest similar work to Roach's book. This book is certainly not for everyone, and there are those who will be deeply offended, but for most it should be a real treat to read!

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The Poetics of Imperialism: Translation and Colonization from The Tempest to Tarzan Review

The Poetics of Imperialism: Translation and Colonization from The Tempest to Tarzan
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An incredibly brilliant challenge to assumptions long held by clueless white males. The patriarchal agendas of eurocentrism are here interrogated by an awe-inspiring intelligence. This is an important book, one that is a must read for those of us on the front lines combatting stereotypes.

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Selected by Choice magazine as an Outstanding Academic BookCheyfitz charts the course of American imperialism from the arrival of Europeans in a New World open for material and rhetorical cultivation to the violent foreign ventures of twentieth-century America in a Third World judged equally in need of cultural translation. Passionately and provocatively, he reads James Fenimore Cooper and Leslie Marmon Silko, Frederick Douglass, and Edgar Rice Burroughs within and against the imperial framework.At the center of the book is Shakespeare's "Tempest," at once transfiguring the first permanent English settlement at Jamestown and prefiguring much of American literature. In a new, final chapter, Cheyfitz reaches back to the representations of Native Americans produced by the English decades before the establishment of the Jamestown colony.


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Martha Graham: A Dancer's Life Review

Martha Graham: A Dancer's Life
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I am a former Graham Dancer, and when I saw this book, I had some very intense emotions, it shows Martha in her best years, the pictures are beautiful, some of them are very rare to see, and if you want to see the beauty, or the drama, of that Incredible American Woman, this is the book you need to own. As a Graham Based Dance Teacher, I use this book to show some intentions in the movement, or I simply quote her, I wish you a wonderful Journey in the world of Martha Graham...

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Walden : An Annotated Edition Review

Walden : An Annotated Edition
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Walter Harding was one of the greatest Thoreau scholars. His annotations include explanations of puns I hadn't understood, sources of quotes and references in the text, and information about Thoreau's time. I also learned that one of my favorite places in Concord was referred to by Thoreau as Fairyland Pond.
The book also includes a map of the area in Thoreau's time, reproductions of HDT's manuscript pages, drawings and excerpts from his journal, and his map of Walden Pond with water depths he determined.
I wouldn't say the book is perfect--there are still a few obscure references without notes, and some notes for points that are obvious--but it's as close as anyone is likely to come.
Be sure to also read Harding's The Days of Henry Thoreau, a great biography.

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